Beautiful song nice mix great singing and duet!

A truly remarkable and exquisite composition. Smooth, redefined!

This song understands me.  I didn’t know I needed this until I heard it.

This awesome, I love the vibe of this🔥❤️

Beautiful duet, with a heavy story and feel.

Ladat’s Support Aug’25 vol.2

Production by Jaclyn Rachelle & Roze
Mixed & Mastered by Imperium Music
Cover Art by Jac

©JAC 2022

Money

Murmer

The power and energy of Rawstyle... Fucking kick rolls, I love it ! Let's go !


TRACKLIST :
1. [INTRO]
1.1. Ran-D & Galactixx - The Perfect Storm
1.2. Sub Zero Project - TECHNOBOTS
2. [BUILD-UP]
2.1. TNT & Darren Styles - Hard Beat
2.2. Sub Zero Project & Hard Driver - Liberation
2.3. D-Sturb & Radical Redemption - Jump MF
3. [CLIMAX 1]
3.1. Showtek & Radical Redemption - Rager
3.2. Coone & D-Block & S-te-Fan - U Are The High
3.3. Adjuzt & Aversion & Mutilator - Devastation
3.4. Rebelion - Bonkerz
3.5. Mish - HYPNOTISED
4. [MIDSET]
4.1. Rejecta - Reject Authority
4.2. Spoontechnicians - Spoontech Society
4.3. Galactixx & Villain - Bass Drop
4.4. Dual Damage - Step Into The Chaos
5. [CLIMAX 2]
5.1. Mutilator & Fraw - STFU
5.2. Sickmode & Rooler - TOO ANGRY
5.3. Rebelion & Aversion - ZAAG IN PARIS
5.4. Mutilator & Anderex - OCEANS
5.5. Sub Zero Project - Robot Ravolution
5.6. Sickmode & Mish & Bloodlust - YEAHBOIII
6. [FINAL]
6.1. Ran-D & D-Block & S-te-Fan - Behind Enemy Lines
6.2. Polish Punisher - Your Blood
6.3. Warface & Dual Damage - Revelation


. Play with CDJ 3000 + DJM 750 MK2 💿

. If you like my work, like and share 🤝

. Visual generated by A.I. 🤖

Echoes of Power

Echoes of Power - Rawstyle Set - Defqon Vibes

(Hook)
Blue Light Give Me Headaches I Been Staring at the Screen </3
I can't sleep so I'm pouring up some more lean
I can't think so I'm rolling up some more weed
I'm wide awake but I'm living life inside a dream
I can't fu*k with these lame ahh hoe's
No j*b you broke ain't paid lil hoe's
(verse)
I can't fu*k with no lame ahh hoe's (no money)
I need a girl who get it on her own
I wanna take trips to outer space (Yayy)
she told me let's get 100k
oh, that's bae <3
I don't give a fu*k what they say
Making all this sh*t yeah 
Motivation My Love Language (hah)
and the brand-new Choppa speak Spanglish
Nah Na Nah Na Nah I ain't playing
I don't really care what you saying 
Only time you shooting out here when you gaming
My ADHD getting to me
Switching up the flow so much like Gee
Don't get mad when I'm on your Tv
I know that it hurts when you see me
But nowhere near bad as you hurt me
(Need some Tylenol or some ibuprofen)
(Hook)
Blue Light Give Me Headaches I Been Staring at the Screen </3
I can't sleep so I'm pouring up some more lean
I can't think so I'm rolling up some more weed
I'm wide awake but I'm living life inside a dream
I can't fu*k with these lame ahh hoe's
No j*b you broke ain't paid lil hoe's

BLUELIGHT

Album Title: After The Bat Was Freed ... But Before Metal Died

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

7. I Was Just a Dreamer

The turning point: The album's grand, emotional power ballad. This is the "morning after," the moment of catharsis and vulnerable reflection after all the excess. The loud facade of the "Madman" crumbles, revealing the heartbroken dreamer behind the mask.

Official Song Description: Adelheide's Wisdom – "I Was Just A Dreamer"
What remains when the spotlights fade and the myths begin to crack?

