This is a response to naviarhaiku challenge 512

Endless echo
footsteps on an empty house
once full of life

https://www.naviarrecords.com/2023/10/25/naviarhaiku512-endless-echo/

Endless echo footsteps on an empty house once full of life naviarhaiku 512

Welcome to a site that encourages collaboration and creativity, this takes many paths of styles and possibilities. Download, collaborate and then simply email it to 2023donut@gmail.com and leave a msg on the song you have done that. Creativity welcomed, learn and grow as an artist and have some fun during all of this world melee going on out there.  All about creativity, not dominance, so enjoy! Original generated music from this site under 2023donut is attributed to Colin Gross/Michael Mooser (Colin doesn't participate now but because of his support there would be no music from me if I had not had his support for decades so I always give credit back to an original pact made in 1975-6) if stated as page name, other contributing artists will have their name attached to the work always. Once you download a piece and collaborate with it simply email it to 2023donut@gmail.com and leave a message here that you did. Then it will be posted here on this page for the whole cycle to begin again. Stay positive, could be worse all the haters could be twins! This is a positive experience, anyone bringing anything else will be ignored, life is short, don't have time for it. Have a wonderful day!!!!

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Music ~ A combination of sounds with a view to beauty of form and expression of emotion.




I write using hardware rather than software as this is my preference. I write tracks and post them. I try to be unique.  All comments and feedback are appreciated.

                                                ●⊙Θ◎ρξαcξ ± L☯νξ◎Θ⊙● 
                                                           Anonymous3.

Email: iam_anonymous3@yahoo.co.uk.

http://twitter.com/iam_anonymous3

http://iam-anonymous3.bandcamp.com/



http://soundcloud.com/anonymous3bits

Great mix of my tracks brought to you by the 
Khavi Collective label
http://www.kahvi.org/releases.php?release_number=361

Remixes of my tracks.
http://soundcloud.com/audio-police/melancholic-feat-anonymous3
http://soundcloud.com/mr-marbles/anonymous3-insect-mr-marbles
http://soundcloud.com/ophed/anonymous3-1-58-remix-beta-10
http://soundcloud.com/mr-marbles/anonymous3-i-d-mr-marbles
http://soundcloud.com/cataloguemusic/anonymous3-insect-catalogue
http://soundcloud.com/lektravox/bang-on-ft-aiden-jamie
http://soundcloud.com/zefora/virtual-worlds

Other projects.

http://soundcloud.com/rob_bowkett/robert-nithmund-bowkett

https://www.mixcloud.com/Kahvi/361-anonymous3-analogue100101/

     Practically swimming in music as a child, Michael Ferentino had already released two independent albums by the time he reached high school. Teaming up with Andres Karu, Michael was lead singer, guitarist, and principle songwriter for Love In Reverse, an electronic rock act that signed a deal with Warner/Reprise. The two subsequent albums, “I Was Here,” produced by Grammy award winner Russ Titelmann, and the self-produced “Words Become Worms” were both critically successful and allowed the band to join some more high-profile tours such as Republica, Stabbing Westward, Gravity Kills, and Ian Astbury (the Cult). In 1998, Michael joined up with Andres again to form Amazing Meet Project, which caught the attention of Clerks director Kevin Smith, in turn leading to score work for the film “A Better Place” in early 2001. Later that year, Michael embarked on a solo career, more acoustic in direction, and toured North America and the U.K. with Miles Hunt, lead singer for the legendary British pop band, the Wonder Stuff. During this period, he released two albums of his “stripped-down-to-Earth” material. In 2003, he switched gears and recorded several independent experimental music recordings under the moniker Bedtime for Robots, an excursion into the dark depths of ambient noise. Inspired by films, noise, and neuroscience, Bedtime for Robots has been oddly self-described as David Lynch wrestling with Brian Eno and the members of Kraftwerk while nearby, little Alice daydreams of her simple life milking cows on the farm before she fell deep, deep down into the rabbit’s hole…and awoke to the sounds of scratchy old children’s records bleeding out creepy little noisescapes. Check out the Bedtime for Robots Soundcloud profile as well.

Jan Bjork has had a passionate interest in music since a very young age. Having training in playing the piano, selfstudies has led to more instruments that can be handled. His own music covers piano and electronic/synth based music reflecting his broad taste in many genres. Coming releases will include piano, synth/electronic, ambient all with influences ranging from classical, blues, jazz, rock etcetera.
Thank you for taking time to visit my cloud and maybe even commenting on my work. I try to check out the work of all the people who comment or re-post but it may take a while before I do so.

This will be my place for Naviar Haiku and Disquiet Junto entries.
-Experiments may appear on YouTube from time to time: 
https://www.youtube.com/user/ikjoyce
-Albums will be released on Bandcamp: 
https://ikjoyce.bandcamp.com/

New album "The Endless Solitude Of A Skylark's Song" now available:
https://ikjoyce.bandcamp.com/album/the-endless-solitude-of-a-skylarks-song

Album 'Selene' now available on Cassette / Download from Naviar Records: 
https://naviarrecords.bandcamp.com/album/selene 

**Albums now available on iTunes, Amazon, Deezer, Spotify, and Google Play**  

I make electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

Halcyon Hum is a Cinematic and Pop Ambient project by Minneapolis based musician, producer and recordist, Stuart King.

Compositions feature undulating rhythms, walls of sound, ambient melodies, lo-fi textures and field recordings.