After a lengthy break, Flipper returns to Codename with his first full length EP for the label, which perfectly demonstrates this incredible artist's unique and flowing multi-instrumental fusion of ethnic vibes with jungle and Drum and Bass rhythms.

Constantly evolving opener ΙΩPOLIS brings you mythical Eastern Mediterranean soundscapes, fusing ancient instruments such as the duduk and santur. Five minutes of non-repetitive electronic music that will captivate and enchant any dance floor.

'Jungle Takes You' drives things into a different direction with its darkcore / junglism influences alongside hypnotic leads, deep strings, rolling breaks and immersive vocals which take you deep into untouched territories.

The second half of the EP looks towards remixes, with Flipper's remix of Toni Bassi's 'Junak' seamlessly adding Greek flavours to the existing Indian mix, before Moakz contributes the melancholic 'Breaking Your System' remix of Flippers 'Don't Blame', a full tailspin of a rework, both evoking memories of classic era 90's hardcore and also packed with emotional punch.

https://codenamercrds.bandcamp.com/album/interconnected-worlds-ep

CODERCRDS034 - Flipper - Interconnected Worlds EP

UK-based Record Label (RCRDS) and event (Amen) - Jungle, 160 and Atmospheric Drum & Bass.
Radio: JungleTrain.net Saturdays 17.30 UTC,  Underground Bass 14:30 Bi-weekly
Next Event: Friday 28th November 2025, Suburbia, Southampton

Purchase info:

Remix of Eschaton's 'Non Locality' (Omni Music):
https://omnimusic.bandcamp.com/track/non-locality-ronin-oblivion-remix

Debut LP 'Breathing Space' (Omni Music): 
https://omnimusic.bandcamp.com/album/breathing-space

A&R / Co-owner of Codename: RCRDS.  Co-owner of Codename: Amen events.

Releases on Codename: RCRDS, Soul Deep, Omni Music, Liquid Drops, Metius and more.  Resident of Codename: Amen, a Southampton-based event focussing on modern and classic Jungle, Hardcore, 160 and Atmospheric DnB / Jungle.

Support for Moakz tracks / remixes by Moakz includes: DJ Storm, Conrad Subs, Sweetpea, Jay Cunning, Stunna, FFF, Alley Cat, Marcus Visionary, Madcap, Prayer, FX909, Eschaton, Mineral and more.

Moakz online: http://linktr.ee/Moakz
Soundcloud: https://soundcloud.com/moakz
Bookings & enquiries: moakzdj@outlook.com

tonibassi.mazinga@gmail.com 

AJVAR SOUNDSYSTEM (Take Away)
www.ajvar.se

MIR CREW (Ninja Tune, Shout Rec, Jungle Cakes, Dirty Dubs, Nuttah Beats, JungleX, Keynote, MIR Rec, SWEDEN)

"MIR brings you warm sounds from the cold north" 
www.mi​r-crew​.com
https://soundcloud.com/mir-crew

THE CLUB
Klubb Rekyl
www.fa​cebook​.com/K​lubbre​kyl

Hailing from upstate N.Y. but now situated in the "City of Big Shoulders", Chicago, IL, Ryan Bell a.k.a. Moving Violationz always saw himself involved in music from an early age but was never able to capitalize on any sort of lessons in a particular instrument growing up in the smallish towns of Binghamton and Cortland, N.Y., save for some beginner lessons on the recorder flute and acoustic guitar. He grew up in the seminal early 80's, gaining influence early on from synthpop pioneers Thomas Dolby, Depeche Mode, Erasure, and the Pet Shop Boys and immediately fell in love with the classic sounds of the era's signature keyboards and synths. These sounds are what also drew him to film music, as he was additionally mesmerized by the synthetic classical noodlings of Vangelis, Giorgio Moroder, and Harold Faltermeyer (just to name a couple) for their respective work on the scores for "Chariots of Fire", "Midnight Express" and "Top Gun".

Without sounding like too much of a hard luck case, his ordeal of living a very sheltered adolescenthood, nevertheless, left him without alot of exposure to any kind of music, his first love! Disillusioned, he seemed to wander around aimlessly in a musical wasteland for three years after moving out on his own at the age of 18 in 1992. That was until, while enlisted in the Navy, he stumbled on hearing the classically-tinged synthetic bombast of Hans Zimmer in 2 films that changed his life seemingly forever: "Crimson Tide" and "Broken Arrow" in 1995 and 1996, respectively. With a new found love of film scores guiding his footsteps and ideas, Ryan resolved to ultimately become a composer of the film music he had started to (at this point) avidly collect and admire. Little did he know what would step up to greet him, influence, shape, and mold his musical directions next!

Upon moving to Chicago and meeting his Occum's Razor bandmate, Truth One a.k.a. Andy Woodman in 2000, Ryan was introduced to the menacing, pummeling breakbeats of drum and bass/jungle through a CD of Andy's from Philadelphia DJ and producer Dieselboy called "The 6ixth Session"! What struck Ryan like a 500 megaton bomb was the fact that drum and bass, like film scores, seemed (and indeed is) the perfect music of such extreme contrasts, tranquil and a thing of beauty one second and then, unexpectedly, a brutalizing juggernaut of beats bludgeoning you into submission. This was evident in "The 6ixth Session"'s opening transition from Dieselboy's own peaceful but dissonant intro to the battle cry, angry reece, and subsequent "murder-the-world" beats of Konflict's seminal jungle anthem, "Messiah".

Needless to say, it was all "downhill" from there, as the impression left by this new (to Ryan) form of music truly changed his life---FOR GOOD! From then on, it wasn't enough that he should attempt to DJ the music that had permanently changed him, HE WANTED TO CREATE IT!

Going off of what he had learned hands-on about creating film scores -- he had created an 8-cue demo CD of interesting soundscapes he felt would be useful in various types of visual media a few years prior -- Ryan set out to pay homage to all his influences by creating what would hopefully be an interesting melange of classical touches, trancey atmospheres as well as (on the other side of the coin) militaristic drums and angry textures. What you hear on this page is a culmination of these efforts!

Bandcamp label for Drum & Bass but also ventures into Dub, House, Breakbeat, Hardcore and whatever else sounds good

Breakcore Junglist cretin and BBL Sound System co-founder

For bookings contact: jaminnimjah@gmail.com

GO CRAB OR GO HOME!

Stockholm-based Drum & Bass and Breakbeat producer, releasing on Omni Music, Codename Records, Oldskool Records, Audio Theory, Meerkat, Impact Reset.