OLE TUS COJONES! Me quito el sombrero...m

Experimental / Braindance / IDM / Ambient / Glitch...

I've remixed "Awake" of Tycho (Ghostly).
It's included in Tycho's new album "Awake" jp edition.
http://www.artuniongroup.co.jp/plancha/top/releases/artpl-049/

Tycho - Awake (Ametsub remix)

Taken from the album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: www.erasedtapes.com/store/index/ERATP055
US order link: www.midheaven.com/item/spaces-by-frahm-nils-cd
iTunes Worldwide order link: snip.ftpromo.net/spaces

After releasing his critically acclaimed album Spaces in late 2013, and a completely sold out North American Tour in spring, Nils Frahm will return for the autumn run of his Spaces Tour with a special gift to his fans: an exclusive stream of album track 'Said And Done'.

'Touring the US again? I hope my folks at home wont get jelous but it is just starting to become some serious fun! Expect me to return with more crazy ideas about how to wreck an old New York Steinway and more tips: how to manage travelling UNITED AIRLINES. There will be more half broken tape delays, overclocked synths and hopefully I can score another silly drum computer. I am very much looking forward! Plus, if you want me back, I am coming. See you soon!' – Nils Frahm

His feverish playing is so stimulating that it's slightly nerve-wracking' – Pitchfork

'If you've ever caught Nils Frahm live, you can attest to what a powerful experience it can be' – Exclaim!

'It’s a powerfully moving experience watching him create all manner of sounds with his fingertips' – KEXP

'He had the audience laughing, at the point of tears and ultimately on their feet with a standing ovation' – Resident Advisor

www.nilsfrahm.com · www.erasedtapes.com

Spaces

Said and Done

Buy LP/CD/DL

so roel funcken and chris (ochre) teamed up for this remix. 
check it out and give it your support if you like it. 

http://musiconvinyl.com/news/lamb-what-sound-remix-contest


Lamb_Heaven (Roel Funcken & Ochre rmx)

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' will be released on 12" Vinyl and Download via Erased Tapes on September 15th, 2014

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

3 Chords

Buy 12"/DL

Rival Consoles - 3 Chords

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

Pre-order the CD/2LP/DL: http://www.erasedtapes.com/store/index/ERATP062
Pre-order the DL via iTunes and receive the album version of 'Thrown' instantly: http://snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING: 

1. Lit  2. Held  3. Looped  4. Swayed  5. Thrown  6. Dragged  7. Bent  8. Burnt 

LIVE DATES:	

17.08. HAMBURG (DE) - Dockville Festival			
26.09. BRUSSELS (BE) – Bozar Electronic Arts Festival
27.09. DEN HAAG (NL) – Todays Art Festival

OFFICIAL WEBSITES:  	facebook.com/kiasmos · erasedtapes.com

Kiasmos

Burnt

Buy 2xLP/CD/DL

Kiasmos - Burnt

HORMOIL ACTG - HORMOIL CHANGE

XRML ATXG - CHARLIE ERROR

First track from my forthcoming album (november 2019)

AND LIFE GOES ON

https://soundcloud.com/hormoilactg
https://soundcloud.com/groovedge
https://www.facebook.com/groovedgerecords/
https://www.discogs.com/Dj-Spinelli-Third-Optics/release/13662751

PREMIERE: DJ Spinelli - Third Optics [Groovedge Records]

The galaxy was made up of all sorts of weird, odd life forms. They were not from planet earth and were certainly a little bit out there... The people of Cosmuchi were perhaps the strangest of the bunch, wobbly beings with flexible limbs and distinct intelligence. They danced at night beneath the glow of the stars on a planet millions of miles away. Soon they would venture down to earth to say hello but for now they were happy upon a floating rock which travelled with promise through the darkness... The sounds of drones would guide them home. 

Dj Spinelli is set to release an abstract cross between a mini album and an EP. A soundtrack of sorts, the release is forthcoming on Groovedge Records and wanders between the realm of abstract jazz, contemporary soundscapes and electronic haze.

PREMIERE: Dj Spinelli - Cosmuchi [Groovedge Records]

Digital artist and composer, DJ Spinelli releases his debut EP ‘Third Optics’ on Groovedge Records, a complex blend of jazz, ambient, experimental, to footwork, 90’s electronic and trap influences. Featuring complex bass lines and mental rhythmic work, these early works from French producer promise some more really interesting works in the future… We recommend to stay tuned!

https://soundcloud.com/groovedge

PREMIERE | DJ Spinelli - Amygala [Groovedge] 2019

@trommellive delivers one hour of pure electronic music wonders.
Check out his latest release on Sungate: sungaterec.bandcamp.com/album/hiatus

Sungate Journey #10 by Trømmel

We feel very lucky to have Antonio Marini on board for our first release , the Italian producer known as Healing Force Project has already a long history that has led him to publish his music on labels as Acido, Firecracker recs. Berceuse Heroique, Bedouin Records among others.  In this first release ,coming in a 7 " format ,HFP delivers two tracks in which the producer develops one of the most recognized musical aspects in his productions, creating sonic structures where the electronic sound  converges with the experimentation closest to a free jazz style.
                                  -------------------------------
Para nuestra primera referencia nos sentimos muy afortunados de contar con Antonio Marini, productor italiano conocido como Healing Force Project, Marini cuenta ya con una dilatada trayectoria que le ha llevado publicar sus referencias en sellos como Acido , Firecracker recs. Berceuse Heroique , Bedouin records entre otros.  Esta primera referencia en formato 7” consta de dos tracks en los que el productor desarrolla una de las vertientes musicales más reconocidas en sus producciones , la mezcla de estructuras sónicas en las que la electrónica converge con la experimentación más cercana al free jazz .