With "I Was Just A Dreamer," the virtual band Adelheide's Wisdom releases the first single and emotional centerpiece from their monumental concept album, "The Laughing Shadow: An Ozzy Requiem."

This epic power ballad is a profound and heartbreaking confession that looks behind the facade of the "Prince of Darkness." It tells a story of deep inner conflict – from the celebrated rock star on the world's biggest stage to the lonely "ghost at home," alienated from his own family and confronted with a lifetime of "scrambled eggs and mistakes."

Beginning with a fragile, intimate piano theme, the song unfolds into a massive, orchestral anthem. The haunting duet vocals of Adelheide and André guide the listener through a landscape of regret, pain, and the faint, almost lost hope for forgiveness.

"I Was Just A Dreamer" is more than just a song; it is the key to understanding the entire requiem. It is a meditation on the price of fame, the walls we build around ourselves, and the tragic search of a man trying to master the one role that always seemed out of reach: that of a father.

We all together worked day and night. As the Godfather of Metal was a musical role model and one of the first albums that our producer bought was 'Paranoid'.

Lyrics (by Frank Talmon l'Armée]

I Was Just a Dreamer

Spotlights burn my face, 
the crowds scream my name 
But it ain't my name, 
just a mask in the game. 
At home there are wrinkled hands and plates, 
Scrambled eggs and a life of mistakes.

Who's the mask, who's the face? 
Am I lost inside this place?

I'm a fading star with a burning heart, 
A joke to them, 
a ghost at home from the start. 
I'm screaming out but it falls apart...

All he ever wanted... was a father

Frozen clocks in an empty room, 
Maps lead nowhere, 
the compass a tomb.

But the wind still carries ancient tunes, 
Of brighter days and kinder moons.

And maybe tomorrow... 
The sun will break through... 

I was just a dreamer 
I dreamt my life anyway 
I was just a dreamer 
missing mostly better days

[Solo]

And the wind still carries ancient tunes, 
Of brighter days and kinder moons.

And maybe tomorrow... 
The sun will break through... 

I was just a dreamer 
I dreamt my life anyway 
I was just a dreamer 
missing mostly better days

They cheer for the beast... 
but my kids...

I Was Just a Dreamer


Dance Version of Akiva David's popular album mixing  music, identity, history, and satire. Fusing global genres and eras — from 1930s Berlin cabaret and 1960s surf-pop to French chanson noir — each song dares to explore topics that others avoid: from repressed love and colonial legacies to bodily humor and media critique.

The album is a cinematic fusion of sexual allegory, cultural memory, and radical humor. You’ll hear vocals layered on dance beats, with erotic repetition, and heartfelt reflections. Featuring multilingual lyrics in French,  Japanese,  and  Italian,  this album is a genre-defying cultural odyssey for listeners who crave depth, discomfort, and pure sonic art.


Track 2 You’re So Fuckable (Jazz Version)

Official Song Description: Adelheide's Wisdom – "The Day When Metal Died (Act III: The Historical Marker)"

What does it sound like when 250,000 fans mourn their hero in unison?

Adelheide's Wisdom delivers a preview of their forthcoming epic, "The Day When Metal Died," with the release of the monumental third act, "The Historical Marker." This track is not just a song; it's a visceral, immersive experience designed to place the listener directly into the heart of a massive, passionate stadium crowd.

Driven by the raw, majestic energy of classic 80s heavy metal, the song combines galloping rhythms and soaring twin-guitar harmonies with a soundscape that captures the electric atmosphere of a legendary live concert. In this powerful chapter of the requiem, the private grief of the earlier acts transforms into a collective, defiant roar.

"The Historical Marker" is the moment the fans raise their voices, the moment a tribute becomes a timeless anthem. It's a sonic monument where the roar of the audience becomes an instrument in itself, creating a powerful, shared ritual of remembrance.

This is Act III of a larger story, a Glimpse into the epic scale of the full requiem to come.

