Que buen tema ,me encanta ,es maravilloso 👏 👌

This is brilliant! The mallets, the brush drums... The vibe reminds me of Twin Peaks. Added to a cinematic playlist - share if you care

Evocative and spacious, so much implied action and movement. Very well done!

beautiful, super relaxing and lush. Super sharp work!

Related tracks: Sparking Roads: Retro~Genesis & TIMECODE88 colab #2

Listen on other Platforms:
https://fanlink.tv/iamhereandyouaremine

Buy High-Quality Digital Track:
https://edoardogastaldi-music.bandcamp.com/track/i-am-here-and-you-are-mine

Artist: Edoardo Gastaldi
Genres: Piano, Modern Classical
Original Picture: Edoardo Gastaldi
Cover Art: Federico Paronetto, Edoardo Gastaldi
Official Video: Davide Fasiello
Mastering: Jann Grimm

© 2023 Visory Records
℗ 2023 PaKo Music Records

I Am Here and You Are Mine

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

another thanks to TIMECODE88 for this colab!  Music is always better when made with others !

Sparking Roads

Sparking Roads: feat. TIMECODE 88

Stefan - Don't You Ever Ft Eeva Mastered

A Short History of Kitsch

"On a Loose String" offers a mellow and serene backdrop perfect for film, documentaries, and other multimedia projects. Featuring a double bass, simple acoustic drums, a piano melody, and subtle strings, this track creates a laid-back, jazzy atmosphere. Its sparse arrangement allows it to sit comfortably behind dialogue, enhancing the emotional tone without overpowering the narrative. Ideal for content producers seeking a smooth and elegant sound to complement their visual storytelling.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses.

On A Loose String

On a Loose String

Written in a Post loss pre funeral haze hope you enjoy it

Shock!

Modes About Me - In the Oil

Album: 
Happy Not Hateful

Guitar:
https://soundcloud.com/themysteriousdecibel

Bass:
https://soundcloud.com/thefunkykaiju

Producer:
https://tssrecording.com/

Lyrics:
Used to be nothing
Now I 'am me
Please don't push my buttons
Cause I've been running from the things
That make this real 
And I have had enough
Cause I've been trying 
Not to feel
The consequence of 
Always wanting more of this
And I've been chillin all day
Let them pave the way
So I might as well wait 
Two feet in the grave
Four blunts to the face
Six shots and I'm awake

When you read this
I might be gone
I'm feeling how you feel
When enough is enough 
Fear, pain, rage 
And no love
I miss the good old days 
With the sex and the drugs
I'd like to be rich
I could have some money 
Put some gold on my wrist
I got a bullet that will 
Make me a myth
But not before
I play your screams like a riff

Happy Not Hateful

In The Oil

Buy/Support

In the Oil

Introduction in English:
One of my oldest friends was diagnosed with Asperger's autism as a teenager. And almost everyone told him that he would have to stay alone for the rest of his life because he was incapable of love and relationships due to his illness. 
He also increasingly gave up hope that he would ever be able to find a life partner. He often described to me with sorrow that he kept falling in love and longed for a romantic relationship, but that he often felt like he was under a glass bell, which cut him off from closer contact with women. 
And when he had already let go of the hope of ever finding a woman at his side, he met "Lilli" at the age of almost 60; a woman who, like him, is very unique and has been described by many people around her as quite quirky and eccentric.
The lyrics to this wonderfully unconventional love affair make use of many metaphors and symbols from the world of plants and nature. It is also the way Freddy & Lilli often communicate with each other, as they find direct communication too threatening.
I hope that my song Freddy & Lilli will help the two of them to grow old together lovingly. And basically that the song will give hope to all those who are currently lonely and longing for an intimate partnership.

