General Enquiries & Promos_
moonwalkdjs@gmail.com

Mr. Wright is a Washington D.C. based producer currently based out of San Diego, CA. He is the label boss of Deep Tech Recordings and is the driving force between the Deep Tech collective in Washington DC and San Diego.

Booking: suratt@kodex-talent.com
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Few artists embody the metaphor of life as a journey quite like Joyce Muniz. Born in Brazil and raised in Vienna, the DJ, producer, vocalist, and radio host now splits her time between Vienna — where she runs her studio and hosts a show on FM4 — and Berlin. She first made her mark at Vienna’s legendary Flex club as a DJ and MC before moving fully into production, releasing on leading labels including Exploited, Get Physical, Kompakt, Permanent Vacation, International DJ Gigolo, and Pets Recordings. Joyce also spent five years as a radio resident on Rinse FM UK, further cementing her presence across Europe’s electronic landscape.
Joyce’s creative world has expanded significantly in recent years. She became the first woman to join Germany’s Synth Live orchestral project, taking her hybrid electronic–orchestral show across the country. Her 2023 album Zeitkapsel (“time capsule”) represented a major artistic leap and the launch of her own imprint, Joyce Muniz Music. The record revisited the sounds that shaped her — from trip-hop and downtempo to drum & bass, house, and electro — with highlights such as the Portuguese-spoken anthem “Arrivederci Bella.”
A deep spiritual and artistic transformation also fuels her work. After overcoming cancer in her early 30s, Joyce returned to her Brazilian roots through plant-medicine traditions linked to her grandfather’s shamanism — a rebirth that continues to guide her creativity and purpose. During the pandemic she honed her technical craft, became a sought-after workshop host for Native Instruments, and completed a Bachelor’s degree in radio presenting.
Her momentum has only accelerated. In 2024 she released “No Haters” with Renato Cohen on Permanent Vacation, followed by her breakout Kompakt debut “Beats & Lines” with Sara Bluma — a track that held the No.1 position on Beatport’s Indie Dance Chart for several weeks. In 2025 she returned with the Afro-electro single “Mo Dupe” on Exploited, a lo-fi Yoruba-inspired homage to gratitude, and the powerful Kompakt release “Hack The System” featuring Futuradora, blending electro energy with sharp socio-political commentary.
Equally dedicated to the community, Joyce serves as a mentor and A&R guide for Lady of the House Brazil, supporting women and non-binary producers in electronic music. On the road, she tours nonstop across Europe, the Americas, and Brazil — where her achievements earned her a Mixmag cover feature.
Joyce Muniz is an artist in constant evolution: a boundary-breaking producer, a magnetic DJ, a cultural connector, and a storyteller guided by rhythm, identity, and spirit. With new releases and collaborations ahead, her journey — already spanning continents, styles, and generations — is only just beginning

Established in London, 1999.

#HouseMusicAllLifeLong

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


DJ, Event Planner, Curator, Promoter, Crate Digger, Enthusiast, Cat Dad...I mean, I really love music :)

Celebrating the power of music <3
House X Techno, Deep, Minimal, Acid...I want to move your body, open your mind, and touch your soul...

Aka - Kontinúum

Artists Supported:
-Duke Dumont
-Tchami
-MK
-Golf Clap
-Dom Dolla
-Cut Snake
-Lee Foss
-Bruno Furlan
-Maximono
-Sage Armstrong
-BOT
-Low Steppa
-Porky
-Mason Maynard
-andhim
-Luttrell
-Monolink
-Marsh
-Enamour
-Dosem
-Nox Vahn
-Autograf
-Golden Features
-Throttle
-Gryffin
-Mark Farina
-Fouk

Venue Profile:
-U Street Music Hall (DC)
-Flash (DC)
-Echostage (DC)
-Soundcheck (DC)
-Bang Bang (CA)
-The Social (CA)
-Blonde Bar (CA)
-Break Point (CA)
-Catharsis on the Mall/National Mall (DC)
-Beauty in the Backyard Arts Festival (MD)
-Frozen Harbor Festival (MD)
-Mind Field Music & Arts Festival (WV)
-Cesar Chavez Park (CA)
-Burning Klam (CA)
-Elixir (FL)
-The Geek Easy (FL)
-Creative Labs (MD)
-O-Ku (SC)
-Jimmy Valentine's (DC)
-Rock & Roll Hotel (DC)
-Party on the Potomac (DC)
-DC Brau (DC)
-Backbar [9:30 Club] (DC)
-Mosaic (MD)
-MilkBoy ArtHouse (MD)
...& many more!

::welcome home::
✺ the proof is on the dancefloor
✺ celebrating the underground for over 40 years

therunningzane is following