@zefora: Great!!!!   Great!!!! Great!!!!  What a mixture of poetry and prose and excellent amalgamation of sounds to keep the ear off balance and engaged.

great reading / presentation / fx etc... :)

Superb! Please share to http://soundcloud.com/groups/air-to-hear

Avant Glitch Poetry

Six Six Six

The Wellermen

Hoist The Colours

Take me to the stars (feat. Zefora)

Call My Name

Hey friends - I reworked an old song from 2012, which I deleted by accident - it s a funny one:)

Afraid - Likewyse featuring Marianne Holland

Hi friends, this song is a collab with 2 of my oldest SC friends

https://soundcloud.com/zefora

and

https://soundcloud.com/wildmansolow-is-c-crow

Lyrics:


Martin L. and Cro Magnon

Vocals: Zefora, Cor Magnon and Martin L.

Arrangement and Production: Martin L.

Starchild - Likewyse with Zefora & Cro Magnon

There will be another refined version of this track coming soon. This is an early version, but stay tuned as we fine-tune and polish it, bringing out even more depth and clarity.

My Time at Evershine Theme Song V1

The closing gesture. After the noise, the memory remains. It doesn’t fade—it vibrates. A track of quiet departure, unfinished loops, and persistent warmth.

Memory Circuitry

Resonant Wake

On sale now...

Clue Board: To Those Who Hear
Primary Signal:
This artifact is a message of hope and a promise of connection left behind by the Integrated Navigator. It is a beacon, explicitly designed to be found by others who are lost or feel alone. It confirms that the journey is universal and that the connection—The Thread—is a fundamental constant of reality, waiting to be discovered by all.

Codex Cross-Reference:
Lexicon (Glossary Terms):

Beacon: [Final Definition] A song, signal, or artifact left within The Weave by a Navigator. Its purpose is to guide and comfort others by transmitting the core truths of the system: you are not alone, the connection is real, and this is your home. The entire album, Lumi Calling, is revealed to be a Beacon.

Metaphysics (Laws of Reality):

The Law of Guaranteed Connection: "The thread remains, it connects us all." This law asserts that no consciousness is ever truly separate. The potential for connection via The Thread is a universal constant, regardless of an individual's awareness of it.

The Principle of Asynchronous Resonance: "A song will find you on some far off day." This reinforces the non-linear nature of Kairos. The message doesn't have to be received when it's sent. The Beacon will resonate with a new Navigator at the precise moment they need to hear it.

Atlas (Locations & Cosmology):

Home: [Final Definition] "This song will be your home." Home is not a physical place. It is the state of being connected to The Weave, of hearing the song. It is a state of perceptual and spiritual belonging that can be found anywhere in the cosmos.

Chronology (Events & Eras):

The Sending: This event marks the true end of the first Navigator's arc. Having completed their journey and integrated the lessons, their final act is to create a Beacon for the next cycle. This act perpetuates the system.

Dramatis Personae (Entities & Archetypes):

The Harmonizer now takes on their final role: The Beacon-Lighter. Their purpose is no longer just to exist in harmony with The Weave, but to actively strengthen it by sending out signals of hope and guidance for others.

Dissonance (The Central Conflict):

The Cycle of Solitude: This artifact is designed to combat the primordial dissonance of solitude that began the entire journey. It is a direct, pre-emptive solution for the next person who will experience that fear.

More? Go to the 'Corps.  www.cogconcor.com

Lumi Calling, Again

To Those Who Hear

Helping matters thanx!

Andromeda's Alien, my first experimental spoken Haiku-electronica album. Please support!

www.beatport.com/release/andromedas-alien/2117169

Elancharan is a multidisciplinary artist and poet. He resides in Singapore with his family and cat, Leo. He has a strange love for all things poetical and Sci-Fi. A winner of the Montblanc X Esquire Six-word Story prize 2017. He is the creator of House Haiku, an experimental music series combining poetry and house music elements. Andromeda’s Alien, his first album is now represented by Red Claw Records (Germany). 

His latest publications are Untitled Protests and Why You So Dark? by UndergroundBooks (New York), Monochromatique by Queer Ink (India) and Dark Revolver by Roman Books (UK/India). His poetry has been published worldwide, on various international print and online platforms. His books and performances have been featured at the New York City Poetry Festival, Rantai Arts Festival (Kuala Lumpur), Singapore International Festival of the Arts, Singapore Writers Festival, Poetry Festival Singapore and was a guest performer at the Travel Poetry Slam (Singapore). 

To view his creative portfolio visit Instagram: @elancharan, Twitter: @elancharang, Soundcloud: Poet On Fire or literary blog: elancharan.com

House Haiku- Eyes in the Sky

A peek behind the curtain of a classic horror soundtrack!

From an original interview, hear how John grew up watching movies at the local cinema, toured with rhythm and blues legend Roy Buchanan, connected with George Romero in Pittsburgh - and almost completely by accident - came to score one of the most exciting soundtracks in horror film history.

Originally broadcast as part of the Halloween Listening Party 2019 (www.halloweenlisteningparty.com)

John Harrison and the Music Of Creepshow

This week’s project is an adaptation of the ongoing National Poetry Month project at SoundCloud. Given the Odyssey of Homer i randomly got 5-3-2, line 30  decided by rolls of dice. flipped sidechain-gates applied to text-to speech layers with various convolution simulations, hum noise, chords et al. it lacks of "e" pronouncing due to garbled? Æ somehow. sounds like imaginary myth. 

