Name: Insignificent Meanderings by Alan Hamilton
Duration: 6 min 35 s
Description: 'Insignificent Meanderings' is a Jazz Rock/fusion track and as the title suggests, just killing time in the studio. So in the bigger picture of things this is completely insignificent....However I hope you enjoy my meanderings.

Well, this doesn't exactly sound insignificant to me, it's more like mind-blowing...

Fantastic fusion playing,  Alan.  Had a sense of Al di Meola with the duelling guitar parts

Reminds me of “ Keith Emerson”  Quite significant if you ask me!!!! Wow!!

always thrilling virtuosity .... just wonderful !

I was trying to imagine how good a track could/would be if you stopped killing time in the studio and did some serious musical work. Only joking! This is full of utterly thrilling moments, and audacious solo work. Just what we have come to expect!

Sensational music. Your phrasing and soloing really takes it to another realm beyond🔥

"Make a Jazz noise here" With Alan:):) Gorgoeous Man:)

Marionette

In The Tree Tops  { Radio Addition }

Epic, Cinematic and Orchestral Music
Franck C Production
Music by Franck Charles ©
ASCAP

The Surge

En Vogue

Things that heal us are not limited to things on earth.

Soothing Spirits

Soothing Spirits （癒されるもの）

Having a little more fun,  Happy weekend!

A Shady Palm - Jamie Rhind

Cast of Characters:
mistermark-- @user-432503709 --Mark-- horns and shakers

TexMex Shaman– @texmex-shaman –Stephen– guitar, production, and mix

J.J. Terrell-- @j-j-terrell—JJ—piano and organ

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, composition, and mix

Llanpsych– @llanpsych –Tez– guitar 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass 

This song was written by Ken and a dearly departed friend and former bandmate named Chris Bennett about the latter's divorce that he was going through at the time when their band was also breaking up. Ken had a good demo of the two of them fleshing it out, which the Eclectic Collective used as a template for the song. Josh was first to add his unique slide bass line to the song. Next up was Tez, who added the fiery solo you hear at the end. Stephen came in not too long after with the rhythm guitar, complete with the intricate fills you hear throughout. Around the same time, Mark added some really innovative, genre-bending horns and shakers to it. Ken then completed the song with his stellar vocals. 

  Of course, every great song needs a great producer, so Ken turned it over to Stephen for an objective mix, although Ken was still heavily involved in the process, too. This is the first time Ken has sung lead for an EC song, and we were all very impressed with his skills on this one. We hope you enjoy listening to it as much as we enjoyed making it.


Original lyrics by Chris Bennett:

I once believed in happy ever after
Now I’m convinced by tears instead of laughter
There’s not much good inside that’s left to do the things for my survival

If I relied on you to make it better
I’d die a 1000 times, before we get together
All that is bad inside will rise back to the top
With your arrival

Burn down the doorway
Run down the hall
Scream out my name
But I may never hear you, never hear you
Drive down the highway
Until you’re gone
I may never hear you call

I still believe that someone’s always watching
Each time I turn around, I never hear them talking
All that is bad inside will never fade away with your arrival

Burn down the doorway
Run down the hall
Scream out my name, but I may never hear you
Never hear you
Drive down the highway
Until you’re gone
I may never hear you call

Na Na Na  Na Na Na
Na na na

Happy Ever After (The Eclectic Collective)

'Insignificent Meanderings' is a Jazz Rock/fusion track and as the title suggests, just killing time in the studio. So in the bigger picture of things this is completely insignificent....However I hope you enjoy my meanderings.

A Cupboardful Of Hats

Insignificent Meanderings

Courage To Move On

To Find Beauty In Living Against The Odds

Genesis (2016) Anthology CD1 Track 03

Beat: Outrun Beats
@user-496612151

Vocals: BBright
Mix and master: BBright

Lyrics:
Charming Weapon

In the shadows where the moonlight dances,
A silent figure with enchanting glances,
A charming weapon, a heart's delight,
A mysterious force in the still of the night.

Whispers in the wind, secrets untold,
A tale of passion, a story to unfold,
Eyes like daggers, cutting through the dark,
A charming weapon, leaving its mark.

Oh, the charming weapon, a dangerous art,
Stealing souls with a touch, tearing worlds apart,
In the dance of desire, where hearts collide,
The charming weapon, where love and danger hide.

A velvet voice that lingers in the air,
A touch so gentle, yet a dangerous affair,
A symphony of seduction, a spell so profound,
The charming weapon, on sacred ground.

Whispers in the wind, secrets untold,
A tale of passion, a story to unfold,
Eyes like daggers, cutting through the dark,
A charming weapon, leaving its mark.

Oh, the charming weapon, a dangerous art,
Stealing souls with a touch, tearing worlds apart,
In the dance of desire, where hearts collide,
The charming weapon, where love and danger hide.

Whispers in the wind, secrets untold,
A tale of passion, a story to unfold,
Eyes like daggers, cutting through the dark,
A charming weapon, leaving its mark.

Oh, the charming weapon, a dangerous art,
Stealing souls with a touch, tearing worlds apart,
In the dance of desire, where hearts collide,
The charming weapon, where love and danger hide.
Oh, the charming weapon, a dangerous art,
Stealing souls with a touch, tearing worlds apart,
In the dance of desire, where hearts collide,
The charming weapon, where love and danger hide.

Charming Weapon

Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

Insignificent Meanderings

Alan Hamilton

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