Simply World Class ..l Love This🎼....dujhan💫

What a Masterpiece of Creative Collaboration! Mmm Mm mmm  Delicious! ❤️👌🌹😁

So Original and Stunning from start to Finish! Both of you have truly Outdone yourSelves, imho. Such a Thrill to resonate with. ❤️👍❤️🎸🎤👌

All The Lovely Notes 2020

Je suis l'auteur, compositeur, arrangeur de cette ballade jazz.
La voix a été générée avec Suno AI.

De l’Amour et ses méandres 
Je me méfie 
Et cette phobie, Alexandre 
Je te confie 
J’ai le cœur beaucoup trop tendre 
Je le sais bien 
Ne le réduis pas en cendres 
Ne gâche rien  

Auras-tu l’art de comprendre
Je n’en sais rien
Mais je sais bien ce qu’engendrent
Ces précieux liens
Es-tu capable d’attendre 
Le temps qu’il faut
Que j’arrive à me détendre
Pour me jeter à l’eau

Pour me jeter à l’eau
 

Avant de me jeter à l'eau

When Lee Lucas posted a collaborative version of this song before Christmas https://soundcloud.com/lee-lucas/lee-lucas-mark-j-bennett-the-parting-glass, he suggested that I put out an open invitation for anyone to collaborate with the original stem. Of course, I appreciate that grafting any type of arrangement on to an acapella vocal track isn't easy but I'd welcome any approach. This is an Irish traditional song but it may well withstand a modern arrangement. The vocal stem has lots of reverb and echo on it but should you need a drier stem to work with, just message me and I can send a naked version. Also feel free to take some liberties with this should it lend itself in any other treatment. 

I raise my glass to those brave enough to listen to me tightrope-walking and also to those who might consider taking on this challenge. Cheers!


Of all the money that e'er I had
I have spent it in good company
And all the harm that e'er I've done
Alas it was to none but me
And all I've done for want of wit
To memory now I can't recall
So fill to me the parting glass
Good night and joy be with you all

Of all the comrades that e'er I had
They are sorry for my going away
And all the sweethearts that e'er I had
They would wish me one more day to stay
But since it falls unto my lot
That I should rise and you should not
I'll gently rise and I'll softly call
Good night and joy be with you all

A man may drink and not be drunk
A man may fight and not be slain
A man may court a pretty girl
And perhaps be welcomed back again
But since it has so ought to be
By a time to rise and a time to fall
Come fill to me the parting glass

Good night and joy be with you all
Good night and joy be with you all

The Parting Glass - Open Collaboration

Aeon Transmissions

After The Fall

iTunes

Jeremy J. Saks - After The Fall

Project Name: FIN
Project Type: Album
Singer and songwriter: Alvara
Producer: Ponti Dikkua
Instrumentation Work: Imms Nicolau Music
Instagram:@alvara.music

Breathe

Pacem Aeternam

Zenith (8)

TOO SOON

And here we are, with joy and feeling honored, having the talented Irina @irina-951237464 sing and write with me this brand new Original. Our third duet here on SoundCloud. A pleasure to compose this Latin & Jazz, flamenco infused song with Irina's tremendous voice and artistry in mind.

Lyrics:

All alone again
What are you trying to prove
Make your move

Time to part
Let go, my heart
Who are you trying to fool
Play it cool

Off you go
Friend or foe
What are you trying to be
I set you free

We had our days
Happy in so many ways
Right on key
Constantly

But all too soon
You found a different tune
As the music flows
Don't we all transpose
But all too soon
All too soon

— Guitar Solo—

Take my hand 
Again
Take me back to wonderland
Just once again

Don't know why
We say goodbye
Are we too proud to try
Just one more try

We had our days
Happy in so many ways
Right on key
Constantly

But all too soon
You found a different tune
As the music flows
Don't we all transpose
But all too soon
All too soon

——

Data:
All music, arranging, composition, percussion programming, bass, strings and guitars by Daniël van den Berg.
All vocals and vocal arrangements by Irina.
Lyrics by Irina.
February 2020
Guitar: Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015
Recorded using an Apogee MiC.
Percussion arranged with samples from AmpliTube, Sampletank and Flamenco Loops.
Bass: upright bass sampled in SampleTank.
Mixed in Auria, masterered in Auria and Final Touch.
Cover image photo edit by Dan van den Berg

Too Soon

Too Soon | Irina & Daniël

I sing when I'm happy
I sing when I'm sad
You're the best thing
That I've ever had
And I'm so, so
And I'm so
Glad

I wake in the morning
And find you're still there
Beautiful innocence
None to compare
And I'm so, so
And I'm so
Glad

And I;d follow you back
To where you belong
And 'd follow you home
Oh my sweet lover

I sing every morning
I sing every night
Feelings inside me
That won't ever die
And I'm so, so
And I'm so
Glad

The leaves on the trees
As they start to turn brown
Won't ever change
As they fall to the ground
And I'm so, so
And I'm so
Glad

And I;d follow you back
To where you belong
And 'd follow you home
Oh my  love
Oh my lover

Glad

Lawrence Of Suburbia

Angles And Degrees

A piece written in the quiet and calm of the early hours. Born out of the frustration and anguish of sleep deprivation. This is a slow and pensive piece with many rises and falls. The last fall is, to sleep. 

