Noise

The special radio mix for the ICAS Radio Show from the Environmental Auditors, where the concerts from Graz and Tromso are intertwined. - 
Daniel Lercher (A), Artistic Director, electronics
Nasra Ali Omar (N) percussion
Agnes Hvizdalek (A) voice
Danielle Dahl (N) saxophone
Rosi Rehformen (A) cello
Rudolf Terland Bjørnerem (N) guitar
Vinzenz Schwab (A) electronics
Simon Daniel Tegnander (N) objects
Susanna Niedermayr (A), Christian Hollingsæter (N) idea and concept
Commissioned by musikprotokoll & Insomnia (Tromsø). ECAS working period 3 “Ubiquitous Art and Music”. With support by the nowegian embassy.

environmental auditors mix

Processing different frequency bands of white noise differently.

Noise Study 2

tracklist: 

T.A.G.C. 
Peacetime Death
Liberez
Damien Dubrovnik 
Twig Harper
Phillip Werren
Keith Richards 
Velvet Underground
Helm
Varg
Rudhyar
Software
Helmut Schafer & Zbigniew Karkowski
Hermann Nitsch
J.S. Aurelius
J.S. Aurelius

J.S. Aurelius - KWFUCC 87.9 Phoenix pirate radio mix

Untitled 128

Taken from the album "Genom Tre Namn" released via Do You Dream Of Noise? in 2016.

Kropp

Höststycke

So the same patch as last clip.. just adjusting parameters..
This is part 2 of a really LONG session.. If you want to hear more let mu know and i upload the rest.. 
(short patch notes: main modules, Ias Ieaskul F. Mobenthey  Denom and fourses, Verbos bark filter, 4Ms dld, mutable Elements and Clouds.. and of course panning with the amazing Koma Poltergiest. using the envlopes from the Bark filter to influence/CV a LOT of stuff.. Ohh some random from Wogglebug as well)

Barking at elements in the clouds

Hitherto Extinct Space

a looped Buchla Easel improvization. headphones or studio monitors suggested

Buchla Bricolage

Buchla Bricolage Ii

Single from Water Memory, out December 21st 2017.

preorder: mlesprg.bandcamp.com

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Water Memory began as an imagination of the feelings that are floating through the natural world around us. It morphed and cycled and gained memories of my own which are now contained like those in all bodies.

Water Memory 1

psykiskt//inte längre ont

drums: Bassimilus Iteritas Alter
clicks: Jupiter Storm
drone: Jupiter Storm >> Rings
pads: Shapeshifter >> Clouds

kyr/l2

In 2010 I composed a full length score for a stage production of Kurosawa's Throne of Blood directed by Ping Chong. I studied a handful of instruments from the traditional Japanese Gagaku orchestra: ryuteki, hichiriki, sho and shakuhachi in order to perform my own samples. In this exploration I made a sample reel for the MakeNoise Morphagene and sculpted that.

Gagaku Textures I

Created for the XFM radio DJ Shadow special 20/09/12 - a short mix using a lot of the ambient parts of Shadow's productions. The 'cover' image is a homage to the KLF's classic 'Chill Out' LP.

Tracklist:
Mix includes: (some tracks reappear but I've not relisted them)

DJ Shadow - You Can't Go Home Again (Island)
DJ Shadow - What Does Your Soul Look Like (Part 2) (Mo Wax)
DJ Shadow - Midnight In A Perfect World (Extended Vision) (Mo Wax)
DJ Shadow & The Groove Robbers - In/Flux (Mo Wax)
UNKLE - Scene 1 / Scene 2 (Mo Wax / London)
UNKLE - Rabbit In Your Headlights feat. Thom Yorke (Mo Wax/London)
DJ Shadow - Stem/Long Stem (Mo Wax)
UNKLE - Chaos (Mo Wax / London)
DJ Shadow, Cut Chemist, Numark - Pushing Buttons (Island)
DJ Shadow - Changeling (Mo Wax)
UNKLE - Guns Blazing (Drums Of Death Pt.1) (Mo Wax/London)
DJ Shadow - Monosylabik (Island)
UNKLE - Outro (Mo Wax / London)
DJ Shadow - What Does Your Soul Look Like (Part 2) (Mo Wax)
DJ Shadow - What Does Your Soul Look Like (Part 1 - Blue Sky Revisit) (Mo Wax) 

DJ Food - 'Trip Out' (DJ Shadow Mx1)

worked with Max 8 a short loop and a lot infection

Covid

Used to a Guitar player that got into creative looping and moved on to modular synths and sound sculpting... now I am more of some sort of sound experimenter.
Main tool is Eurorack, but I use whatever toys that inspire..
My objective to music is to do something I find interesting and maybe good and to try to forge a personal and unique voice with my tools.. even if that is sort of impossible :-)
I also regard the road to that "voice" more important than the acutal goal.. i also invite you all to listen to me travling down that road..
So not all clips are meant to be "final products" they are more like a sound blogg of my development.. a develpment with unknown direction... as is all evolution

Enjoy

Barking at elements in the clouds

Anders Bergdahl

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