Great, Daniel. Excellent optimistic mood.

The short one-tap delay on the ukulele is a brilliant shot in the heavily percussive first half of this track

All submissions to Haiku 186:

http://www.naviarrecords.com/2017/08/02/naviarhaiku187-flood-waters-recede/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track will be included in Naviar's weekly podcast and monthly compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.

Haiku #187: Flood waters recede / Narrandera eucalypts reflected / Which way is up?

ain’t no yonder

Always Just Beyond

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " VST Plugs V "
credit :

date : 22-09-2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

Live 2024
https://www.youtube.com/watch?v=Y52VDBHP-cc

gFLIE2ATree

Enjoy the accompanying video at https://youtu.be/3GmrnYzEG-E ...

faring over the lake
drawing the light
an autumn butterfly

Yatsuka Ishihara (1919–1998) was a Japanese poet and co-founder of the journal Aki 秋 with Akira Matsuzawa. He also served as an advisor to the Modern Haiku Association (Gendai Haiku Kyōkai) and the Association of Haiku Poets (Haijin Kyōkai).

Haiku by Yatsuka Ishihara

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF butterflY [naviarhaiku612]

Lí Ban

Fugue II - All That We Have

October 2, 2025
Hannah Höch, Untitled, Collage, from an ethnological museum.

DADA-TWIST-COLLAGE

When time becomes a loop 4

My submission for the Naviar Haiku Challenge #613. More on Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Star Above The Peak - naviarhaiku613

L’atlas n°2 “Labyrinthe Souriant”(2025)
Composition acousmatique d'après la partition graphique de Ju-An Hsieh

Composition acousmatique : Shih-Lin Hung (洪世霖)  
Partition graphique: Ju-An Hsieh（謝茹安）

L’atlas n°2 “Labyrinthe Souriant”

Acoustic naive instrumental divertimento in 2 parts,  5/4 time signature
spacedrum
hang
ukuleles (2)
upright bass
synthesizer
marimba
xylophone 


Music for this Haiku:
"flood waters recede
narrandera eucalypts refelcted
which way is up?"


poem by Julie Briggs
picture by tommi saltiola

more info @naviar-records
http://www.naviarrecords.com/2017/08/02/naviarhaiku187-flood-waters-recede/

life after the flood (naviarhaiku187)

Flood waters recede
Narrandera eucalypts reflected
Which way is up

Haiku by Julie Briggs
Music by Fiona Caldarevic
Instrument sounds by ComposerCloud

For this haiku  I created a more classical piece for piano quintet (piano + string quartet). I imagined more turbulent floodwaters eventually receding into more calming sounds, with the sustained strings being the water and the more and more random high piano notes being the eucalypt leaves reflecting on the water.

Flood Waters (naviarhaiku187)

This track was created for the Naviar Haiku group.
187 week haiku
naviarlab.tumblr.com/

2017-08-03

Flood waters recede (Naviarhaiku 187 )

Chasing Echoes (naviarhaiku187)
Naviar Haiku Flood Waters Recede

Flood waters recede
Narrandera eucalypts reflected
Which way is up?

A collaboration with curator Jason Richardson and the Western Riverina Arts with a poem by Julie Briggs.

Chasing Echoes (naviarhaiku187)

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

life after the flood (naviarhaiku187)

Daniel Diaz

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