great project! loved working on this w/ you! 

wow... your vocals mesh beautifully. Also, this is a fantastically constructed song -- very engaging from start to end.

🧡🧡🧡 love this   You both sound amazing!!

this is so beautiful. love it. your voices complement each others' so well!

wowww your voices compliment each other so well

psych ward valentine

when the cosmos sing

Momma - Sunday

Darkness Remains - The Pawn That Could Not

A Shoegaze renaissance classic, first time on vinyl.

The shoegaze renaissance classic The Millia Pink And Green EP by Sway has influenced many a modern musician, shoegazer and non-shoegazer alike. Now, Saint Marie Records gives it the long awaited vinyl treatment. The record now weighs a bit more, thanks to the bonus track ‘Channel’ and its 180gm Coke bottle green transparent vinyl.

Sway began making noise in 1999, in Ventura, California. At the time, they were a four-piece garage rock outfit consisting of Andrew Saks, Amber Carlson, Seth Eubanks, and Vince Alatorre, playing shows and confusing audiences up and down the West Coast with its blurry wall of sound. They’re most known for the shoegaze renaissance classic The Millia Pink And Green EP released in 2003.

Andrew’s songwriting and sonic ideals are deeply rooted in the music he was surrounded by while coming of age: late ‘70s and ‘80s pop music.  Falling asleep nightly while listening to 1980s pop and R&B, and then waking up late at night in a dark dreamlike haze with New Order, Swing Out Sister, Talking Heads, Pet Shop Boys, Lisa Lisa and Cult Jam whispering through his Walkman’s headphones, the sonic memory of such experiences keep Sway from ever giving itself over fully to the traditional shoegaze elements. The quest to recreate these musical properties is what later led Sway to embrace and be further influenced by the blissful textures of dreampop visionaries such as The Cocteau Twins, Medicine, and My Bloody Valentine.

In 2011, This Was Tomorrow was released by Saint Marie Records.  It was Sway’s first full-length release and its last.

SIDE A
Fall
Sounds Like Everyone
Sullust

SIDE B
Ever and Ever
Opentillate
Channel (Bonus Track)

Sway - Opentillate

hello im mr frog this is my song i eat the bug i hate you hello

My 9th Strangulation This Year

Deftones - Pink Maggit Intro Live 1998 CA

Nightmares At Dawn

Screaming At Forgotten Fears (2007)

Tribute to Xasthur/Striborg
(Phrases are taken from "One Man Metal" documentary)

Everybody Dies Alone

loathe
loathe I Let It In And It Took Everything full album

loathe I Let It In And It Took Everything full album

featuring vocals by Carleigh Mack: https://soundcloud.com/carleighmack

lyrics:
im standing alone
feet in the water
and slowly my entire body will be drowned out
with water in my lungs
screaming "your breathing is done"
you're drowning me out
dead in the water

so when you run away
don't count on me to stay
cause you and your friends having been playing games
and i'm not gonna play that way 

god i knew i was right
should’t have trusted a man who doesn’t fught
i know you left me somewhere i shouldn’t be
stuck upstream
you’re drowing me out
i shouldn’t be reflecting in myself
when it’s your shit to deal with
please leave me out of it
i can’t save you when you’re drowning

so when you run away
don't count on me to stay
cause you and your friends having been playing games
and i'm not gonna play that way 

im standing alone
feet in the water
and slowly my entire body will be drowned out
with water in my lungs
screaming "your breathing is done"
you're drowning me out
dead in the water

drown (feat. carleigh mack)

Depressiva Mente Suicida

Coma

i make music in a barn in the middle of the woods

email me: cade@cadeearick.com

drown (feat. carleigh mack)

Cade Earick

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