@aaronhofman: Thank you Aaron! It was lovely to work with this material.

This is a very beautiful track - and all the sounds work so well together!

First in a trio - looking forward what will happen to this tracks in the next week, when we enter round 2 and participants are invited to add  and play with the tracks from this week.
Download is enabled - have fun with my track

Fern (disquiet0697)

Wilfried Hanrath - Fern (disquiet0697)

Part 1 of 3 of the annual Disquiet Junto Trios project

A low B note drones throughout, with a slow evolution of added notes of the B Major 6 chord. No beat or melody, and certainly nothing of interest for AI bots. Created on Solar 42.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

B Drone - disquiet0697

A collaboration using the track by modusMatt (https://soundcloud.com/modusmatt/with-the-bathwater-disquiet0697) to which I added a sequence of recordings of noises made with stones.

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Stones in the Bathwater - with modusMatt(disquiet0698)

This track was inspired by the Men Ruz lighthouse on the Côte de Granit Rose near Ploumanac'h. It is an asynchronous duo based on the excellent track https://soundcloud.com/fake-genius/disquiet0697-seq, created by @fake-genius and made available for this Disquiet Junto project.

The photography of the Men Ruz lighthouse was kindly supplied by @the_robocat (more photos to be found here: http://www.flickr.com/photos/the_robocat).

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/

Le Phare de Men Ruz (Disquiet0698)

My first junto project- disquiet0698. Adding the 2nd part of a trio (right channel), to Alan Blip's- B-Drone starter (left channel) .  
You are hearing some shortwave recording of military weather reports, and what is (allegedly) a Russian diplomatic service transmission (time-stretched), bad violin playing and the sound of wind in the trees of my garden. Kinda concerned I've packed too much in here, but hope there's space for someone to add something more in part 3. It's been fun- thanks Alan Blip & Junto crew for the provocation :)

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at disquiet.com/0698/

disquiet0698_

Disquiet Junto Project 0699: Third Third
The Assignment: Record the final third of a trio.

I just wanted to play bass on something because it felt like it had been a while since I picked up my bass.  The third part of this project always felt like the right time for basslines too.  I don't really like when the low end is panned hard left or right to be honest.  It feels unbalanced to me.  Anyway, Torpid and Coraline's beautiful piece from last week really stuck out to me so it was an easy choice.  I liked writing counter point to Torpid's fills at the end of the measure.  Hope I didn't funk it up too much

You're not a Burden Either (disquiet0699)

The final addition to complete the annual Disquiet Junto asynchronous trio. This contribution builds on the original keyboards of Aaron Hofman and Andreas Kitzmann's addition of a gritty drone with a performance on ebow guitar and simulated Leslie cabinet.

Part 1: https://soundcloud.com/aaronhofman/part-i
Part 2: https://soundcloud.com/andreas-kitzmann-27370936/disquiet0698

More on the 699th weekly Disquiet Junto project, Third Third — The Assignment: Record the final third of a trio — at https://disquiet.com/0699/

The Apparition That Asked Me to Dance

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share the view and some sounds inspired by the view — at https://disquiet.com/0700/

SONG 98 - Disquiet0700 - View Frame

The Missing

This track was born from the Bargaining chapter in “While They Were Sleeping” a moment where the main character pleads with a shattered world, begging to save those trapped in silence. But he can’t. This song is for them.

It’s for every voice that was buried too soon. for the peoples of every land suffering. For every girl who was silenced. For every boy who was forgotten. For the ones who screamed and were answered only by dust.

Musically, this is not a song. It’s a grave. It’s a prayer. It’s the sound of trying to carry an entire people’s suffering in your chest, and realizing that no melody will ever be loud enough to resurrect them but still trying. Still playing. Still lighting the candle.

“Can’t You Hear Their Voices” is for the ones who were erased, but never truly gone. It’s for the ones whose echoes live in the fire of every story we dare to tell. Listen closely. They’re still here.

Can’t You Hear Their Voices

If witches did manage to get in the house, sleeping with a Bible, a silver dollar, or a knife beneath your pillow had all been recommended as preventatives. Turning your socks inside out before going to bed was also thought to keep away witches. Mustard seed scattered around the bed was equally effective.

Made entirely with the Dexed app in AUM on IPad.

Apotropaia

I create original experiential music from NOSIGNAL Multimedia Lab in Chicago. The Hard Times described my music as "creepy, haunted, but also a little bit uplifting." Prolific.

The Apparition That Asked Me to Dance

Coraline Ada Ehmke

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