Solo Piano - Chris Bright

breathe. - 5:20:24, 5.06 PM

This here is a story song!! 

Winter is a cold month, I am tired of my cold toes. I miss samurai. Is the plural of samurai, still samurai? Wild, just wild. 

Vienna '13

there are also many things that are misunderstood.

https://youtu.be/XuvjadyVgrw

misunderstood

Dream Again

The Final Run

Dynomus

having had a lot of success in January, I am re-proposing a cover of this song with the complete lyrics💥⚘

Lyric and music by LinOnyx

Shadows in the Neon - Cover

(Verse) 
In the neon’s eerie glow i ﬁnd 
A whisper that escapes my mind Walking through a maze of lights 
Lost in the city’s lonesome nights 

(Verse 2) 
Ghosts of memories haunt each steeet A symphony of silence bittersweet Shadows dance with hidden grace 
In this haunted urban space 

(Chorus) 
Under thr stars that never hide 
The secrets we both left inside Running from the past we know Caught in the undertow 

(Verse 3) 
Flickering signs call my name 
In this endless midnight game Echoes of a love oncw bright 
Fading slowly out of sight 

(Bridge) 
Waves of synths was over me Drowning in this synthetic sea Heartbeats sync with the machine 
In a world that’s never been 

(Chorus) 
Under the stars that never hide 
The secrets we both  left inside Running from the past we know


Shadows in the Neon - Cover ⚜.mp3

collapse (Destroy the World Mix)

Freedom

1. The fetus "devours" it's mother while in uterus, depriving her from numerous nutrients, causing her many discomforts through the pregnancy.
2. Each femininity is being "devoured" by her menstrual flow from it's start till it ends.
3. Each woman is being "devoured" while existing in patriarchal societies.
4. You name it...
Oh, sometimes I wish I could crawl back into my mother's womb.
Thank you Simone :)

Devour (Respect The Womb)

Dreamline had its foundation laid before disaster struck. I had already shaped the core of the track when my computer crashed, forcing me to do a full system reinstall. With everything still in disarray and not yet fully restored, I had to keep working with it this morning without my usual setup—but I couldn’t let this track and idea slip away.

My sound was shaped the moment I first heard Tangerine Dream. Love on a Real Train remains still one of my all-time favorite tracks, not just for its hypnotic atmosphere but also for its iconic place in film history. Featured in the unforgettable scene from Risky Business, where Tom Cruise and Rebecca De Mornay share an intimate moment on a train, the music elevates the scene into something dreamlike and timeless. Everything in that track is built on what I call random plonk, what you call arpeggios—and that very essence was what I wanted to capture.

Dreamline is a journey through light and shadow, a tribute to the past, and a reminder of why I create music.

Dreamline

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

breathe. - 5:20:24, 5.06 PM

Chris Bright

Recent comments

Elidia Bullen

Related tracks