Name: Funeral March ~ Chopin by Classical Guitar Music in classical
Duration: 1 min 2 s
Description: One of the most famous, solemn pieces ever written.....Here is a brief transcription for guitar, originally written by the great composer, Chopin.

great to listen to a guitar version of this Chopin classic :-)

classical

- Nr. 14 (Andante) from "Introduction à l'Étude de la Guitare" op 60 -
music: Fernando Sor
guitar: F.Hiemenz
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part of a recording session, mostly in "prima vista" playing, to produce background music for a spoken therapeutic CD. 
recorded in puzzlepie studio Munich/Türkenfeld
('93)
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Find more Études from Fernando Sor at :
http://soundcloud.com/fhgitarre/sets/fernando-sor-estudios-easy-to-medium/
-------------------
restored from a CompactCassette Copy with WaveLab 7

Étude in E-minor (Andante, op.60 Nr.14) by Fernando Sor

Wolfgang Amadeus Mozart: Violin Concertos Nos. 1, 3, 4
Rondo K. 373, Andante K. 261

Artists: Frank Peter Zimmermann (Violin) 
Kammerorchester des Symphonieorchesters des Bayrischen Rundfunks, 
Radoslaw Szulc (Conductor)

1 CD - Full Price

Order-No. 98.039
EAN 4010276027041

• Frank Peter Zimmermann - one of the best Violinists of his time.
• Zimmermann’s triumphant return to Mozart's concertos since his legendary EMI-recordings from over 30 years ago. 
• The first of three installments which will contain, when completed, all of Mozart’s works for concertante violin. 

Today, when Frank Peter Zimmermann says that Mozart has always been easy for him, he needs only call to mind his debut concert at the age of ten – when he played Mozart's G major Concerto K. 216; or when, some 30 years ago, as a fresh 20-year-old, the same FPZ  made his first recording of the five concertos for EMI; and then if one factors in that over the years that each of these Mozart works has passed through his hands nearly 300 times in concert, then one can begin to appreciate the intense physical and spiritual experience that Frank Peter Zimmermann brings to these new recordings.

One will immediately hear on this CD the experience that a master can bring to these works, because no one else plays these works with the same incredible, almost balletic, weightless elegance and rich tone, reaching a degree of intimacy, without any obstacle between the performer and the listener, as does Frank Peter Zimmermann.  Mozart’s every wish is perfectly fulfilled! The Chamber Orchestra of the Symphony Orchestra of the Bavarian broadcasting company serves both masters admirably.

Frank Peter Zimmermann‘s Mozart edition will be released on 3 CDs; the second CD will be released in February, 2016 and will include the Sinfonia concertante (with Antoine Tamestit), the Violin Concerto No. 2 D Major K. 211, the Rondo in B-flat Major KV 269 as well as the Haffner Serenade K. 250 in which the violin plays a big role. The third CD is planned for February, 2017 and will contain the Concertone for two violins, the Violin Concerto No. 5 and the Kassation K. 63.

Music:
excerpts from:
Violin Concerto No. 1 in B flat Major K. 207
I. Allegro Moderato  

Adagio in E Major K. 261 

Rondo in C Major K. 373 

Violin Concerto No. 4 in D Major K. 218
I. Allegro	

Violin Concerto No. 3 in G Major K. 216
III. Rondeau. Allegro

Frank Peter Zimmermann Plays Mozart Vol. 1

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Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner's ennoblement. 

The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

I. Allegro con spirito

When communicating with his father Leopold, Mozart stated that this movement was to be played with fire. The movement is in sonata form with a short development section. The exposition commences with no introduction with all instruments in unison, this opening motive is quite powerful – the result of cleverly using sharp dotted rhythms to arrest the listener's attention.

The second subject is similar in melodic material and rhythm to the first subject, recalling the monothematic sonata movements of Haydn (e.g. Symphony No. 104).

