Incredible Dave from intro to finish the guitar work is 🔥. Great vocal performance with a cool tone 👍

Guys this is so good, absolutely love it. I remember the year it came out. You absolutely do it justice and then some.

back for more D - a classic so beautifully interpreted

A true labor of love to accomplish this! All the time & study involved! I hope it didn't make you never want to hear it again haha! :-D Bravo, Dave & Jimmy!

Wow! What a cover of an old favourite of mine. Great performance and production 🎶😊👍

This sounds great, but the guitar and drums seem to be out of sync… is it intended?

Related tracks: Decarbonising Aviation

The Brain of Humanoid Central

A piece played on classical guitar

Notation & tab
https://musescore.com/user/54582801/scores/15271852?share=copy_link

In Clouds

un nouvel ambient, pour oublier un instant la folie destructrice des hommes, pour célébrer  à l'inverse le nom sacré de la Nature : la poussée, la venue au jour, la croissance de la vie sous toutes ses formes, au Printemps

Growing

A cover version by Jimmy Rivas and myself of the gorgeous Led Zeppelin track, ‘The Rain Song’. Written by Jimmy Page and Robert Plant, it appeared on their 1973 album ‘Houses of the Holy’.

  I’ve always loved the song and decided earlier this year to learn how to play it and having learned it, I thought I’d attempt to record it. I wanted to make it a big production and after more time and more takes than it probably took Led Zeppelin to record the entire album, I ended up with something I thought sounded half decent, so I sent it to Jimmy and asked if he’d care to join me. Luckily for me he agreed and sent me an outstanding vocal track stamping his unmistakable mark on the song. Thank you Jimmy.

Credits:-

Jimmy:- Vocals. https://soundcloud.com/j-rivas
 Dairv:- Acoustic Guitar, Electric Guitars, Keyboards, Bass, Drums, Mix, Production.

The Rain Song (Jimmy & Dairv)

New start after finishing SC and Spotify Album - Eccentricity so Beautiful.
This title jumped off a page and lately in the live act we've been doing some 80s songs: I think that influenced the approach here.
 
Decarbonizing Aviation
Decarbonizing Aviation
 
It’s a new concsiousness
Vapor trails gone West
Sometimes you got to make a change
To keep love on forever’s path
Your shaking trees are exhausting me
Better a sundown heart to heart
 
Decarbonizing Aviation – night swimming and seeing it spark
Decarbonizing Aviation – going steady yeah not too fast
 
Glaciers and shrinking
Habitats and mourning
Can we glide the plane back home
Gotta give up on bad bad stuff
Seven days of denial nights
I think we know that enough’s enough

Decarbonising Aviation

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ
Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day

Caveman - The Eclectic Collective

Hey… Hope all is well wherever you are. Happy Winter Solstice, Holidays, or whatever you may be up to. Thanks to all those who listened to the song I briefly posted then deleted yesterday. It had to go.  So I did this jam for my friend Joe, who died 8 years ago. Never got to say goodbye. He was always down on his luck, but somehow found something to laugh about. He knew I was a musician, so he'd leave phone messages with him banging on a chair like it was a drum as he laughed his ass off. He called me Wild Man. I basically just played some loud distorted slide on this, doing my own thing… with a ton of feedback. My music often gets loud and angsty when I am working through tough stuff in my life. So this is mostly cathartic noise. I really didn’t want to sing anything as I was pretty grumpy at the time. Feel like I should redo this with more lyrics and less distortion, when I am in a better mood. Thanks for dropping by, Mark

Joe.......

Recording sessions from --/--/---- 22/12/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, 
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
#Ambient #Movies #Experimental

MISTS

🌫MISTS🌫

The Academy (open invitation for a collab from IPG1) 
Original Vocals from IPG1:
https://soundcloud.com/ipg1/the-academy-vocals-86-bpm
Paploviante: E-Bass, Mix, Mastering, Picture and Music Composition


The Academy IPG1 & Paploviante

■概要(Overview)
熱すぎて溶けてしまうくらいの情熱を持てたらいいね。
PrivateからPublicへ熱心に大名行列する。
I wish I could be so passionate that I would melt.
An enthusiastic procession of feudal lords from private to public.

