Sinfonietta (First Movement)

ABSYNTH OVERDOSE is an experimental band shaping sound like stained glass—fractured, reassembled, and lit from within. Founded in 2025 our music bends the edges of genre, fusing the raw power of metal, the mechanical drive of industrial, the elegance of classical, and the boundless exploration of experimental soundscapes.

Each track is a collision of contrasts: heavy distortion meeting delicate strings, relentless rhythms cut with atmospheric space, harmony unraveling into noise before reforming into something new. Glass Note isn’t about fitting into a box—it’s about breaking it apart and reshaping it into something luminous.

This is music built from fragments—sharp, resonant, and alive.


#glassnote #synth #industrial #industrialmetal #metal #experimental #electronic #midi #instagram #youtube #absynthoverdose

an introspective outsider who is inside society yet hopes to be a recluse
an unquiet enquirer
a ponderer and responder
a pragmatic idealist
默默耕耘的闻、文者。
seorang pendengar

Finalizing an uploading my musical compositions from years ago ( most from secondary school ), and a few current compositions.
I have always loved music since young. While I had only officially learned music for a couple of years until tertiary school, music continues to play an irreplaceable role in my life till today.

Strange Flowers - new track, stream on platforms https://push.fm/fl/6ofm9pyj

My entry for the Orchestral Tools - Composer's Journey competition - https://www.youtube.com/watch?v=l53qlNy6ZD4

Composer of original music based in Kent, U.K. Creating works using a combination of electronic sounds, live guitars, bass and orchestral instrumentation / arrangement.

Always looking to collaborate/work on anything to do with syncing music to film. If you have a project, or are a film student looking for music I am open to opportunities.

https://jamesmyhill.net

composer,guitar player,bass player,keyboards (for writing purposes mainly),guitar coach.GIT-Grad.

"Did it ever occur to a composer to set dogma to music?" Karl Marx

Nightsorrow is the sonic vessel of Argentine artist Vera Arianna Stork, weaving dream pop, shoegaze, and ethereal wave into a seamless universe of sound. Her whispered vocals drift like light through reverb-drenched walls of guitar, carrying both intimacy and immensity. From luminous stillness to dense, emotional surges, Nightsorrow unfolds as an evolving journey rather than isolated chapters — a continuous dreamscape where fragility and power coexist. With each release, Stork expands this ethereal world, inviting listeners to dissolve into its melancholic glow and celestial haze.

Sinfonietta (First Movement)

Colin Bird 2