Hikikomori (preview) - Healing Force Project

From Paris with love here comes mix 008 by Second Circle artist and friend D.K. (@d-k-music). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Salut Dang Khoa, welcome to our podcast series. Had a nice summer?

DK: Hey! Thanks for having me. My summer was pretty cool, I was happy to play some nice festivals and gigs in Europe. I also had a little break to go on vacation with some friends in Marseille to enjoy the sea and the South coast of France.

MFM: Speaking about summer, your music has quite an exotic touch in which melody and percussion both seem to play a pivotal role. Where does that come from? 

DK: At the very beginning, it was simply inspired by the kind of house music I was listening to. But it changed through the years. I had a period when I was into industrial stuff, and I’ve been really inspired by the textures, by that sensation of mechanical groove and how the percussions were used. It kind of lead me to listen to the roots of music, and got into ritual sounds. Regarding the melodies, I don’t know man, it’s maybe because I’ve listened to too much R’n’B when I was a teenager haha.

MFM: But you're not a trained musician in one way or another? Like, can you read notes and play keys or other instruments maybe?

DK: I played violin when i was very young at the Rennes Conservatory of music for 6 years but it was a long time ago and i didn't practice since. I still can read notes but i'm super slow when it's about to play a musical score with other instruments now.

MFM: Would you say you have a D.K. workflow when in the studio?

DK: I like to have a precise idea of what I want to do before I start, even if it’s going to change completely during the process. Also, the shape of a track will really depend on what I’m listening to at the moment. I can easily get lost sometimes, producing something that is totally different of what I’m doing but I always learn some new technics. It’s a good way to find new ideas as well. Most of the time, I work on the same loop until I’m satisfied, almost all the elements of the track have to be already present on this loop, so I can have a vision of what it’s going to look like. Then, I know it will be easy to structure, edit and finish.

MFM: Interesting, for a lot of producers making arrangements seems a tough task or annoying burden even. What's your trick?

DK: I start with the  rhythm structure then focus my work on finding the main theme of a track,  and i build everything around it. If the beat and the  hook are strong enough it's usually not a tough task to make the arrangements.

MFM: You've been putting out music not only as D.K., how come?

DK: I decided to use that 45ACP moniker to focus my work more on sound textures and beats. It was maybe more heavy and club-oriented than what I used to do as D.K.. But now, I’m trying to combine everything in one project to create more contrast in my music. I’m generally interested by the opposition of textures and sounds in music. For instance, I like to mix raw percussion parts with clean drums or melancholic cold pads with naive midi melodies.

MFM: So, what can tell us about the mix? Any specific theme behind it?

DK: It’s a collage of tracks that I’ve been listening to at home recently and some edits I’ve made, from ambient and tribal to Japanese stuff. It’s obviously not what people can expect to hear me play in a festival or club but I would say that it’s more the vibe that I’m trying to create when i’m performing live.

MFM: Last but not least, any exciting news you'd like to share?

DK: I’m wrapping up my next Ep at the moment, it will be the third volume of my trilogy dedicated to club music on Antinote. I also have a release to come out soon on 12th Isle, and a couple of remixes.

MFM Mix 008: D.K.

De camino a la romería en Costelo Club donde se reuniría con el resto de la crew y un héroe más de nombre Hyman Bass, el autoestopista paró a tomar algo en un club de jazz de los bajos fondos de Babylon Downtown.
Al verle que portaba una maleta repleta de discos siempre consigo los regentes del lugar amablemente le preguntaron si le gustaría poner unos discos aquella noche.
El villano accedió con la única condición de poder grabarlo y mandárselo de regalo a la buena gente de Ego Trip aka rookies del año en la ciudad.
En este set he querido plasmar lo que me gustaría poner en un Ponle FUNK a los niños, una mezcla entre pregones orgánicos y alegres y pregones más minimalistas detroitianos , todos ellos tienen tienen tintes jazzeros propios de sellos como Sound Signature,Wild Oats o KDJ. 
House yankee a 120 y muy poquisimos bpms para cuando vengan fuertes los domingos y sus resacas.
P.A.Z y muchas gracias por contar con Down Wall para grabarse algo para Ego Trip
Bendisiones (L)

TASCAM DR-05

TRIP004 - I-94

Inédita. Inspirada en el gran "JACQUES MAYOL"

Unedited. Inspired by the great "JACQUES MAYOL"

Pics: Gregory Colberg

Anisthesia (tribute to Mr Oldfield)

Vinyl-DJ since 1992. Record collector. Owner vinyl labels & Event mánager. Based in Madrid/Spain. 

Anisthesia (tribute to Mr Oldfield)

Anthonius...

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