Name: Static by BLACK MARBLE in Cold Wave + Post Punk
Duration: 2 min 56 s
Description: Static is the second single from A Different Arrangement

Jawohl - great song, but we don't give up!

This bass line remembers Young Marble Giants... Good!

yo guys im a 17 year old italian producer or thats what i want to be, pls let me know what u think about my frist beat, peace and stay safe

Cold Wave + Post Punk

Recorded and Mixed by Chris Campion
Mastered by Roland Hlavka
October, 2014


Control

all together now | untitled project 001 sessions | ambient atmospheric psyche drone horror WIP | ears 3 140 bpm take 1 8725

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

New track from Carbon + out soon on Dream Damage

Carbon + - Reaction

Taken from 'It's Immaterial' LP by Black Marble, out October 14, 2016.

Order at The Ghostly Store: http://www.theghostlystore.com/products/black-marble-its-immaterial
Or at the retailer of your choice: https://Ghostly.lnk.to/black-marble

It's Immaterial

Black Marble - Iron Lung

La Cruz de tus Brazos

Pretender is the first single from the EP <A HREF="http://www.hardlyart.com/shop/blackmarble.html">Weight Against the Door</A>

Pretender

Loveline will be featured on Magic Wands third album 
Abrakadabra due out spring 2018.


Loveline (Lyrics by Magic Wands)

My love can play like a record
But it can skip all the time
And leave you

Hangin on the loveline
On the loveline 
Hangin on the loveline 
On the loveline 

Hangin on the loveline
On the loveline
Hangin on the loveline

Our hearts can burn like a fire
You’ve got a love that don’t falter
When I see you 

Hangin on the loveline
On the loveline 
Hangin on the loveline 
On the loveline 

Hangin on the loveline
On the loveline
Hangin on the love line

You’re heart can skip like a record
I might just play it forever
And leave you 

Hangin on the loveline
On the loveline 
Hangin on the loveline 
On the loveline 

Hangin on the loveline
On the loveline
Hangin on the loveline

Loveline
Hanging on the love line

cp MagicWands2017 ASCAP

LOVELINE

THX to Marty from The Kolour Kult for this amazing remix

Pretender (The Kolour Kult "Beach at Dusk" Remix)

Some Ember - Flowers Open

Static is the second single from A Different Arrangement

Static

Recorded, written and performed by Wesley Eisold at home in Los Angeles CA in February 2012.

Cold Cave - A Little Death to Laugh

Released May 27th. Night School Records.
CD/LP/Digital.
Pre-Order: http://nightschoolrecords.bigcartel.com/product/lssn016-terror-bird-all-this-time-lp

“All This Time” is the 3rd full length LP from Terror Bird - aka Nikki Nevver - and is by far the most personal, emotionally affecting and musically developed. Recorded at home over a period of 5 months, the 10 songs on “All This Time” document a period of intense emotional upheaval, a period wherein Nevver underwent major shifts in her personal life, rediscovered the solo recording process (previous albums having used live drumming and studio production) and married a raw, personal music with a straight-to-tape aesthetic most in-tune with her early recording experiences. The difference this time is that Nevver’s unique voice - at turns operatic and fragile, untutored and wearing its heart on its sleeve - serves as the perfect conduit for the emotional turmoil in the songs.

Nevver’s voice has grown into a formidable instrument, a towering, unabashed vocal whose resonance curls around the synth and drum machine production, at times duetting with itself, at times scaling the vocal register to reach new dramatic heights. Brought up on the music of the 80s “studio” - The Smiths, Kate Bush, The Cure - Nevver’s music exists beyond modern zeitgeists or considerations, subverting “big production” music into a personal DIY aesthetic. It’s a pure songwriting that outgrows genre and thrives purely on the merits of direct communication between songwriter and listener. 

Each song on “All This Time” serves as a chapter in a narrative that is universal; from the self-doubt and loneliness of opener “The Wrong Way,” to the doomed bedroom romance of “Try To Break Me,” from the masochistic guilt of “Locket” to the near-anthemic “Lust & Violence.” Each song speaks directly, plainly, to the listener, dispensing as much as possible with the unnecessary augmentation of modern pop music; “All This Time” is simply the deeply romantic, part-doomed / part-hopeful songs of a singular, unique talent.

Static

BLACK MARBLE

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