Genial combinación de sintes ritmo y sitar

Love this orientalistic style. Reminds me a bit on the Opera of "Carmen"

Judging by some of the recent titles, I'm guessing the next album is about exploring our galaxy? (the Solar Breeze one suggests it might not be just about the planets).

The speed at which you play still melts my neurons. :)

A string remaster / redo of Bright Autumn

Forever Springtime

Siegonia

THE BOY - HANG ON TO YOURSELF

Everything by THE BOY

From 4th EP "Don't" OUT on major platforms NOW!
Click Link ( Spotify )↓ & Enjoy‼️
 : https://open.spotify.com/album/0r1WKfWAQlCI55UfL9RATt?si=911ctBvASKGmDX6P_nxeTg

HANG ON TO YOURSELF

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

Video;
youtu.be/IdVaF7w4_as

Genres;
#Electronic
#Pop

Made in #Ableton (2023)

Midnight Vibe

Gladlynt

La F. R. de 1789 est considérée comme l'un des tournants politico-sociaux les plus importants de l'histoire européenne. Elle a aboli le pouvoir absolutiste et les prérogatives de la noblesse et de l'Église et les a remplacés par l'état civil. Les causes de la R. F. étaient de profonds malaises sociaux et économiques (famines, insolvabilité de l'Etat). L'élément porteur de la F.R. fut l'Assemblée nationale française, qui adopta en 1789 la Déclaration des droits de l'homme et du citoyen. En 1793, les objectifs de la F.R. furent résumés en un mot-clé dans la revendication de Liberté, Égalité, Fraternité (Lien interne:Liberté, Égalité, Fraternité) et devinrent un slogan qui fut porté bien au-delà de la FRA et eut des répercussions dans presque tous les États européens. L'interdiction de ce slogan dans les provinces prussiennes du Rhin se répercute encore aujourd'hui dans le carnaval bourgeois et le chiffre magique ELF (Égalité, Liberté, Fraternité), qui ne pouvait pas être interdit : Sinon, pourquoi la révolte des imbéciles (= citoyens) commencerait-elle toujours le 11.11 à 11 heures 11 ?

The F. R. of 1789 is considered one of the most important political-social turning points in European history. It abolished the absolutist rule and the prerogatives of the nobility and the church and replaced them with the bourgeoisie. The reason for the F. R. were profound social and economic grievances (famines, insolvency of the Internal Link:State es). The French National Assembly, which adopted the Declaration of the Rights of Man and of the Citizen in 1789, was the supporting element of the F. R. In 1793, the goals of the F. R. were summed up in the demand for Internal Link:Liberty , Internal Link:Equality , Fraternity (Liberté, Égalité, Fraternité) and became a slogan that was carried far beyond FRA and had an impact in almost all European states. The ban on the slogan in the Prussian Rhine provinces continues to have an effect today in the civic carnival and the magic number ELF (Égalité, Liberté, Fraternité), which could not be banned: Why else should the revolt of the fools (= citizens) always start on 11.11. at 11 o'clock 11?

RÉSISTANCE

■概要(Overview)
じゃんけんで負けた！
さらに色々とやらかして状況は悪化してしまった。
はい、自己嫌悪。
・・・・
そんな感じの曲です。
でも大丈夫！どんどん行け、進め！
宇宙規模で考えれば大したことじゃない・・ような気がする。

I lost in rock-paper-scissors!
And the situation got worse with all sorts of other things.
Yes, self-loathing.
・・・・
It's that kind of song.
but it's okay! Keep going, keep going!
I feel like it's not a big deal if you think about it on a cosmic scale.

2023.4.1 楽器の追加を試みましたがやはり最初のバージョンで再度公開。
2023.4.1 Considered adding instruments, but finally released in the original version.


