Launched in 2003, Ben Watt's Buzzin' Fly Records is an electronic music label. Sister imprint, Strange Feeling specialising in alt-indie was launched in 2006.

I get my kicks above the waistline, sunshine.

………………….. qburns@q-burnsabstractmessage.com

Remix Management for:

Chicken Lips
The Glimmers
J.D. Twitch (Optimo)
Leftside Wobble
Lindstrom
Lord Of The Isles (NEW)
Prins Thomas
Rub n Tug
Serge Santiago
Tiefschwarz
Todd Terje
VillA

ame / frank wiedemann / schwarzmann
/ bigamo record label

hi everyone.
Just to let you know: 
I DON'T ANSWER EMAILS HERE!! Too many social networks are not good for my health ;-)
Cheers.
Frank.

French House and Techno Veteran, Rex Club Resident, Geschäftsführer of 510k

 http://www.510k.de


For the Silverilning Dubs stuff, please check out the Bandcamp page.

For DJ Bookings: jp@special-force.com

http://www.ausmusic.co.uk/
http://www.dj-kicks.com/willsaul/#.WHeew7Sordk

Will Saul has been at the cutting edge of electronic music for nearly 20 years now. He has released well over 150 records across his two labels - Aus Music & Simple Records - from the influential likes of Joy Orbison, Carl Craig, Pearson Sound, Leon Vynehall and Actress, as well as EPs that helped to break the careers of talents like Bicep, Dusky, Midland and George FitzGerald. This visceral A&R ability has seen him become head of A&R at !K7, responsible for all artist signings and in charge of curating the hallowed DJ Kicks series. Unearthing new and exciting artists and music is Will's lifeblood and something he has been doing every day for as long as he can remember. Will started working in music aged 19 - work experience during university led to a full time role as A&R with Sony Music. He left Sony to set up his first label Simple whilst becoming part of the team that founded the legendary Phonica Records in London.
As an artist in his own right his music and remixes have been critically acclaimed and seen him featured on the cover of DJ magazine and helm the Essential mix for Radio 1. Will has been trusted to remix a diverse range of incredible artists from Little Dragon to Kelis via Pearson Sound and Fink and has released many singles and EPs (on labels such as Kompakt and !K7 as well his own) as well as two full length artist albums - the last of which was his CLOSE project - which saw him tour a live audio visual show (with a drummer) which debuted in room 2 of Fabric.

Will is an experienced DJ and has held residencies at some of the best clubs in the world (The End in London, Studio 80 in Amsterdam and a label residency at Fabric to name a few) and plays/played (some are now closed) regularly at the likes of Panoramabar, Robert Jonson, Trouw, Yellow and Labyrinth Festival. Will has contributed entries to two of the most respected commercially released mix series out there in DJ Kicks and Balance - both of which made it into Resident Advisors best 20 compilations of the year.

:: BOOKINGS :: alasdair@fmly.agency

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

Black Brix is following