Mozart places no repeat signs at the end of the exposition. This goes against the standard sonata form convention of the day, but is something that he also does in the three big symphonies which precede the Haffner (No's. 31, 33 and 34).

The development begins with an A unison as a transition from A major to D minor (bars 95–104). After three beats silence, Mozart shifts from the dominant of D minor to an F♯ chord, and then begins a series of rapid chord changes, namely – F♯7 (bar 106), B (bar 109), B minor (bar 110), C♯7 (bar 110). Finally, using C♯7 as the dominant for F♯ minor, Mozart briefly delves in this key (bars 111–120) before using a string of consecutive dominant 7ths (bars 120–129) to work back to the dominant 7th of D major in preparation for the recapitulation. 

The recapitulation is similar to the exposition with the exception of expected differences in the transition passage. This movement closes with a short four-bar coda.

Retailers:

Tidal
https://listen.tidal.com/album/53171424

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Symphony No.35 in D-Major, K. 385: ‘Haffner’ I. Allegro con Spirito

Twitter

At a time of gathering momentum, ALPHA is rereleasing 14 seminal recordings in a collection called, quite simply, ALPHA
COLLECTION.
This series brings together the finest Baroque recordings from the Alpha and ZZT catalogues: discs singled out for honours,
emblematic artists of music from that period, recordings that marked the discography...
This is also the occasion to discover or rediscover universally known works as well as world premiere recordings of rarities.
In the framework of these rereleases, the performers have been interviewed and bear witness to their view of the work and
their recording several years later, and their fascinating remarks are taken up in the booklets (all trilingual: French, English,
German).

BACH - Brandenburg Concerto No.3 In G Major, BWV 1048 - Allegro – Adagio by Café Zimmermann

Nicolo Paganini - Caprice No.23 (Jan Rybka - violin)

A regal sounding piece written by Mauro Giuliani (a famous Italian guitar virtuoso)

Estudio No.23 in A minor ~ Giuliani

A famous little piece from "The Nutcracker", transcribed for guitar ~ Written by Russian composer ~ Tchaikovsky

Dance of the Sugarplum Fairy ~ Tchaikovsky

One of the most famous, solemn pieces ever written.....Here is a brief transcription for guitar, originally written by the great composer, Chopin. 

Funeral March ~ Chopin

A warm and inviting little piece, written by Christoph Gluck. Great sunny vibe to it, it's a nice.... 
(key of A major)

Andante ~ C. Gluck

An Israeli anthem, very baroque sounding, one of my favorites to play.....It has an interesting, and oddly independent bass line, which makes it challenging....but that's part of the fun! 

Hatikvah (Hope) ~ Cohen

A challenging little piece with a disjointed call & answer type relationship between the bass/harmony (working in tandem), and the melody line......it's a cool study by Carcassi  

Op. 60 Study No. 11 in D minor ~ Carcassi

A short piece from the master of counterpoint himself, J.S. Bach. 
Performed by: Sean Myerovich 

Gavotte No.2 from Lute Suite No.3 in D minor ~ J.S. Bach

A unique and tricky little piece in E minor. I enjoy playing this one despite it's challenging nature.

Hornpipe ~ Henry Purcell

An arpeggio variation by Giuliani, very tricky this one is.....

Op.38 Variation in A major (Arpeggio) ~ Giuliani

Written by: J.S. Bach
Performed by: Sean Myerovich

Bourr'ee ~ J.S. Bach

This page is dedicated exclusively to Classical guitar and the study of great composers. I am completely self-taught, and I am a novice at this style, so don't hate (And yes, I am left-handed). I greatly appreciate you listening, commenting & sharing this music. 
*** I turn some of these Classical pieces into Rock songs! *** 
Check out my Neo-Classical site ~
www.soundcloud.com/neoclassicalgm (Neo-Classical/Orchestral)
Instrumental Hard Rock ~
 www.soundcloud.com/instrumentalhardrock (Hard Rock/Metal)

Funeral March ~ Chopin

Classical Guitar Music

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