■歌詞
「どうして僕は・・」

どうにもならない
気を付けていても
くじ運悪いし　気持ちも弱いし

やりたくないのに　じゃんけん弱くて
町内会の面倒な役をやる羽目になったんだ

おまけにさ
電話番号を
教えてしまった
聞かれてないのに
責任感じて空回りする
僕はひどい奴だ

僕の居場所はないよ
愛想尽かされ　さよならさ
情けなくて消えたい
ねぇ、神様、どうして僕は・・・
(いつもこうなんだろう)


どうにも頭が
ずきずきしてきた
子供のころから　気持ちが弱いし

対人恐怖が影響している
大事なじゃんけん
見透かされていた
涙の　じゃんけんぽん

おまけにさ
電話番号を
聞かなきゃいけない
空気が漂い
迷惑気づかず　順番に聞く
僕はひどい奴だ

僕の居場所はいつも
自分で壊し　それまでさ
最初からわかってる

ねぇ、神様、どうして僕は・・・
(いつも余計な事ばかりしてしまうんだろう)


忘れたころに　「逃しはしない」と
再び僕に「烙印」を押す

いくら逃げても　隠したとしても
弱い部分が　「忘れさせない」と・・

月夜の枝垂桜が揺れている

僕の居場所はないよ
愛想尽かされ　さよならさ
情けなくて消えたい
ねぇ、神様、どうして僕は・・・
(いつもこうなんだろう)

■ lyrics(google translate)
"Why am I..."

I'm a hopeless person.
Even if I'm careful, the lottery is bad and my feelings are weak

I don't want to do it, but because I'm weak at rock-paper-scissors, I ended up playing a troublesome role for the neighborhood association.

moreover,
I gave everyone my phone number
Even though no one asked me to teach them

Feeling responsible and panicking
I'm a hopeless person

I have no place
Goodbye to being exhausted
I want to disappear without pity
Hey God, why am I...
(why is it always like this)

I can't help but have a head
I'm getting a throbbing pain

Ever since I was a child, my heart has been weak

social phobia affects
important rock paper scissors
was seen through
Rock, paper, scissors of tears

In addition
phone number
There is an air that you have to ask,
Listen in order without noticing the nuisances around you
I'm a bad person

I always destroy my own place.That's it.
I know that from the beginning

Hey God, why am I...
(I guess I always end up doing unnecessary things)

When I forgot, "I won't let you go"
brand me again

No matter how much you run away, no matter how much you hide
The weak part chases after you forever, saying "I won't let you forget"

The weeping cherry tree on a moonlit night is swaying

I have no place
Goodbye to being exhausted
I want to disappear without pity
Hey God, why am I...
(why is it always like this)

doushite_boku_ha(Why am I...)

Composed, arranged, performed, and produced by:
Carlos Vivanco

Heptagram

Venus Serenade

Sunken hope ━what was lost

A Kinsâme song with :
https://soundcloud.com/kiyotoyoshihara

1. Si l'hexagramme de Pikachu zèbre ces zombies de la raie alitée, le pilier est speed. Mare nostrum.

2. Les dix mille multi-clonages du gemme impérial lunent tes yeux mi-clos en cloque d'un sexy jutsu. Semper fidelis.

3. Quelques kicks ainsi connectés car San ku Kaï par terreur amère circule sans ceinture effaçant le centre délétère sous ses astres sismiques. Missi dominiqui.

4. Alors, l'omission du feu onde Kira qui inscrit sur son carnet d'onyx l'ode des erres érodées. Sator arepo tenet opera rotas.

5. Allez coquin, cache-moi cet arc-en-ciel dans ton cœur que je ne saurais entendre sans secret sanguin cerclé sous le sanctuaire de Shiryu. Res nullius.

6. En action, ce Vogue Merry attelé de six dragons soufflant dans des escargophones les mérites du Gum-Gum. Yo ! Yo ! Yo ! Jugula ! Ne...

7. Les super nanas singent Sailor Moon pour plaindre d'autres week-ends ascensionnistes au ping-pong des planètes. Non fui, fui, non sum, non curo.

8. Quelle roue tourne toujours ? Onizuka en perd son sombrage à l'âge sonique des perfections digitales. Dente superbo.

9. Voici que l'arène s'est suspendue distillant sa silice aphrodisiaque dans les iris de tous les tamagotchis, frères de l'écho et du mirage. Morituri te salutant

Tamagotchi - Moi - KY32 - XT444  -  Kinsâme

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like "Batallón de San Patricio", "Atrás del Cosmos", "Queso Sagrado", "Syntoma", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble". In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Venus Serenade

Carlos Vivanco

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