U-Dyslexia

Spirits Are Dancing (2025) Remastered

L-Yellow House

Esta canción está basada en un riff de bajo que hizo mi hijo Adrián. En principio su destino era la banda que teníamos "Eléctrica Azul" y se ensayó pero no llego a generarse completamente. La retomé y compuse toda la instrumental. En cuanto a las voces, éstas son samples de uso gratuito que he generado para que se acoplaran bien al tempo y melodía de la canción. 
Para las guitarras he usado mi Duesenberg Palomo Red Sparkle.
Resto de instumentos con plugins. 
Daw: Cubase 14 Pro.
Masterizado con Izotope Ozone 11 Standard.
Gracias por escuchar.

In English:
This song is based on a bass riff my son Adrián wrote. It was originally intended for our band, "Eléctrica Azul," and it was rehearsed but never fully produced. I reworked it and composed the entire instrumental. As for the vocals, these are free samples I generated to fit the song's tempo and melody.
For the guitars, I used my Duesenberg Paloma Red Sparkle.
The rest of the instruments are plugins.
Daw: Cubase 14 Pro.
Mastered with Izotope Ozone 11 Standard.
Thanks for listening.

Canción de Adrián

As a musician and producer, I find myself drawn to the unique sonic landscapes that various musical modes offer. My latest endeavor is no exception; I've experimented with the Mixolydian mode and integrated it into my new deep house track. The result is a melody that is both familiar and exotic, which I'm excited to share. The Mixolydian mode, which is essentially a major scale with a lowered seventh, infuses a bluesy, relaxed feel to my guitar melody, offering a fresh texture to the deep house genre.

Produced in the
ARAPA Music Studio
1.8.2025

Artwork:  #azcreativestudiosydney


Unbroken Spirit

"New beginnings are often disguised as painful endings." - Lao Tzu

"It's strange, but true, that the most important turning points of life often come at the most unexpected times and in the most unexpected ways." - Napoleon Hill

A weekend improvisation, dedicated to the turning points in our lives that often show up unexpectedly, after heavy, difficult times.  As you listen to this piece, you will hear the "turning point" emerge in the music around the 3:22 mark.

A companion piece to "Starting Again."

The Turning Point

slow dance at sunset 8.3.25

Lyrics & vocal : UK Man
Music, instruments & mix : PJ Project

Oh Kim

grapefruit and grenadine 8.9.25

Incarnation

Introducing "Glacial Phoenix," a transcendent collection of 10 soft piano tracks, each one a gentle whisper of melody designed to breathe life into the rich tapestries of RPG and JRPG worlds. As the title suggests, this album is an embodiment of both the serene and the majestic, perfect for developers and content creators seeking to infuse their games with an atmosphere of contemplative calm and subtle grandeur.

Crafted with the delicate touch of a storyteller, every track in "Glacial Phoenix" is a chapter in an unwritten saga, waiting to set the scene for heroes’ journeys, tranquil village settings, and introspective moments. The soft piano tones echo the quiet footsteps of a lone adventurer across icy landscapes, the warm light in a cozy inn, or the tender scenes that tug at the heartstrings.

"Glacial Phoenix" offers more than background music; it is an invitation to a sensory experience that complements the visual artistry of any game. With compositions that flow as gracefully as time-worn tales, these tracks are ideal for enhancing narrative depth, adding layers of emotion, and enriching the player's immersion.

For creators who craft worlds of fantasy and seek to captivate their audience, "Glacial Phoenix" is an essential companion. Its melodies promise to linger with the listener, like the soft echo of a distant myth, ensuring that every quest is not only played but truly felt.

Elevate your creative work with the ethereal touch of "Glacial Phoenix," where each note is a flutter of the soul's wings against the silent frost of imagined realms.

7 - Phat Phrog Studio - Glacial Phoenix - Icy Depths

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

grapefruit and grenadine 8.9.25

Chris Bright

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