Lyrics in English_

Freddy & Lilli

The rapeseed fields are wide
The yellow light, it scatters
The streets are blue
The morning dew glistens peacefully

The fences open
No more curtains
The entrance is free
The birds make themselves heard

And the trees are full of stories for you
They bend down their branches
And they carry you gently through the first night of love

Freddy & Lilli
Mmh, Mmh, Mmh, Mmh

The rock gardens are
Blind in the bloom of love
Their time is over
From deep below a cry

That bursts the deathbed
That receives first life
The asbestos carpet breaks

A face slips up and it speaks:
Let the armour of gold come off
Let us kneel down
Feel the grace of the sparkle
Protected by the moss forest
Be a bridge of light

Freddy & Lilli
Mmh, Mmh, Mmh, Mmh

Deutscher Originaltext:

Freddy & Lilli

Die Rapsfelder sind weit
Das Gelblicht, es streut
Die Strassen sind blau
Friedlich glänzt der Morgentau

Die Zäune gehen auf
Keine Vorhänge mehr
Der Einlaß ist frei
Die Vögel verschaffen sich Gehör

Und die Bäume sind voll von Geschichten für Euch
Sie neigen ihre Äste herab
Und sie tragen Euch sanft durch die erste Liebesnacht

Freddy & Lilli
Mmh, Mmh, Mmh, Mmh

Die Steingärten sind
Im Liebesblühn‘ blind
Ihre Zeit ist vorbei
Von tief unten ein Schrei

Der das Totenbett sprengt
Erstes Leben empfängt
Der Asbestteppich bricht

Ein Gesicht schlüpft empor und es spricht:

Laß‘ den Goldpanzer ziehn‘
Lass uns niederknien
Die Gnade des Funkens verspürn‘
Vom Mooswald beschützt
Eine Leuchtbrücke sein

Freddy & Lilli
Mmh, Mmh, Mmh, Mmh

Freddy & Lilli

Living for the Fire

The world is falling apart — war, destruction, division. Friends turn to enemies, and everything feels lost. But one thing stays: music. Metal gives us strength, keeps us alive. No matter how dark it gets, we stand together. Stay strong, Metalheads all over the world! 🤘🔥

Morphosis

New track alert!😀
"Asteroids (The Original Was Better)" is the result of a spontaneous and fun collab between our friend and amazing musician Joe Stroffolino (https://soundcloud.com/joseph-stroffolino) and Beating Edge. Joe heard our chiptune track RND (https://soundcloud.com/beatingedge/rnd-instrumental-chiptune), got inspired by it, and wrote some lyrics based on the classic arcade game Asteroids. He added his voice and acoustic guitar over it, and sent it our way.
We loved it and decided to jump in too, building a second part with a more rock-driven vibe, using the same chiptune idea as inspiration. We stitched everything together into a single track, kicking things off with a fun spoken intro, a short vocal transition between the parts, and closing with a wild, over-the-top outro.
Hope you enjoy this crazy, hybrid ride as much as we enjoyed making it! Thanks so much to everyone who gives it a listen, sending lots of love your way!❤️‍🔥
Huge thanks, Joe, for this awesome collab! Can’t wait for the next one!😉

Music by: Beating Edge
Lyrics by: Tom (Beating Edge) and Joe Stroffolino
Performed by: Beating Edge and Joe Stroffolino
Acoustic guitar (Taylor 114ce) by: Joe Stroffolino
Vocals performed by: Joe Stroffolino and Tom (Beating Edge)
At the moment, this track is exclusively available on SoundCloud.
Released on June 6, 2025.
©2025 Beating Edge and Joe Stroffolino

Lyrics:

[Spoken Intro]
Joe: Wow! This is a really cool Arcade!
Tom: Yeah!
Joe: Hey, check it out! Is that an Asteroids game over there?
Tom: Oh, wow!
Joe: I haven't seen that in like that forever!
Tom: That's definitely Asteroids! Let's play a game!
Mary (with a sore throat 🤦🏻‍♀️🤣): Oh yeah! Let's play Asteroids!

