GRABADO EN BCN-ARTS DE BARCELONA EN SEPT.2013

THE SHOW MUST GO ON (STUDIO VERSION) QUEEN BAND

Wonderwall-Paul Anka

Billie Holiday
Now Or Never
The Complete Decca Recordings

Now Or Never - Billie Holiday

Nina Simone - Just in Time

Air Supply - "Dance With Me" - Mumbo Jumbo Album Version

01 - Dean Martin - You're Nobody 'Til Somebody Loves You

Φιλαρμονική Ορχήστρα Πνευστών Δήμου Αθηναίων 
Ζωντανή ηχογράφηση

Louis Armstrong (Arrangement by Ν. Iwai) - When The Saints Go Marching In
Σόλο Κλαρίνέτο: Αλέξανδρος Μανάτος

Louis Armstrong - When The Saints Go Marching In

lyrics: Alicja Maciejowska       music: Beata Przybytek


My mamma used to say / That nothing is for free
You've got to pay for everything  / In this life'
My mamma used to say  / There are no coloured dreams
You've got to work for everything /  In this life
I will pay for the blues / I will pay for every minute
I will pay for the blues / I know
I wanna feel with all my heart / Every word, every sound
Though I know /  I will pay for the blues
My mama used to say / 'Grow up, you stupid girl'
And I... I've never wanted grief / In this life
My mama used to walk / A path I don't want to follow
I want to find my own way / In this life

I will pay (...)
This is my blues / My heritage,
My knowledge and my luggage
This is my blues /  My music for this life.
This is my blues / My heritage
It doesn't make me sad
It would make a dead man laugh


I WILL PAY FOR THE BLUES

Someday he'll come along
The man I love
And he'll be big and strong
The man I love
And when he comes my way
I'll do my best to make him stay

He'll look at me and smile
I'll understand
And in a little while
He'll take my hand
And though it seems absurd
I know we both won't say a word

Maybe I shall meet him Sunday
Maybe Monday, maybe not
Still I'm sure to meet him one day
Maybe Tuesday will be my good news day

He'll build a little home
Just meant for two
From which I'll never roam
Who would, would you?
And so, all else above,
I'm waiting for the man I love 

Ella Fitzgerald The Man I love :)

Let's Call The Whole Thing Off - Ella Fitzgerald & Louis Armstrong

Dean Martin Tribute Band: VOLARE... LIVE & UNCUT

Beata Przybytek
is an outstanding vocalist, pianist and composer. She is widely acknowledged as one of the most intriguing Polish voices. She graduated from the Jazz Department at the Karol Szymanowski Academy of Music in Katowice where she is currently a member of the faculty.
Beata won first place at The 29th International Meeting of Jazz Vocalists in Zamość. During her long and fruitful career, she has released the following albums: ”You Don’t Know What Love Is” (2003), ”The Island” (2004), ”Wonderland” (2006) which is distributed in Poland and Japan, and the latest ”I’m Gonna Rock You” (2012). 
The artist joined forces with such prominent members of Polish jazz stage as Jan Ptaszyn Wróblewski, Janusz Muniak, Jarosław Śmietana, Piotr Wojtasik, Bernard Maseli, Wojciech Karolak, and Jazz Band Ball Orchestra.
She took active part in the Kalinowe Serce Charity’s project – „Singing Jazz”  featuring Marianna Wróblewska and Maciej Zakościelny.
As far as Beata’s performances are concerned, she played a crucial role during numerous domestic and international jazz festivals: Jazz Jamboree, Bielska Zadymka Jazzowa, Summer Jazz Festival at Piwnica pod Baranami, International Głogów Jazz Meetings, Pomorska Jesień Jazzowa, Easy Jazz Festival, Jazz Sessions in Gliwice, Jazz Forum Jazz Festival, Jazz w Lesie in Sulenczyn, Baszta Jazz Festival, Podlasie Jazz Festival, Świdnickie Noce Jazzowe, Jazz na Kanapie in Oleśnica, Zakopiańska Wiosna Jazzowa, Legnica Jazz Days,  Jazz En Nord Jazz Festival - France, Sibiu Jazz Festival , Ploiesti Hot Jazz Summit – Romania, International Jazz Piestany – Slovakia etc. Beata is internationally recognized and fervently applauded by audiences in Poland as well as in Austria, Belgium, Sweden, Germany, France, Romania, and Slovakia. 


“Sensation. In my humble opinion, Poland has not had a jazz vocalist singing so distinctly and expressively since Urszula Dudziak. Morover, the style and timbre of voice Beata presents being so characteristic for black vocalists, distinguish her from other Polish jazz singers.”
Andrzej Chojnacki, „Od Przybytek głowa nie boli...”, „Jazz Forum” 

“Someone said the more Przybytek the better. It is not enough- you can really fall in love with Beata Przybytek’s voice.(…)Warm,sometimes a little hoarse,once naturally clear, white, some other time giving the impression of stylish-black. However, never mannered! This is her voice in short. But even this seems to be not enough…because Beata Przybytek should not be read about, she must be heard. Extraordinary voice must touch us and go deep inside.(…)Beata Przybytek is a mature and fulfilled artist.”
Tomasz Jakub Handzlik, „Gazeta Wyborcza”  



I WILL PAY FOR THE BLUES

Beata Przybytek

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