Became a sweeping beautiful cinematic score

Delicate and sincere. Great added orchestral elements bringing a movie score feeling

Absolutely gorgeous track. Wonderfully delicate piano and fabulous orchestration by @franck-charles-676082884 around it with fantastic and epic crescendo. Marvellous job and collab! Bravo!

Sublime music. Once again very emotional and a great symbiosis. Bravo to both! 🎼

I wanted to exploit the sound of one of my favourite folk instruments. The hurdy-gurdy is not heard so very often in the UK. What could be better than to use a medieval instrument for a leading-edge space opera like my essay into "The Vanished Birds"?

Several SoundClouders have remarked on the hurdy-gurdy. My own passion for it started in the 1990s when I found myself in a Breton village on the day of their hurdy-gurdy festival. We marched up and down through that village behind a band of 30 or 40 hurdy-gurdy players, with the odd Breton bagpiper and bombarde-player chipping in, as the mood took them. Somewhere, I still have my field recordings of the day. The tunes were simple and very catchy.

Home Has The Brightest Stars

Hello my dear friends! With great pleasure I’d like to present to you my first collaboration with Franck C Production (aka Franck Charles) — a wonderfully talented composer and musician. You can listen to Franck’s incredibly beautiful cinematic and orchestral music here: @franck-charles-676082884

«So Enjoy Every Moment» is our collaborative work based on my existing solo piano piece. I am deeply grateful to Franck for adding so much heavenly beauty, magnificence and brilliance to my original composition! It has been a great honour and joy to collaborate with Franck.

Thank you so much for listening to this music, and we genuinely hope that you will enjoy it! 

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: Franck Charles

So Enjoy Every Moment (Ft. Franck Charles)

Whale

The Scent Of Memories (200?-2024) 

I found a score I wrote about 15 years ago. To my surprise, even the staves were handwritten. I had completely forgotten about this piece. Somehow, I felt as if the soundscape gave me a glimpse of my admiration for Debussy's "Arabesque." Since the score was unfinished, I improvised an ending reminiscent of Debussy’s scent. I hope you enjoy it.

The Scent Of Memories

It is with great pleasure that I present to you my first collaboration with Stefan Kraft, orchestral composer from Germany.  Thank you, Stefan, for your wonderful orchestral realization of "Leaving Rome".  I am so honored!

Please go listen to more of Stefan's beautiful work @stefan-kraft-123647156.
You are in for a real treat!

Arrangement and Orchestration: Stefan Kraft 
Composed by Debra Buesking 
Piano: Debra Buesking

Leaving Rome

Leaving Rome (Orchestral Version ft. Stefan Kraft)

The journey began at dawn, the father and daughter standing side by side, gazing at the towering mountains ahead. Snow-capped peaks stretched endlessly into the sky, their path winding through rugged trails and shadowed ravines. She clutched a satchel filled with tokens of home, while he adjusted the straps of his pack.

“Are you afraid?” he asked.

She shook her head. “No. Are you?”

He chuckled. “A little.”

Days passed in a rhythm of trudging steps and whispered stories. She marveled at soaring eagles and winding rivers below, while he spoke of distant lands—golden temples, ancient forests, markets brimming with spices. At night, they traced constellations, writing their own story in the stars.

Then, one morning, they crested the final ridge. Below them stretched a vast valley, lush and untouched, shimmering with warmth and rich with the scent of an ancient world.

Her father placed a steady hand on her shoulder. “We have arrived.”

“What do you think is waiting for us?” she asked.

He smiled. “Only what we are brave enough to find.”

They took their first steps downward. Their journey had only just begun.

There and back again Part 1

So glad to have been able to collaborate with the wonderful @doina-bora on this arrangement of the Paddy Fahey tune: Paddy Fahey's Jig No1 also know as Fahey's Favorite.  It's certainly a favorite of mine, and Doina's fiddle playing brings this track to life.  I hope you'll enjoy.

Fahey's Favorite

March is such a "two-faced" month in the northern latitudes, it can caress with a kiss of sunlit warmth, or slap the face with high winds and freezing temperatures--maybe in the same day!  It is so fickle these "ides of March" which Shakespeare told us to beware of.  The mood and playing of this song came upon me like one of those Ides, riffing on something much more mellow, when I randomly strummed an E major chord, then again with more force, then faster, stronger...I had to capture the moment, but like March weather, you can't be angry all the time, and so the caress of the Cordoba nylon. You might ask what the mellow riffing sounded like I was first practicing on--wait for it:)

Two-Faced (An Ode to March)  David Dunham, Acoustic Guitars

Motivational

Ambient instrumental piano track with light string accompaniment 

Unfolding Dreams

Crillon Compositions is a deeply personal orchestral suite, born from a journey that began with musical sketches and youthful piano doodles at age 19 at the famed Hôtel de Crillon , and culminating in a sweeping symphonic vision as the composer clebrated his 35th birthday at the Crillon. These newly revised and recorded works honor the enduring influence of French classical tradition—Debussy & Ravel—infused with the modern emotional landscapes of the grandeur of Rachmaninov. From brooding chamber pieces to cinematic overtures, the album embodies the conflict and beauty of legacy, identity, and time beneath the marbled hush of a Parisian palace.

Track 3 Une Idée Mineure pour une Petite Symphonie_I_Prélude de Poche

I would be genuinely happy if my music could evoke your profound feelings.  Please use headphones if possible. 

I sincerely appreciate your interest and time.

So Enjoy Every Moment (Ft. Franck Charles)

Anastasiya Ihnatovich

Recent comments

Robert John Brooks, Composer

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