Speakers or headphones recommended. 

Awake Asleep

Silent Heart

The Art of Hoquet - D'Amore
November 2020
Duration: 2:45
Cover Art: John-Marc Ventimiglia

Based on the 14th century 2 part Ballade, Je ne cuit pas, by Guillaume de Machaut.  
The composition is written in a contemporary style using the technique of hoquet.

The term "hoquet" is a French word (in Old French also hocquet, hoket, or ocquet) meaning "a shock, sudden interruption, hitch, or hiccup".  Although the term is in reference to the secular music of the 13th and 14th centuries in France, the technique, under other names, could be heard in different types of music across the world as early as the 11th century.  Hoquet is the rhythmic linear technique using the alternation of notes, pitches, or chords.  In medieval practice of hocket, a single melody is shared between two (or occasionally more) voices or instruments such that alternately one voice sounds while the other rests.  Hoquet is also used in Indonesian Gamelan music, African music, Classical music, Jazz and popular music.

For strings, woodwinds, harp, bandura, celeste, virtual instruments and percussion

The Art Of Hoquet - D'Amour

It's just jazz and nothing conceptual) With some desire, you can even move your hips to this music)) Music Composed/Produced by Guitarbeard © 2021

Buy https://guitarbeard.bandcamp.com/track/brew-2

Brew

Still Asleep

I dusted off my old Yamaha classical guitar and recorded this traditional wee Scottish tune...

Jock O'Hazeldean

Independent singer-songwriter from Kent, UK. 
Little video introduction here: https://www.youtube.com/watch?v=MKMPLBJBK6M

'No Sheet Music' Artist. https://www.nosheetmusic.tv/artists/nic-evennett

"Evennett’s voice is a delicate mystery, warm and lustrous, yet fragile and crystalline – a bewitching blend of Kate Bush and Linda Perhacs, surrounded by dolorous, reverb-drenched piano and woven into broken-hearted balladry." Andee Connors, Pandora 

"Moving, delicate and introspective. As always, Nic Evennett's voice washes over the listener creating an incubated space I didn't want to leave."
Rapt.

Interview: 
https://cocamidemea.wordpress.com/2018/01/30/indieterria-meets-nic-evennett/

---

Part of duo Cellar Door. We're over here:
https://soundcloud.com/cdoor

THE NEW ALBUM OF MY BAND THE HYPERSONIC FACTOR  CALLED BELEVOLENT BEASTS IS OUT NOW!  AVAILABLE ON ALL STREAMING SERVICES!
featuring:
Jason Rubenstein - Keyboards, Piano, compositions, arrangements and producer
Mirko Borach - Bass and compositions
Tom Hipskind - Drums
Dan van den Berg - Electric and Acoustic guitars, compositions, arrangements, synthesizers
https://thehypersonicfactor.bandcamp.com/album/benevolent-beasts



Check my SOLO Album here! https://danielvandenberg.bandcamp.com/album/short-tales-for-three-guitars

This site is for my musical avatar or alter ego. Architect/partner/company owner by day, I find myself playing guitar and writing these tracks in afterhours, at nights, evenings, when in need of a dose of guitar sounds. You will find a wide range of guitar oriented music, ranging from Jazz to Blues, Flamenco to Classical, Rock to Fusion. And many collaborations with some great musicians.

I have been playing guitar since I was 11 years old, largely self-taught and have tried different styles and instruments: Renaissance lute, flamenco guitar, classical guitar, steel string guitar and electric guitar with which I have been playing in styles ranging from rock and metal in my early years to classical music, some American Folk music, jazz rock, prog rock, flamenco nuevo and fusion.

It’s been a splendid time here so far, in collaborating with a lot of brilliant musicians on SoundCloud and sharing ideas and the passion for music. 
My collaborations are with musicians that I have a deep respect for and have a mutual appreciation for real instruments, and musical styles that focus on letting the instruments “shine”. 

Here is some technical data:
Currently I am using Amplitube and Auria on an iPad as DAW with Final Touch for mastering. For acoustic recording I use an Apogee microphone.

Guitars are:
Fender AMERICAN ELITE STRATOCASTER® HSS SHAWBUCKER, 2016
Fender Stratocaster Squire (first edition: JV-series)
Ibanez JS100, Joe Satriani model
Evh Frankie Striped MN Relic R/W/B

EVH 5150 Series Standard Stealth Black EB guitar
Fender American Professional II Stratocaster HSS Olympic White RW
Charvel Pro-Mod DK24 HSH 2PT CM Mahogany Natural
Paulino Bernabe, Taller de Guitarras, Model-50, 2001, classical concert guitar
Marín, Modelo Estudio /9 Calidad, 1997, Malaga, Spain, flamenco guitar
Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015

I hope you will enjoy my music.

Daniël van den Berg
DanArchX

Too Soon | Irina & Daniël

Dan van den Berg

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Elements of Synergy

Willem de Fouw (Wilson 1963

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