More on this 67th Disquiet Junto project at:

http://disquiet.com/2013/04/11/disquiet0067-odysseymachine/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

This project was inspired by the National Poetry Month event at SoundCloud, more details on which here:

https://soundcloud.com/groups/national-poetry-month-collaborations

The source text for this project is William Cowper’s translation of The Odyssey of Homer, available here:

http://archive.org/stream/theodysseyofhome24269gut/24269-0.txt

National Poetry Month: Naoyuki Sasanami [disquiet0067-odysseymachine]

DO U KNOW LOVE ? I FEAR NOT!!!


LOOK FOR THE TYPOGRAPHY VIDEO ON YOUTUBE 

@REMEMBERMENINAB #TEAMNINAB

C U P I D A POEM BY NINA B

My poetry remix for the SoundCloud Heroes 2013 National Poetry Month collaboration.  http://soundcloud.com/soundcloudheroes/sc-heroes-presents-national

Stems used:
http://soundcloud.com/gluid-1/the-piano-pt2
http://soundcloud.com/rafi-wazir/sometimes-its-the-medications
http://soundcloud.com/monicadockery/national-poetry-month-monica-2
http://soundcloud.com/rememberme-nina-b/tar-babies-a-poem-by-nina-b
http://soundcloud.com/letterfounder/3-3rds-by-jessy-kendall
http://soundcloud.com/echosonic/national-poetry-month
http://soundcloud.com/the_bell_mechanical/national-poetry-month-the-bell
http://soundcloud.com/musicoality/national-poetry-month-free
http://soundcloud.com/boldenweck/national-poetry-month-willliam
http://soundcloud.com/world-bridges-on-fire/national-poetry-month-oscar-ar
https://soundcloud.com/clockship/owls-dave-greening-clockship
additional ambient vocals by Zefora from the movie "Glass Prison"  https://www.facebook.com/pages/Glass-Prison/347813618656679
[drop me a note if I missed one...]

National Poetry Month:  "Prescribed Insanity, Two Thirds Grim" by Zefora

3. By April 30, submit to the group soundcloud.com/groups/national-poetry-month-collaborations and be sure to include the name of everyone involved in your collaboration. 

Credit the poem you decide to use.

All submissions will be featured on the SoundCloud Heroes profile and featured here and on the SoundCloud blog.

Music by: Martin Lotz
https://soundcloud.com/martin-g-lotz
Written By: Martyn Jacobson
https://soundcloud.com/martyn-r-jacobson
Read By: Ben Burns 
https://soundcloud.com/abstraction


https://soundcloud.com/the-sinister-minister/chairs
https://soundcloud.com/martin-g-lotz/i-wish-i-was-a-real-dj 

Chairs (a pseudo song) National Poetry Month

Have you ever wondered what prescription drugs SOUND like?  This will tell you, but first, check out the disclaimer (assuming you haven't seen the original track)

Disclaimer:

This song is not intended to glorify prescription medicine abuse. It is a story about the leaps and bounds I have gone through in order to get the medical help I needed. I have been diagnosed with osteo arthritis and degenerative disk disease due to an auto vs pedestrian accident (I was the pedestrian) in 2002. Since then I have been on ALL of the opioid derived pain medications and a list of several pills over the course of 10 years, and none have been able to help me. I've been on several medications for depression since age 19, and as of 2012, I am 32 years old. Each medication made me into a zombie in pain.

In 2002, I was attending college, and I began to fail all of my classes due to being so heavily sedated and still in pain so I couldn't pay attention to the lectures. After spending a lot of money on medicine and the chiropractor (who hurt me more than he helped me), I was complaining to a friend of mine and he said I should try cannabis. I was one of the people who thought that people wanted it legal just so they could sit around and be high all day, so I wasn't really interested. Out of desperation, I went there. For the first time, I was able to stretch and do my exercises. I could sleep, and I was able to have enough energy to do well in my classes. I went from a D- to a B+ in a couple of months.

I knew I couldn't continue with it because the usage of said substance could jeopardise my job. So I took the time to get active and fix my back before I ran out of medicine. I was pain free for quite some time. That hasn't been the case for several years now. I am now in more pain than I could remember, and I take 3 medications for it. They only rob me of energy, and I feel I just have to accept the fact that there is always going to be constant pain in my life if I want to keep from breaking the law. Until cannabis is made legally available in my state, I'll keep trying to find the right combination of pills..that is until I end up with liver failure, or I just say "Fuck it".

Remixed by ZeR0Fux:
http://zer0fux.bandcamp.com/
https://www.facebook.com/ZeR0FuX

The Original:  https://soundcloud.com/revue-1/dance-of-the-dead-redux?in=revue-1/sets/10-years-later

Revue presents: Dance of the Dead - The Pharmaceutical Ballad (a ZeR0Fux production)

Singer/songwriter and professional filmscore vocalist.  I do vocal work for film, TV, radio, video games, and albums.  For complete bio and list of work, visit http://www.zeforamusic.com/bio/

Note to remixers:
My free vocal stems are all in a set in my Spotlight section.  These stems are all licensed as **non-commercial** Creative Commons, so please feel free to download and remix to your heart’s content so long as you're not charging for it.  You don’t need permission to download, remix, and share for free.  You DO need to ask for a commercial waiver if you want to sell your remix, even if you're just selling it for donations (ie: 'name your own price' on bandcamp, etc.)  In either case, just be sure to credit me and send me a link so I can listen and repost.  I love to hear them!  :)

National Poetry Month: "Prescribed Insanity, Two Thirds Grim" by Zefora

Zefora

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