"No synths, no samples." Should be a shirt.

The foreboding rumbling slides on the upright remind me of Arthur Russell's version of Goodbye Old Paint - which is a very good thing!

Selamat Ulang Tahun

///Dj.Franky //Kedd 18:00 //Tuesday 06:00 pm

Hallgass minket minden Kedd a Deejay Rádió online rádióban és pörgesd fel a napodat velünk!

Listen the Deejay radio on every Tuesday and spin up your day with us!

Youtube:
www.youtube.com/channel/UCGrFxGHO5b3YP5hTuCY9eCg

Myonlineradio:
myonlineradio.hu/deejay-radio

DJ.Franky - Top House Mix 188.2023.03.13.

///Dj.Franky @ Deejay One Radio Show // 20.06.2023

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Your ultimate sleeping and meditation lullaby in the world of ambient music. Drift away on a cloud of tranquility as the soft, gentle melodies cradle you in a comforting embrace. 💤🌙🎶

Go to Sleep

Go To Sleep

Lengkwich

Whakakatakata

This track was created for the Naviar Haiku group.
523
https://naviarlab.tumblr.com/post/739113724956246016/naviarhaiku523-my-eyes-lift-to-see

2024-01-11

My  Eyes Lift To See    (Naviarhaiku 523 )

Daincha

Welladay

Disquiet Junto Project 0300: 3 chords x 100 seconds. 
Three 100 second long tracks blended together, So I’m offering to you here 300 seconds worth in just 100 seconds, more value for your time!
I played and hybrid triad,  Esus2 (E-B-F#). I wanted to hold the notes for as long as it takes, not easy with most acoustic instruments.
My choice was Electric Guitar (Stratocaster) through a Line6 pedal board to benefit from the infinite decay of that “particle” reverb I’ve been using a lot to produce reverb-drone.
Second instrument a bowed upright bass (00:06 mark, overdubbed thrice to get the three note chord sustaining for 100 sec)
Third performer: another infinite sustain acoustic instrument I own, my Indian harmonium (starts at 00:22 mark), again, overdubbed thrice to use its three different registers: lows, highs, and tremolo (an amazing mechanical, fully acoustic creepy tremolo harmoniums have, very upfront around 00:48). 100 seconds of that edited on the mix.
When the guitar chord almost vanished and all you hear is the remains of the particle reverb (00:58)  I overdubbed an arpeggiated take of the 3 note chord as an additional method to get the chord sounding for 100 seconds.
I also play a bonus bowed upright simple melody (at 00:28) to provide some variation to the plain triad. Everything was performed and mixed today at home.
No synths, no samples.	
Love
DD
FREE DOWNLOAD CC
More on this 300th weekly Disquiet Junto project (3 chords x 100 seconds) at:
https://disquiet.com/300/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
llllllll.co/t/disquiet-junto-the-300th-consecutive-weekly-project/

300 Suspended Seconds Worth (disquiet0300)

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

300 Suspended Seconds Worth (disquiet0300)

Daniel Diaz

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