Simple folk melodies from around the world, arranged for a Box Harps, Guitars, Bass, Woodwinds, Harmonium and various percussion instruments.

The Tailor and the Mouse

Are You Going To The Fair

Patron

Riding with me in 2 the Future

Original movie score inspired by the Andrew F Sullivan novel The Marigold

The Marigold

acorcetis wequan_01

The Lost Cove

Free Album

K G G - Spanish Sunset

Santiago Caruso: cover art

 I keep a tiny troll and a paper crane
upon the lip of my dashboard dials
got a sweetgrass braid hangin on my
mirror, and my friend
I keep sage in my soles to ward off ghosts
rinse 'em out next cycle...til my life
seems a lil clearer
and I don't hunt out unhappy spirits...yea
and though I won't leave if u need my help
I draw the line at rockin' headstones
and I refuse to bleed cause ur diggin up bones
O yea
I hear there's a hot market for the trinkets
from the grave, but...my man
you ain't that brave
...comes a curse when u rob the dead
runs the bloodline of the wanted...
every ghost a bounty hunter...for the spirit price on ur head
and I don't mess with unhappy spirits...yea
and though I won't leave if u need my help
I draw the line at rockin' headstones
and I refuse to bleed cause of them bones
...and ya know...
I love ya man...so I called u an uber...
to get ur a$$ home
and I wish u luck babe
with that price hangin on ur head

Price On Ur Head

Solo Piano - Chris Bright

look at that - 6:4:24, 8.06 PM

I hope my gentle compositions will help you relax. Let the soft, cushiony synth progressions mixed with tranquil piano improvisation, strings and rich harmonies guide you to place of peace and content. 
Thank you for taking the time to listen to my work which is also my passion.

Volume 1 of 12,483

Une  vie d'amour (Fantasia)

louisville 9.6.25

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

look at that - 6:4:24, 8.06 PM

Chris Bright

Related tracks