Sub heavy escapades of an emerging dinosaur.

Booking requests --> stathis.kalatzis@gmail.com

Good voodoo. It´s not only Kiki´s most well known track (with the lovely vocals of Chela Simone) and the name of his radio show on Ibiza Sonica and Proton Radio, but it symptomizes perfectly that moment, when you loose yourself on the dance floor and see him smiling, while he plays music you didn´t know you want to hear.

Joakim Ijäs was born in Helsinki, but has now found his home in Berlin. Initial forays into making sounds with violins and pianos soon gave hway to the mechanical beats of hip-hop, mixed together with more popular sounds whilst playing at school discos before he was even a teenager. With such an early start it was no surprise that before he was old enough to enter a club, Kiki was holding down a weekly residency at Helsinki’s Tempo club, which was swiftly followed by another at the Smile club. A move to Berlin in 1994 to study Architecture was the catalyst for Kiki to step in to the realms of a serious DJ. Impressing the legendary Masters At Work at a Marlboro DJ competition led to him securing gigs at Berlin’s three cathedrals of techno -Tresor, Pfefferbank and WMF. Gigs in Berlin and Germany were soon followed by a string of international bookings and the release of an infamous three deck mix for Sonnenhaus which led to DE:BUG worrying about the health of his, fingers.

With his profile as a DJ growing it was two short steps to releasing his first record on Ellen Allien’s BPitch Control label in 2001, who through a happy coincidence he had met when the pair were double booked to play the same DJ slot. Since then Kiki has become an integral part of the BPitch family growing into a truly international artist, sharing his love of energetic and hypnotic music across the globe from Mexico, to Tokyo and making a little bit of history along the way. With an output that has been nothing short of prolific, Kiki has released a number of genre defining records both as himself and later with partners in crime Silversurfer, Sasse, Chaim, Joyce Muniz and many more. Kiki was the first artist asked to put together a mix for the now legendary Boogy Bytes series, and has been asked to provide remixes and productions for labels as diverse as Bugged Out, Playhouse and Crosstown Rebels where he had the honour of being the first artist releasing on the label. His debut album Run With Me, released on Bpitch Control, was an international success, and led to the video for “Shake Off” (a collaboration with Silversurfer and Captain Comatose) being playlisted by MTV. More recently a collaboration with Sasse and his Moodmusic imprint led to the release of the excellent Grand Cru – a modern club classic already.

However, as he has grown and matured, a yearning to explore deeper and more personal forms of expression in music, has led to Kiki working on his follow up to his debut album: Kaiku, that spawned the single "Good Voodoo".

After "Kaiku" and especially the huge success of the album single "Good Voodoo", Kiki has put out "Cinema Obscura" & "Morning Maniacs" (with a ridiculosuly funny video) on Bpitch, started a radioshow on Proton Radio in 2010 in collaboration with Noice!, that  evolved into his own show Good Voodoo on Ibiza Sonica and Proton in 2013. He is producing singles for Anja Schneider and Ellen Allien and keeps touring all 5 continents. 2014 also saw the highly succesful collaboration with Joyce Muniz, "Warriors" hit MTV and Viva with a video... 

Bin there and here and elswhere on planet Techno.

Dj and music producer
co-label owner of Clapper
released music on Poker Flat, Gruuv, Bar 25, Rebellion, 8Bit, Rejected and more...

Berlin based Music Producer & Mixing Engineer
▪️Founder of @elektrons_ofc
▪️Bedrock // Poker Flat // Balance
▪️www.hannesbieger.com
▪️ Booking live set: ian@analog-a.com

« La Nature n’est pas une aveugle puissance : C’est un art qui se cache à l’humaine ignorance. Tout ce qui paraît hasard est l’effet d’un dessein qui dérobe à tes yeux son principe et sa fin. Tout ce qui dans l’univers te révolte et te blesse, forme un parfait accord qui passe ta sagesse. Tout désordre apparent est un ordre réel, tout mal particulier est un bien universel. Et bravant de tes sens l’orgueilleuse imposture conclut que tout est bien dans toute la Nature. »

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

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