This track seems to be an invitation to let go of the past and flow with time, like a river that, despite obstacles, continues its course, reminding us that the essence of life lies in constant movement, never in standing still.

I hope that if I have known how to fill this track with sun, it will give you the sensation of burning your feet with the hot sand of the brazilian beaches.
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Composed & produced by Chivicke
HomeStudio Productions ©2024
Photo: cottonbro-studio

Bossa para Uma Menina Triste

Bossa Para Uma Menina Triste

Sometimes you long for this guiding light in the dark of night.

Re-Edit 31.07.2024

Picture taken Sawtooth National Forrest ID, USA

Demo Songs 2023

Sunray at Night

Sometimes ..
sometimes ..
sometimes 
we learn to love ..
sometimes ..
sometimes ..
we'll make it home ..
we'll make it home ..

KEYS/STRINGS .. S,Delight
GUITAR .. S.Delight
Vocals .. S,Delight 
SITAR .. RJ Walker
BASS .. RJ Walker

written by S.Delight and RJ Walker
recorded and arranged  by Stephen Delight  in Llanberis , Wales

Sometimes .. by Walker and Stephen Delight

The Road To Promise

A traditional English song that describes the process of making beer. There are myriad versions with different words and different tunes.

Since recording this, I realised that, relying only on my imperfect memory, I'd omitted two verses: (1) The Mashing Tub (2) The Drying Kiln. Please use your imaginations for the gory outcomes of the missing lines... only then can you have your beer.

Down the hatch!

John Barleycorn

Viagem Para Lugar Nenhum

Move On Move On

Waiting For Rainbows

Porgi, amor

Jazz Nocturnes No.1

Card 12 The Hanged Man

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

Move On Move On

Chris Bright

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