---

Lineup for "The Day When Metal Died"

Band: Adelheide's Wisdom

Instruments:
•	Adelheide Vogt: Lead & Rhythm Guitars, Akustikgitarre
•	André Moreau: Lead & Rhythm Guitars
•	Rosemarie Kowalski: Lead & Rhythm Guitars (Twin-Guitar Harmonies)
•	Bruno Moretti: Bass Guitar
•	Ian McCullough: Drums
•	Elfriede Ragnarsdóttir: Kirchenorgel & Orchestrale Arrangements
________________________________________

Vocals ("Starring"):

•	André Moreau als "The Voice of the Inner Void" (Lead Vocals in Act I)
•	Bruno Moretti als "The Voice of the First Cry" (Lead Vocals in Act II)
•	Ian McCullough als "The Voice of the Historical Marker" (Lead Vocals in Act III)
•	Adelheide Vogt als "The Voice of the Anthem" (Lead Vocals in Act IV)
•	The Full Band (Gang Vocals / Choir in Act IV)

The Day When Metal Died

Syncrhonicities

The phrase Thy kingdom come is part of the Lord’s Prayer, a prayer that Jesus taught His disciples (and all future servants of His kingdom) as a pattern for prayer.In Luke 11:1, the disciples observed Jesus praying and wished to learn from Him how to pray. They recognized that Jesus’ day-to-day actions flowed from His intimate prayer life with God, and they wanted their lives to reflect the same. So Jesus taught them this model prayer: “Whenever you pray, say, Father, your name be honored as holy. Your kingdom come. Give us each day our daily bread. And forgive us our sins, for we ourselves also forgive everyone in debt to us. And do not bring us into temptation” (Luke 11:2–4, CSB).A fuller version of the Lord’s Prayer features in Matthew 6:9–15 as part of Jesus’ extensive teachings in the Sermon on the Mount. In both passages, Jesus includes the statement Thy kingdom come.

Let Thy Kingdom Come

Album Title: After The Bat Was Freed ... But Before Metal Died 

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

1. The Day The Bat Was Freed
The origin story: This 60s-style rock opera piece chronicles the birth of a legend, inspired by the sound of The Beatles in the grim industrial landscape of Birmingham. The track musically transforms from jangly pop into the first, heavy proto-doom riff, capturing the moment a new sound was born.

The Day The Bat Was Freed

That Feeling

Everybody has an inner dark side witch can be sweet sometimes...

My Sweet Darkness 2025 version

When I close my eyes I'm on a lazy river in Las Vegas  -a LOve sOng

This is not just a song. This is a chapter.

The lyrics for this track are taken from a key scene in the unpublished novel "Hinter uns das Land" (The Land Behind Us). It tells the raw, unfiltered story of a young German refugee's "homecoming" in 1948 – not to a welcoming fatherland, but to a landscape of destroyed train stations, bureaucratic coldness, and the quiet, heartbreaking moment a lifelong dream is shattered by a single piece of paper.

Musically, this piece is a fusion of melancholic jazz, blues, and deep, weary spoken-word verses, creating a cinematic, "film noir" atmosphere for this tale of disillusionment.

This is the sound of a generation arriving home, only to find they are more lost than ever before.

---

Das ist nicht nur ein Song. Das ist ein Kapitel.

Der Text für diesen Track wurde aus einer Schlüsselszene des unveröffentlichten Romans "Hinter uns das Land" übernommen. Er erzählt die rohe, ungefilterte Geschichte der "Heimkehr" einer jungen deutschen Vertriebenen im Jahr 1948 – nicht in ein willkommen heißendes Vaterland, sondern in eine Landschaft aus zerstörten Bahnhöfen, bürokratischer Kälte und dem leisen, herzzerreißenden Moment, in dem ein Lebenstraum durch ein einziges Stück Papier zerstört wird.

Musikalisch ist dieses Stück eine Fusion aus melancholischem Jazz, Blues und tiefen, müden Spoken-Word-Strophen, die eine cineastische "Film Noir"-Atmosphäre für diese Geschichte der Desillusionierung schafft.

Das ist der Klang einer Generation, die nach Hause kommt, nur um festzustellen, dass sie verlorener ist als je zuvor.

Scars on the Walls and Dust on the Floor

In His Hands

share thoughts & opinions in comments.

produced, mixed, vocals by ophanim

daemons

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Scars on the Walls and Dust on the Floor

Beyond & Before Music

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