Echo

Dieser Track könnte die Umwandlung einiger aktuellerer lyrischer Texte in eine Klanglandschaft sein. Ein raffinierter Algorithmus lässt sich hierbei von den gedichtähnlichen Texten inspirieren und übersetzt diese (nach semantischen Kriterien) in mathematisch errechnete, virtuelle Instrumente. Diese Verfahren nennt sich WEAT (willkürliche extraterrestrische Assoziationstrigger) und existiert bisher leider nur in meiner Phantasie.

Was aber bereits heute funktioniert: Menschliche Gehirne sind (mittels exzessiver Assoziation) dazu in der Lage, aus folgender Klanglandschaft lyrische Texte zu extrahieren … Hierbei viel Vergnügen!

Psychosomatisches Salzbergwerk

This piece is about the transition between life and death.

Oh Charon für Orchester

Live performance of Scribbles (Škrábanice) mixing poetry in four languages: French, German, English and Czech. Michal Rataj and Jaromír Typlt January, 17th 2020 in Liberec, Art´s Birthday 2020. // Živé provedení Škrábanice s básnickými fragmenty ve čtyřech jazycích. Nahrávka z mezinárodního vysílání Art´s Birthday z Liberce 17. ledna 2020.

Scribbles Live 2020 / Škrábanice : Michal Rataj, Jaromír Typlt 2020 01 17

Scene 1: Circus Maximus - War of Talents (Variations)
Scene 2: Management Meeting - War of Vanities (Jazz Episodes)
Scene 3: Office Romance (Adagio)
Scene 4: Teambuilding - Oktoberfest (Scherzo)
Scene 5: Adieu Executives - Deceleration (Passacaglia)

Ballet for Business für Orchester

Private copy.

The track appears on 'The Vancouver Soundscape 1973'. 

Directed and edited by R. Murray Schafer.

Part of the World Soundscape Project, Simon Fraser University (1972-73)

Recordists: Howard Broomfield, Bruce Davis, Peter Huse and Colin Miles.

R. Murray Schafer: "Entrance To The Harbour" (The Vancouver Soundscape 1973)

The Complete Sonambient Collection features all 11 Bertoia Sonambient releases newly restored from the original master reels. A heavy duty box holds 11 CDs each packaged in replica sleeves and a 100 page booklet contains a lengthy historic essay, a Smithsonian interview with Harry Bertoia, exclusive Sonambient era material from the Bertoia archive,  photos of the Sonambient barn during Harry's lifetime and updated with many shots of the barn today.  Also included are reflections on Bertoia from David Sefton, Tom Welsh, David Harrington (Kronos Quartet) and all three of Bertoia's children.


In the late fifties Harry Bertoia began working on long-form improvised compositions by utilizing pure acoustic tones produced using his own pure metal sound sculptures.   Bertoia coined the term "Sonambient" to desribe the music of his sculptures and the lush overtones they evoked, renovated a barn on his property deep in the PA woods, and often recorded his nightly sessions in the barn using 4 overhead microphones and a 1/4" tape recorder. Bertoia dedicated the last twenty years of his life to his Sonambient work and in 1970 he released the first Sonambient LP. In 1978, in the final months of his life, he selected recordings from his archive and produced 10 more Sonambient records. He would not live long enough to see these records in person. 

Harry Bertoia "Mellow Tops" from The Complete Sonambient Collection  11 CD  Box - Available 12.5.15

Live impro 22 oct 16, Fürth Germany, with elements of Dub, Noise, DnB. and a quote from Kruder & Dorfmeister. 2 Ipads, Ultranova. Some presets, some homemade sounds & samples. Apps: Elastic Drums, Loopy HD, iGuzheng, DM1, DM2, Turnado, Aufx:Dub, Aufx:Space. The Apps  were hosted in AUM, Two iPads were running, synced over local Network. Novation was BPM clocked via Din Midi from iPad. Novation sound straight into iPad Nr 1, so it could be ru thru FX Apps.. All recorded live from the desk with an ancient MiniDisc, where I set the gain too low :)
There's a bit of a hiss, oh well. Track was only normalized, no edits. Raw as is. No idea what genre this is. Have a great day!

Psychosomatisches Salzbergwerk

Christian Schloyer

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