Provincial Road

Cette pièce est née d’une prise de son réalisée près de Fontainebleau la nuit, le long d’un lac. Je pense que c’est mon meilleur concert de musique spatialisée. Les batraciens enveloppaient, dilataient l’espace, y composaient des mélodies aux rythmiques insaisissables. Jusqu’à ce moment où une voiture est passée en trombe. Cataclysme motorisé, bruit vif et blanc, affaissant le lieu, le moment, les chants.

A propos de la présence de Noam Chomsky, voici une piste :
« I suppose frogs pay no attention to being frogs. They take it for granted. What interests a frog are differences among frogs. From our point of view they are more or less the same, from their point of view they are all radically different. »
Noam Chomasky

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Prises de son réalisées entre 2019 et 2022 près de Fontainebleau, au Moulin, ainsi qu’en Bretagne près de Pont Château. 

Interviews en ligne de Noam Chomsky
Modèle de l’abbateuse : Komatsu 951

Fini de composer en Avril 2022.

Frogs

L'exercice consistait à faire un titre de 3 mn, franchement ça pas était évident, mais finalement travailler avec un carcan développe l'imagination.
la guitare electro acoustique est enregistré sur 2 pistes, une direct et l'autre avec un micro, pour les son de fanfare j'utilise "Miroslav Orchestra"  pour la batterie c'est "Native Instrument", la basse je l'ai piqué à ma fille et enfin une les paul avec un Ebow et "Guitar Rig".

Fanfare

Juxtaposition Blues (remaster)

Geometry #01

"Séance"

art work: Daniel Nebreda via Pixabay

祭壇の扉を開けて父母帰るペンデレツキを聴きし午睡に

After listening to Penderecki's piece, I took a nap. In my dream, my dead parents opened the door to the altar and returned.

Séance

" Record a piece of music that does change keys"

This one I'm sharing is a track I've been working on since July 2022, eventually a week ago I decided to drop this take and start all over with a solo piano version. It has some key changes, not really sections but there's a permanent "unstable key" feel throughout.

Piano
Classical guitar
Drums (brushes)
Acoustic bass guitar
Wine glasses (background sequence)
Celesta (from sample library)
Synth pad
Key changes go like this:
1st bar E minor 
4th bar A minor
5th bar F# minor
8th bar B minor
9th bar G major
and then back to E minor for the coda.
All repeated twice in this version, with an extended coda.

Photo by DD, Carilo, Argentina.

For this @disquiet junto, December 2nd, 2022
https://llllllll.co/t/disquiet-junto-project-0570-key-change/


Second version, January 2023 here:
https://soundcloud.com/daniel-diaz/silencio-version-2

Silencio (first demo version) - disquiet0570

Reciting Pi ( Square Root Mix) 

All original independent recordings
from Buile Sessions November 2022
 
Backing Vocals & Organ Synth :  Julia 

Buile Bop @ The WTR. ie

Reciting Pi (Square Root Mix)

Marco Lucchi : piano, synthesizer, vocals and tape
Henrik Meierkord : cello and viola

found sounds
https://freesound.org/people/felix.blume/sounds/667639/

24 gennaio 2023

Hourglass [2] w/ Henrik Meierkord

IPG1: Voice & lyrics

Check out IPG1 on #SoundCloud
https://on.soundcloud.com/MvKcE

Bastacho: Track arraignment made with Bandlab, enjoy from both of us!

Outlaw microdot (Feat. IPG1)

big thanks to .47 seconds / Tomas Horn for an inspiring open collab https://soundcloud.com/tomas-horn/sanskritual

Sanskritectural

Sanskritectural - .47 seconds | ollora

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Silencio (first demo version) - disquiet0570

Daniel Diaz

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