Unusual to have written text actually help a listener enter the music...well done.

few atmosphere's more rich than a classical guitar & violin, thanks!

Art Cover Artist's Profile: Luana Bento: www.instagram.com/offluaph
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For this project, the process was started in Amsterdam. That means that the core-idea project came from https://soundcloud.com/igor-iofe-1 ! Very enjoyable process because my partner has a great will to create new material and is also an efficient cooperator that accepts different perspectives, readjust and reconstructs details with the final result as our final goal.

About the composition: Here is the first part of the main album's main theme. Beautiful phrasing and the first experimentations that happened in this first one were the reason to get born the other that will follow after this. I wish you a beautiful week!
#tomi # Igor_Iofe

Imperfect//Monologs I [by the ''Imperfect//Monologs'' EP|Piano: Thomas Nakas|Trumpet: Igor Iofe]

A violinist friend of mine came to me with an old, 1930′s violin part that was just that – a part with no accompaniment. The part was an arrangement of an old Russian folk song called “Dark Eyes”, or “Black Eyes”. He asked me if I could write an accompaniment to the part. I thought about it, and ended up re-composing the part, and composing a completely new and re-imagined accompaniment.

It changed little from the original violin part, save for slowly changing accidentals, so the tonality gradually travels to someplace distant from where it started. The piece begins in a more typical style endemic to the 1930′s when greats like Heifetz were tearing up the concert stages. However, I looked at the old part as a sort of time capsule. It had been born in the 1930′s, and then been lost, only to re-emerge in the very foreign land of the 21st century.

This is exactly how I approached the composition of the piece. It flows – slowly – from the past in to the present.

Anthony Joseph Lanman - Classical Guitar
Sharilyn S. - Violin

Re-Imagined Eyes

poem by Ryokan, original music, Native America style drone flute

Life Is Like a Dewdrop

From 5 Fugue from "Wohltemperierte Klavier"

Bach-Mozart: Fugue K 405 E Dur - Melos Quartett

Licensing enquiries: http://oliversad.ie/contact

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Earth Pulse

Alberto Iglesias

Rahim AlHaj, Ottmar Liebert, Jon Gagan, Barrett Martin - Under The Rose

Franz Schubert: Sonata in A, D959 - II. Andantino

Here’s a small but perfectly formed waltz from the amazing composer Francisco Tarrega. Thought i’d give it a whirl before heading out to a gig. Hope you like it.

Gran Vals (F.Tarrega) - David Delarre

Joseph Haydn - Symphony No. 94 in G Major 'Surprise' - Herbert von Karajan

This is an extract of the live streaming performance of my "Now" album performed on April 22nd. The whole performance is avalable as free mp3 (as this one!) on my Official Forum in Facebook. So - join it and enjoy it! 

Free concert!

Not from the past, not for the future (live)

Anthony Joseph Lanman is an active and passionate musician that divides his time between composing, performing, teaching and advocacy for new classical music.

As a composer, Anthony creates music that reaches general audiences as well as new music connoisseurs. Embracing influences that range from progressive rock and metal, to medieval and renaissance music, to jazz, to new classical, Anthony strives to create a sound that is his own. He has written for ensembles and soloists around the world.

Recent commissions include – E.G.S./A.J.L. for guitarist Matthew Cochran, Hear Us! for children’s choir and string ensemble commissioned by Otter Creek Middle School, Automaton – a concerto for 8-string electric guitar and percussion for Clocks In Motion, The Rag and Bone Shop – a song cycle for baritone and piano trio for Brian Lewis and David Small commissioned by the University of Texas Butler School of Music, Rush – a quartet commissioned by the Music Teacher’s National Association and the Indiana Music Teacher’s Association, Hommages for Piano, Book 2, for Holly Roadfeldt, and Damselfly – a duo for 8-string electric guitar and percussion for Kyle Lutes.

Anthony’s performing career began in high school while singing and playing electric guitar with his touring progressive band Canvas. His principle instrument changed to classical guitar during his undergraduate years at University of Texas at Austin where he studied with Adam Holzman. Through his graduate study at Indiana University he added renaissance lute and theorbo to his instrumental arsenal, studying with Nigel North. He has performed with the University of Texas New Music Ensemble, the University of Texas Early Music Ensemble, the Indiana University New Music Ensemble, the Indiana State University Wind Ensemble, and Clocks in Motion. He has also performed many concerts of solo and chamber music.

Anthony’s advocacy is life-long. In the nineties, he hosted a contemporary classical music radio show on KVRX in Austin, Texas. In the 21st century, he promoted fellow Indiana University composers through a web presence on Mp3.com (now defunct); created Guitar Heroes, a weekly presentation series in Second Life; and produced more than 100 episodes of his ongoing music-centric podcasts All the Cool Parts and the 1,000 Recordings Podcast. He has appeared as a guest on Soundnotion, Composer Quest, Classical Guitar Insider, Goes 2 Eleven, and The Portfolio Composer.  His new podcast 1 Track focuses on the music of the contemporary classical world.  In addition, he has exposed thousands of new listeners to contemporary classical composers by sharing this music to his more than 400,000 followers on Soundcloud.

Anthony has held several positions at multiple universities and colleges, as well as K-12 public schools. In 2016, he held an adjunct position at Butler University in addition to teaching choir and music at West Vigo Middle School. He holds a BM in composition from the University of Texas, and an MM and DM in composition from Indiana University.

Anthony currently resides in Bloomington, IN with his wife Jenna and their cats Silas and Bod.

Re-Imagined Eyes

Anthony Joseph Lanman

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