Lovely.  Sounds like coffee being prepared...a highly desirable ambience.

First Light captures that fragile moment when night gives way to day — gentle, hopeful, and full of quiet promise.
Each note feels like a breath, slowly awakening the world.
Beautifully played, Chris.

Francesco Adornetto

perfect match

And Free Again (PM 7844) 4:28 30-04-2025

Some of us may like to think that we try to get along with everyone in this world.
There are however some folks that simply have no intention of trying.....

Just stop with your carry on
Laying blame on me
We’re not gonna get along
Just fantasy

Don’t make sense to anyone
You’ll never get your way
You made your bed of hate
Just lay

Maybe I don’t get along with you
Maybe we don’t get along with you
Maybe they don’t get along with you
Maybe you don’t get along with you 

Looking down on everyone
Deranged and insane
Was the grass any greener
You left a stain

Suck the life out of everyone
Things I can’t believe
Take yourself from here 
And leave

Maybe I don’t get along with you
Maybe we don’t get along with you
Maybe they don’t get along with you
Maybe you don’t get along with you 

Just stop with your carry on
We’re not gonna get along

Don't Get Along (Unplugged)

C-Aozora

The hustle and bustle of the city can seem ordinary in our lives. But sometimes it is worth stopping to see if we have become vain like many famous people. It is important to remain yourself, to remain human in any situation.

Vanity

Another simple song somewhere between pop and country. I wanted it to sound like something recorded in 1965, when I was two years old and was entranced by the music I heard on the radio, TV, or record player.

After all

the conclusion of the 'Ritual of the Elements'  💧

the Water Ritual

EXcursion8

first light

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

first light

Chris Bright

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Francesco Adornetto - Emotional Piano

Allen Pitts

home dj & Jeus Hdez

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