“This is how it is” — a title that says it all: pure acceptance. The sound doesn’t try to change things, it embraces them as they are. A rare balance — one that resonates within more than outside. Reposted. Francesco Adornetto

My first effort into the realms of music production. This is a pre master of a track I made in Bitwig Studio.

It's about a nomad travelling for miles and miles across the barren waste lands of a place unknown.

Making this a free download, if it floats your boat, why not grab it. If not, then hey, I'll try harder next time.

Ballad of the Nomad

Quote by Amanitalinda: https://soundcloud.com/amanitalinda

Let the dream go on✨ 💫 🌟

Remixes

The Future Is Inside You (Remix 2025)

Entourage

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Violet Screen

https://www.youtube.com/playlist?list=PLoMQjnv_vJgQ-FiCfK2pBU8tV7e8-dbkS

don't close your eyes

Aque House

- Picture -
Art Cover Editor. Shyntwirl
Colorist Editor. Shyntwirl 
Quality Editor. Shyntwirl
Effects Editor. Shyntwirl
Lightning Editor. Shyntwirl

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Programmer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Synthesizers. Shyntwirl
Reverb. Shyntwirl
Echoes. Shyntwirl
Pads. Shyntwirl
Strings. Shyntwirl
Leads. Shyntwirl
Synths. Shyntwirl
Keyboard. Shyntwirl
Fx. Shyntwirl
Quality Audio. Shyntwirl

PROD. Shyntwirl 

Shyntwirl - Pollination

New Age Improvisation with the Nord Wave 2.  

Mont Blanc

Skin In The Game

The Third Dimension

this is how it is 11.5.25

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

this is how it is 11.5.25

Chris Bright

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