What a nice late night groove. Really cool!

01 - Destruiçao - L.D.L.P - Fala -  -

Flowers

KRAE-  - _JUST PRETEND THAT I'M NOT EVEN HERE_           _INSTRUMENTAL_

MusikLogo WinterTime Music & Text Erhard (Earnie) Schrebb

Intro FM7 em7 G G6 G7 C

Verse 1 
      CM7                 Dm7
It’s winter time
                         CM7        Dm7
and the sun is grey
                 Em7
on an icy day
      Dm7     C6
the sun is grey

Verse 2
It’s winter time - in a frozen house
with a lot of doubts - in a frozen house

Chorus
FM7                                        Em7
You’re my love on cold and  sunny days
       Dm7                                CM7
and give me hold on all my ways
FM7                                        Em7
you’re my love on warm and icy days
       D7                                       G7
but you will love my days and ways

Bridge
CM7   Dm7    Em7   FM7
FM7    em7    Dm7        G

Verse 3
It’s winter time and my feet are frozen
I’am in cold emotion, my feet are frozen

Verse 4
It’s winter time and my heart gets cold
I am feeling old, my heart gets cold

You’re my love …

WinterTime

JensJoel & Magnus Lögdberg https://open.spotify.com/album/1myqcGud1zUxTYtdiyHxCk?si=-7FnypIZQIqpbDi6RUY6Ww

Ibland Vill Man Spela Punk

What is a man
What is a lover
Can anyone tell
One from the other

Tell me the word
Or sing me another
I’ll be listening to you

What is a man
No need to define it
Stop digging it up
And trying to mine it

Feeling a thing?
Having a thought?
Trying so hard to be something you’re not?

I’m reaching out
For a connection
Try to emote
Feel some affection

Come face to face
With your kryptonite
Never give up
Gotta do what is right

Leave all the privilege 
Let go of the power
I'm just a flash in a 
Meteor shower

Yeah I understand
Yes I think I see
What is a man
A man is me 

Music and lyrics by David F Wagoner

A Man Is Me

Disquiet Junto Project 0578: Rabbit Spirit Ally
The Assignment: Make music for Lunar New Year.

I started with the idea of following the white rabbit and the Disney scene in my mind, where Alice falls down the rabbit hole and things became strange. I took used stems from older tracks, selecting only weird ones, cutting and rebuilding them by hand and with some Puremagnetik and other FX, to what I felt was an acoustic funnel which hopefully sucks you in.

--

Cover based on PD image by Dric: 
https://pixabay.com/de/illustrations/schwarzes-loch-art-optik-schwarz-2942914/

--

More on this 578th weekly Disquiet Junto project, Rabbit Spirit Ally (The Assignment: Make music for Lunar New Year), at: https://disquiet.com/0578/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0578-rabbit-spirit-ally/

album.link

Down The Rabbit Holes [disquiet0578]

electric bass
fender rhodes
wahwah guitar
clavinet
drum program

February Rabbit's Groove (disquiet0578)

Days

Waitin'  For The Sun To Come Out

Disquiet Junto Project 0593: The Charm
The Assignment: Record the second third of an asynchronous trio.

Please note: While this is the third part of a three-part project sequence, you can participate in one, two, or all three of the parts, which have occurred over the course of three consecutive weeks.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0592 7). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

--

It was an interesting balancing act, to add something fresh while still leave enough space for the original material to breathe.

This is my 2nd iteration.
Initially, I wanted to just record a drum part but wasn’t satisfied with the end result.
I wanted something more subtle.

So for the 2nd iteration, I came up with a process that allowed me to explore a few of my current interests at the same time. Probably that’s why I was willing to give this piece so much attention. Hm…

Below is a somewhat detailed description of the process and context.
It’s long & detailed, because I wanted to capture a few thoughts while they’re still fresh.

Context:

earlier this week, I studied interviews with Nils Frahm about his current improvised live concerts (How I Play Live: Nils Frahm | DJMag.com). My take-away for me was that playing all parts by hand (e.g. not relying on quantized sequencers) is a part of his organic sound that I like so much.
That motivated me to play keyboard a lot more - mostly piano & electric piano sounds with a touch of tape delay effect - and discover that this is currently my favorite thing to do, musically.

yesterday, I repaired the broken switch of the audio input preamp on my Buchla Easel, and my mind was naturally wondering about how to employ it in the next projects…

earlier today, I read an interview with Biosphere (In the studio with Biosphere | Headphone Commute) - another artist whose sound I like a lot.
I liked the idea of processing samples of acoustic instruments (he mentions sampling classical music) through synths/filters/etc.

yesterday, I found the perfect reverb effect pairing for the Easel - a modulated space reverb pedal.

All of the above coming together to form the idea for a process.

(continued on https://llllllll.co/t/disquiet-junto-project-0593-the-charm/62312/57)

Frugal3ty feat Marc Eisenschink and encym [disquiet0593]

OSS- Soulful Skank

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

February Rabbit's Groove (disquiet0578)

Daniel Diaz

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