Iker Sánchez Trueba, Contrabass
Jorge Carrillo Fernández, Electronics.

Grabación en vivo del estreno absoluto. 

En las sociedades postindutriales recae exclusivamente sobre el individuo el peso de su propio destino y de la construcción de su identidad, que se ve forzado a competir perpetuamente con los demás y consigo mismo, lo cual ocasiona que enfermedades mentales como la depresión o la ansiedad se vuelvan epidémicas. Esta obra es inspira en este hecho.

In post-indutrial societies, the burden of one's own destiny and the construction of one's own identity falls exclusively on the individual, who is forced to perpetually compete with others and with himself, which causes mental illnesses such as depression and anxiety to become epidemic. This work is inspired by this fact.

Live, CONSMUPA auditorium, Oviedo 22 March 2022

Tú lo has querido (LIVE)

This highly melodic and touching work is part of the album Sonora, dedicated to Edson Zampronha's works.
Listen to it at https://open.spotify.com/album/1biuxWeAer10gur2l9KnbK

Edson Zampronha - El Cantar de las Plumas (The Feather's Singing)

Stream & pre-order the album on 2LP · DL:
https://idol-io.link/AsSeenThroughWindows

Following the reissue of Recording a Tape the Colour of the Light in December, Erased Tapes are thrilled to announce the reissue of the band’s second album As Seen Through Windows out on April 28 — including a digital Special Edition version featuring three previously unreleased bonus tracks, all featuring saxophonist and friend of the band, Colin Stetson. Expanding further on the foundation that Recording a Tape the Colour of the Light laid, the group refined and tightened their sound on this masterpiece. The dynamic lead single ‘Open Organ’ is one of the pieces that have never been heard before — now streaming everywhere, with the vinyl edition on pre-order.

"’Open Organ’ started as an idea at my and Pietro’s loft “The Bread Factory”, where we used to do Bell Orchestre shows and parties. We recorded some of the song with Mark Lawson on tape at the old Arcade Fire church studio (Petite Église) in Quebec — speeding up and slowing down the tape machine to record all the drum rolls and wood blocks, experimenting with pitches bending upwards and downwards. And then the second half we recorded with John McEntire at Soma in Chicago. Colin Stetson and Andy King came along to add extra trumpet firepower." – Richard Reed Parry, Bell Orchestre.

Bell Orchestre retreated to Banff Centre in the rocky mountains of Alberta to write the follow-up to their debut album. The title As Seen Through Windows is inspired by the rehearsal space where it was written. The room had two exterior walls entirely made of windows, and with the cinematic view of the mountains they saw occasional herds of elks and deers passing by.

The album was produced by John McEntire (Stereolab, Jeff Parker), drummer and producer of the legendary Chicago post-rock band Tortoise. McEntire had been the group’s dream producer to work with. “I think I was more starstruck around John McEntire than I’d been around anyone before,” says violinist Sarah Neufeld. McEntire was up for trying anything in the studio, and inspired the band endlessly.

Now looking back at the recording sessions, lap steel guitarist Michael Feuerstack remembers “I don’t know how aware we were of the uniqueness of our bond and the resulting methods of music making, but they are very evident across this recording.”

Following the original release, they went on to tour the world, from festivals and theatres to small venues and squats.

“It crystallizes Bell Orchestre as a group whose talented players voraciously consume the world around it and re-channel its varied histories into the works” — Pitchfork

“Triumphant and majestic… Windows bends each instrument to its will, distressing, texturizing, and squeezing out every sonic option” — AllMusic

“Joyous, triumphant” — Drowned in Sound

As Seen Through Windows (Special Edition)

Open Organ

Bell Orchestre - Open Organ

Cette année, on célèbre le centenaire de la naissance d’un géant de la musique du vingtième siècle : György Ligeti (1923-2006). L’occasion de revenir sur le parcours musical contrasté du compositeur avec ce podcast réalisé par Thomas Vergracht.
Photo DR

György Ligeti : un portrait polyrythmique.

Cinco piezas para piano que evocan elementos arquitectónicos.

Jorge Carrillo Fernández, compositor.
María José Álvarez Salcedo, piano.

1) Pórtico
2)Nave
3)Transepto
4)Cúpula
5)Girola

Arquitectura Sonora

book of flowers

La Máquina Del Tiempo
Los sonidos que entran en la Máquina del Tiempo se ven afectados por las leyes de su transcurso, convirtiéndose así en música estática y perpetua, pero que también está en constante y lenta transformación. 

Composición y electrónica (2023-2024).

La Máquina Del Tiempo

Reimagined for 2017. Bach pioneers a new genre, "counterpoint & bass"

Elechronicles

Bach - "Little" Fugue in Gm (Anthos Dubstep Remix)

Studio version of track trainsounds, first performance @ Soundfjord Soundshare 9.12.2012 

live version cam be found here http://youtu.be/qw9U1SBC90k


Trainsounds (studio version)

Live at The Eagle Inn, Salford 17/11/2019 as part of Sound UK's tour with Julia Kent. Recorded by Tim Hand.

Setlist:
Snowdance (00:00)
Dew Point (06:42)
Everything I Knew (13:25)
Elegy in Amber (20:34)
Double Helix (25:46)
Fear of Floating (33:47)

Order Daniel Thorne's album 'Lines of Sight' on LP/CD/DL: https://www.erasedtapes.com/release/eratp119-daniel-thorne-lines-of-sight

Daniel Thorne - Live in Salford (Exclusively for Sea Change 2020)

Compositor, clavecinista y profesor de música.
Aquí encontrarás un pequeño "cajón de sastre" con algunas de mis obras clásicas y experimentales, principalmente para clave, órgano y otros instrumentos de teclado.


Composer, harpsichordist & music teacher. 
Here you will find out some of my new classical and experimental music for harpsichord and another unusual or ancient keyboard instruments.

La Máquina Del Tiempo

Alex Woutersen

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