Love the 'wooba wooba' attitude. Groovy guitar/bass work all around. This is fun. Great mix too. Everything is tucked nicely in their places. Very easy to picture the band playing live. :)

Composed, arranged, performed, and produced by
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic & Jason Mowry

Blue Swing By Carlos Vivanco & Jason Mowry

Let Go

In the Garden of Love

Cast of Characters:
Witches of the Alamo-- @witchesofthealamo – James – vocals, mix, and production
TexMex Shaman–@texmex-shaman –Stephen–  rhythm and solo guitar
J.J. Terrell–@j-j-terrell – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four-string fretless bass

This classic Grateful Dead song has been a favorite of JJ's since his playing in a bar band days, decades ago. Therefore, he decided to come up with a perfect, lively skeleton on his piano for us to use for it, and shared it with us. Josh, being a Deadhead as well, jumped on the chance to play Phil's part on his four string fretless bass. Ken, who isn't necessarily a Deadhead, but can play most anything, jumped on with his driving drums around the same time as Josh added his bass line, as they went back and forth a few times before getting the rhythm section settled. 
  Stephen came along next with his cunning rhythm guitar, follow closely by his solo for the solo section. JJ added his solo for that section right after Stephen had laid his part down. Then we turned it over to James to add his rich, accent-drenched vocals. 
  When we had all the parts down, we turned it over to James (or Stephen) to produce and mix for us, which he did in expert fashion.
  This song was a lot of fun for the Deadheads in the band and non-Deadheads alike to record. This is also the second collaboration done by James and the Eclectic Collective, and we all enjoyed having him on this project.
  We hope you enjoy listening to this as much as we enjoyed making it.

Me And My Uncle( Grateful Dead Interpretation)-Eclectic Collective

A Kiss in the Breeze

Tears

https://distrokid.com/hyperfollow/chrisjunos/pink-clouds
https://chrisjuno.bandcamp.com/album/passarella

Pink Clouds - Ροζ Σύννεφα

He dreamed of writing the great American novel
But when he tried to write his wheels just spun and spun
So he started doing book reviews to pay the bills
He became the literary equivalent of Atilla the Hun
Brutally criticizing, trying to find things to hate
He became a critic because his work was second rate
It takes years of work to write hundreds of pages
Each author thinks they’ve written a book for the ages
He skims though each manuscript in less than ten minutes
Reviews don’t pay that much so he has to set time limits
He pushed himself to the limit, day after day
100 pages per hour going down motorway
Words, words, words, words, words, words
Words rebel – stretch and widen
they hide between the lines
they crowd, they crowd, they become too vague
darken him, irritate him, push him - out of the margin,
The words all swirl together and he mutters to himself
He sits at his desk for hours. It’s not good for his health
He says if you don’t like my reviews, you can tell me to go to hell
To hell, to hell, you can tell me to go to hell
Sometimes if a good book made him jealous and it got under his skin
He’d write a bad review, try to send it to the discount bin
And every day his reviews grew more and more over the top
Like a shark in bloody water, he was unable to stop
And then one day he was overrun by a train of syllables going counterclockwise
And question marks appeared as the words blurred before his eyes
The words on the page now felt empty
He’d expended all his rage
The meaning of words was inverted
He was trapped in a hopeless cage
He viciously pointed out the flaws
Of all his contemporary peers
He burned his bridges and when he fell
his victims erupted in cheers
Words, words, words, words, words, words
Words rebel – stretch and widen
He said if you don’t like my reviews, 
you can tell me to go to hell
Now he works as a door to door vacuum cleaner salesman and that’s not going well
To hell, to hell, he told them to go to hell
He saw the trainwreck coming but he ignored the warning bell

The Ballad Of The (former) Literary Critic [lyrical collaboration with Michele Ansani]

-money is fleeting
-l'argent est éphémère

clip @IG: Yangrooger

Money Money (Original Mix)

Hoppin' & Boppin'

For my father who left us a few days ago...he was a bass player and gave me the love of music and nature...I miss you so much and wish you a few more great performances in heaven... I miss you and your cheerful nature

Think Of You

all sounds and noises from an old Korg MS20

old MS20

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Blue Swing By Carlos Vivanco & Jason Mowry

Carlos Vivanco

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