-->Joe

I used to play asteroids in the 1980’s
I liked to blow up rocks in outer space
The flying saucers would attack me
At an ever-increasing pace

I stumbled across an old vintage arcade the other day
I hadn’t played Asteroids in a long time
I popped a quarter into that old machine
And I watched my score start to climb

I watched my score start to climb
I watched my score start to climb
I watched my score start to climb

Time goes by so quickly 
and playing that game really took me back
To those days when my future was unwritten
And I hadn’t gone so far down my current track

Pushing those buttons so fast and furiously
Standing in front of that arcade machine
Blowing up all those asteroids 
On that black and white video screen

Blowing up all those asteroids 
On that video screen
Blowing up all those asteroids 
On that video screen

For a couple of minutes, I forgot about the present
I was back floating in outer space
Breaking big rocks into small rocks
I had a a big smile on my face

And then it was time for me to go
Cause I had errands that I needed to run
But that old video game
I sure had a lot of fun

It's not over yet

-->Tom 

Just a single screen, all black and white
The whole room's dark except the TV's light
Rotate and thrust, it wasn't much
No one had seen a thing like this before

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

We used to play all day, late at night
For the high score, it was do or die
No one knew what a quarter was worth
No one knew what the future had in store

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

The original was better
The original was better
The original was better
The original was better

Now there's a 3D holographic thing
That no one plays, 'cause nobody can afford
With a visor on, your body's gone
It's kinda fun, but the original was better

[Spoken Outro]
Someone who wants to stay anonymous 😂: That was a lot of fun!

Asteroids (The Original Was Better)

Para escuchar la versión con Stewart MacLean  https://soundcloud.com/juan-fco-bueno/heliodoras-song-feat-stewart-maclean
Para escuchar la  versión instrumental  https://soundcloud.com/juan-fco-bueno/heliodora
Para escuchar la versión en inglés con Martin T.  https://soundcloud.com/juan-fco-bueno/heliodora-feat-martin-t/comment-2344409538

Verso 1
Al salir el sol siempre estaba ya en pie
Una prueba de lo dura que la vida fue
Su mundo ideal lo construyó 
A base de fe y dedicación.

Verso 2
Un fuego interior la impulsó a ser quien es
Una luchadora por su tierra y por su mies
Pero la suerte no le acompañó 
Cuando el amor despertó en su corazón.

Estribillo

Hoy Heliodora no puede evocar
Vivencias, recuerdos, la bruma los cubrió
pero el fulgor que brilla en su mirar
mantiene viva toda la pasión.


Verso 3
¡Cuánto trabajó por su entorno familiar!
A pesar de que no siempre consiguió acertar
Todo lo hizo con el corazón
Y pensando que era lo mejor.

Puente
En su cara está esculpida toda su labor
Las arrugas son las medallas que ganó
Su pelo, las cenizas del fuego que ardíó
Las ojeras, de todo lo que lloró.

Estribillo

Heliodora in Spanish

Verse 1
When the sun rose, she was always already standing.
A testament to how hard life was.
She built her ideal world
Based on faith and dedication.

Verse 2
An inner fire drove her to be who she is.
A fighter for her land and her harvest.
But luck wasn't on her side.
When love awoke in her heart.

Chorus

Today, Heliodora can't recall
Experiences and memories; the mist covered them,
but the glow that shines in her gaze
keeps all the passion alive.

Verse 3
She worked so hard for her family!
Although she didn't always get it right,
She did everything with her heart,
And thinking it was for the best.

Bridge
All her hard work is carved on her face.
The wrinkles are the medals she won.
Her hair, the ashes of the fire that burned.
The dark circles under her eyes, from all the tears she cried.

Chorus

Heliodora-Dorita (Feat. MV)

GENTLE TIDES OF MERCURY

Veronika

Veronika, 11th Movement

Buy on bandcamp

Collider

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Covert Acoustics is a creative sound collective dedicated to shaping immersive, genre-fluid sonic worlds.

Rooted in collaboration, we emerged from the world of production music — but have since outgrown those boundaries. Today, we focus on deeply crafted cinematic electronica and ambient downtempo, often blending music with foley, speech, and design to create narrative listening experiences.

Our catalogue spans EPs, albums, and singles — offering curated soundscapes that are as listenable as they are conceptual. Whether you’re tuning in for focused listening or seeking rich sonic textures for creative work, we aim to provide sound that resonates: deliberately, emotionally, and originally.

We’re here to reimagine what listening can be — one immersive release at a time.

On a Loose String

Covert Acoustics

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