Although this was the personal account of Chris Carter it now also hosts Carter Tutti and Chris & Cosey tracks.

Throbbing Gristle tracks can be found on our Industrial Records Ltd. SoundCloud https://soundcloud.com/industrial-records

Cargo Records - Worldwide Digital & Physical Distribution

All tracks appear on this page for preview and promotional purposes only.

Industrial Records Ltd. was founded in Hackney, East London in 1977 by Throbbing Gristle, initially to manufacture and distribute their own releases. They later expanded to release a wide and varied catalogue of material by many other artists and musicians. 
Currently Industrial Records is ONLY releasing material by Throbbing Gristle, X-TG and Carter Tutti Void.

* PLEASE NOTE
We do not accept demos or answer messages sent via Soundcloud. If you need to contact Industrial Records please do so via our website, manager or agent.

Half of Superski 
Booking : eliottinspace@gmail.com
Booking (Superski) :  axel@futursproches.fr
@mutantradio Resident

Schooled in the sounds of Parisian institutions like Le Pulp, Batofar, and Rex Club first as a fan, then behind the decks, French producer and DJ Eliott Litrowski has built a dynamic and
light-hearted body of work that mirrors his joyful character.

Now based in Copenhagen, he balances his days as a designer with nights at local hotspots
like Den Anden Side and Jolene while making waves far beyond France. His razor-sharp blends
of House, electro, and Italo have taken him around the world, with tours across Asia and South America, as well as memorable Sunday parties at the legendary Concrete in Paris. A dedicated
vinyl collector since his early DJing days, Eliott brings an analog warmth and deep musical
knowledge to every set.

Over the years, he has played some of the best clubs in the world, including Panorama Bar
and Tresor in Berlin, Mitsuki in Tokyo, Macadam in Nantes, and his beloved Rex Club in France.
From early releases on Cracki to his standout Schmock EP on Moustache Records, and his
recent Long Story Short EP on OOSHA, featuring electro legend DMX Krew on remix duty, he continues to carve his own path with releases on Permanent Vacation and more. His signature sound has found a home on airwaves worldwide, with appearances on Mutant Radio (Tbilisi),
Rinse France, and The Lot Radio (NYC).

With Superski, his project alongside Voiski, he’s in full takeover mode following the release of their debut LP, Mondo Moderno, and an electrifying live set. In 2025, Eliott will release a new solo record on Jennifer Cardini’s own Dischi Autunno

www.mute.com

Mute was founded by Daniel Miller in 1978, and since then has signed and developed some of the world’s most influential recording artists – including Goldfrapp, Liars, Moby, M83, Erasure, Depeche Mode, Nick Cave & The Bad Seeds, Laibach, Yeasayer and Richard Hawley – and become home to a crop of emerging talent and recent signings such as Cold Specks, Polly Scattergood, Big Deal, Beth Jeans Houghton, Josh T. Pearson and Apparat.

Whilst maintaining a firmly eclectic roster, from the earliest days of The Normal, Fad Gadget and DAF through to the techno era with artists such as Plastikman / Richie Hawtin and Speedy J, and to the present day with electronic artists such as Diamond Version and Maps, the label has always been a champion of electronic music.

Mute is also home to the catalogue of a host of seminal artists such as Can and Cabaret Voltaire.

www.poshisolation.net
https://poshisolation.bandcamp.com/
https://www.facebook.com/poshisolationsounds/

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

palinoia is following