Name: Rèveries by Daniela Spadini
Duration: 3 min 24 s
Description: Questa composizione neoclassica è un tributo intimo e personale a mia figlia. Rèveries è un viaggio sonoro nei ricordi, un abbraccio musicale che attraversa il tempo. Spero vi piaccia.

That sounds so warm and genuine – it gives hope!

A beautiful, emotive composition and performance!

Proprio bello! La tua figlia dev'essere molto felice! Music is a gift to show our love to those we love... ♥

Beautiful piano playing, very beautiful, I love it!

Lovely piece immersed in unique and intimate moments. Precious piano. Sublime composition filled by real inspiration. Divine production! ♥

Such a beautiful Composition Daniela!👏🏻 It's very elegant and inviting. Wonderful job!

Questa composizione neoclassica è un tributo intimo e personale a mia figlia. Rèveries è un viaggio sonoro nei ricordi, un abbraccio musicale che attraversa il tempo. Spero vi piaccia.

Rèveries

Inspired by the short poem "Dust of Snow" by the American poet Robert Frost.

Dust of Snow

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.


A Dust of Snow

The Path Forward

ad21 present 'Morfologías', an impressive new mini EP by Argentine pianist and composer Ariel Goitía. Written for piano and strings, these three cinematic pieces explore the subtle transformations of emotion through sound. From the depth of 'Máscara y Esencia', where a muted piano and warm cello lines create a delicate dialogue, to the immersive expressiveness of 'Espejos del Ser', driven by evocative phrasing and graceful violin textures, this work is a poetic journey through inner landscapes. Listen in stillness.

Morfologías

El Susurro de lo Latente

Listen

"Vesoul" is a 1968 French song by Belgian singer-songwriter Jacques Brel - whom we love :)

Guitar by Gideon
Special thanks to my daughter Teghan for her excellent French :).

We hope you'll enjoy our rendition!


English translation

You wanted to see Vierzon, and we saw Vierzon
You wanted to see Vesoul, and we saw Vesoul
You wanted to see Honfleur, and we saw Honfleur
You wanted to see Hamburg, and we saw Hamburg
I wanted to see Antwerp, we saw Hamburg again
I wanted to see your sister, and we saw your mother
As always

You no longer loved Vierzon, we left Vierzon
You no longer loved Vesoul, we left Vesoul
You no longer loved Honfleur, we left Honfleur
You no longer loved Hamburg, we left Hamburg
You wanted to see Antwerp, we only saw its suburbs
You no longer loved your mother, we left your sister
As always

But I tell you, I won't go any further
But I warn you, I won't go to Paris
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Paris, and we saw Paris
You wanted to see Dutronc, and we saw Dutronc
I wanted to see your sister, I saw Mont Valérien
You wanted to see Hortense, she was in Cantal
I wanted to see Byzantium, and we saw Pigalle
At Saint-Lazare station, I saw the Flowers of Evil
By chance

You no longer loved Paris, we left Paris
You no longer loved Dutronc, we left Dutronc
Now, I confuse your sister and Mont Valérien
From what I know of Hortense, I won't go to Cantal anymore
And too bad for Byzantium, since I saw Pigalle
And Saint-Lazare station, it's expensive, and it hurts
Randomly

But I tell you again (heat up, Marcel, heat up)
I won't go any further
But I warn you (quail, quail, quail)
The journey is over
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Vierzon, and we saw Vierzon
You wanted to see Vesoul, and we saw Vesoul
You wanted to see Honfleur, and we saw Honfleur
You wanted to see Hamburg, and we saw Hamburg
I wanted to see Antwerp, and we saw Hamburg again
I wanted to see your sister, and we saw your mother
As always

You no longer loved Vierzon, we left Vierzon 
You no longer loved Vesoul, we left Vesoul
You no longer loved Honfleur, we left Honfleur
You no longer loved Hamburg, we left Hamburg
You wanted to see Antwerp, we only saw its suburbs
You no longer loved your mother, we left her sister
As always 

But I tell you again
I won't go any further
But I warn you, I won't go to Paris
Besides, I hate all the fuss
Of the musette waltz and the accordion

You wanted to see Paris, and we saw Paris
You wanted to see Dutronc, and we saw Dutronc
I wanted to see your sister, I saw Mont Valérien
You wanted to see Hortense, she was in Cantal
I wanted to see Byzantium, and we saw Pigalle
At Saint-Lazare station, I saw the Flowers of Evil
By chance

Vesoul (Jaques Brel - Giddy and Rob Jam)

Sillage 
(SEE-yahz)
(n.) The lingering sense of someone's presence, like a perfume left in a room, evoking memory and absence.

Sillage

mastering love really isn't easy (sorry)

Original Soundtrack of the Series "Au cœur de l'histoire, le procès Nuremberg" directed by Alfred de Montesquiou.
Produced by KM, Arte

Ce qui reste

Album mêlant titres de rock et néo-classique, le tout dans une ambiance rebelle et mélancolique 

Thème (Partie 8)

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

A Better World

Sometimes you feel like you belong to another place. A remote place in which you find out positive emotions and marvelous people; maybe an interesting and surprising person. I think about the Mediterranean while writing these words. An island is capable of enclosing all this meaning, a little spot full of dreams and strong vibes.

This piece has been composed during the confinement experienced in Spain due to the COVID-19 virus pandemic.

The Island

Daniela Spadini is an Italian pianist and composer, she studied classical piano from a young age. Her passion for the piano began when she was only two years old and at the age of 7 she began her musical journey with two different teachers. Constant study leads her to take some exams at the conservatory “G.B. Pergolesi”.
 
The sudden death of her teacher with whom he had built up a great affection, leaves an indelible mark on her life which also affects the continuation of her studies. She abandoned the classical studies and became a chorister in the polyphonic choir dedicated to dear teacher and she had the opportunity to give concerts in Italy and in Europe.
 
In 2014 She began a new musical journey approaching modern composers and began writing her original compositions. She has collaborated with Italian and foreign artists and she performed in piano-bar and pubblic exibitions. One of her composition “Tango lento” be used in a few dance school.
 
Some of her compositions have been used to create advertising videos.

Rèveries

Daniela Spadini

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