■video
https://youtu.be/pdM0huA1zaE
※あまり動かないですわ

「溶けるくらいに」Let's get passionate

溶けてしまうくらいに
打ち込めるものがあれば
それだけでいいわ

十二時を過ぎたころに
アタマにあふれる「I hate you.」
傷つけあうのはもうやめて
心を解放したならば今

幾重にも重なる
合わせ鏡の迷路
本物は自分だけ
燃えるように　溶けてる


好きなものをいくつか
そばに置いておけたなら
それだけでいいわ

人づての言葉信じ
正義の仮面で「I hate you.」
傷つけあうのはもうやめて
好きなものだけそばに置いていて

幾重にも重なる
合わせ鏡の迷路
映し出されたものは
燃えているか　溶けているか

■Lyrics
If there is something I can devote myself to so much that it melts, that's enough.

After midnight, the words "I hate you" flood my head.
Stop hurting each other. If you free your heart, now.

Labyrinth of mirrors overlapping one after another. The only real thing is yourself.
Melting like it's burning.

If I could just keep a few of the things I like close by, that's enough.

People who believe the words of others who don't know the truth and say "I hate you" under the mask of justice.
Stop hurting each other. Keep only the things you like close by.

Labyrinth of mirrors overlapping one after another. Is the reflected thing burning or melting?

Ignite your passion(溶けるくらいに)

It's a song about those moments when the world amazes me- when the beauty and mystery of the world around me knocks me over.
Specifically, wandering back from the Old Town in Hastings after a couple of drinks on a lovely Summer night. The picture is one of my lino prints and shows Tackleway in Hastings, along with one of the badgers we see all the time round here, and are mentioned in the song.

Wonders and Sighs

Full extent of EQUATORIOUS recording on Zoom R24 prior to DAW processes.
(Version on the Windscale Blues Experiment page: https://soundcloud.com/windscaleblues/equatorious?si=f6d8b199abbc430899b9ed80466c3730&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing )
Recording notes:
[As an experiment saxes were recorded with just left hand - right hand attempting to match on synth....not immediately discernible but it was fun to try....] [Flutes and other synth track played normally!]
Photo by NM.

MOO155M3 Equatorius pre-DAW

Atmospheres (2024) Anthology CD4 Track 01

Paralyzed fern lung drains of ferment. 
Still hollow steel, stainless in moons.
Webbing roots to earth, then wrists. 

Shard bone fragment and fracture. 
Hornet's nest dips and sways.
Neurosis sets the femur mess.
No splint, save the constrictors and boas.
Dew froths a pneumonia.
Exhaust lofts, ascend dreams. 

G-force blackout and the wings shake. 
Outpaced by future portals. 
There is no control. 
Reverberating back to madness. 
An astral fold envelopes death's grin 
be there a fall. 
Drive it from the atrium. 
Slip out a phenomenon. 

Blood pours out of the stall. 
Nothing is sacred. 
No place at all. 

Someone walked out
and the alarm won't stop. 

Words by Riley Robinson

Devil's Greenhouse

Guitar Cover / Improvisation  of "There will never another you" by H.Warren
W/ Blackbird: https://soundcloud.com/30gradx/with-blackbird-there-will-never-be-another-you

Sunday Breakfast #4 - There Will Never Be Another You (Instrumental)

Takayama Interlude (prod. lovelixir)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

I’m a self taught hobbyist composer / guitarist with a wide range of musical influences.
There’s a wealth of talent here on SoundCloud, so thank you for taking time to visit my page.
Thanks also to all the talented artists here on the Cloud I’ve had the privilege of collaborating with.

The Rain Song (Jimmy & Dairv)

Dairv

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Helge

Helge

~Mark F

Len Rice-Music with Vintage Hardware Synths & More

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