Piękny to był set, nie zapomnę go nigdy 😉

Landed on another planet.

Recording of my Sunday's afternoon set at Plan:et C (Gamma).

Felt surreal to arrive to this magical place after such a strange year. Big thanks goes to Kulturkosmos community for making this whole thing happen in such challenging times.

A dream come true, and I can only be thankful for all the listeners that took their time to listen and dance to this set. I am still overwhelmed, to be able to play at Fusion festival for the first time (officially). 

The whole recording is composed mostly by unreleased material of my own productions, including a few songs by my dear friend @avemsdream.

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Tracklist:

soon enough ♥

Arutani @ Plan:et C | Seebühne | Fusion 2021

This is the recording of my morning set at the brand new Dutch festival, Lago Lago.

KRAUT at Lago Lago Festival (The Other Side Morning set)

This is the dj set I made in Copenhagen on August 27th 2022 to close the Tribunen  Stage of Karrusel Fest after Kerala Dust. A very special selection for a truly a magical night that I won't forget ✨ 

The tracks naturally took their place in the mix as the set was going forward. Despite the distance between the stage and the dancefloor, the atmosphere was electric and I could feel so much energy in the air🖤 

Since I was the last artist to perform on that stage on the last day of the festival, I made a clearly crossover set, from 103 to 123bpm, mixing some of my favourite tracks from the last 15 years, at least

A big hug to the organisation and artist care : @nis_sigurdsson, @es.ki.lo.na, @oen_ved_siden_af . Thank you for offering me this nice slot, I felt at home. To my friends, Bow, Thomas, Isadora, Lorena, Annelix, Tadoh… And to you for raving with me and sending so much love and energy✨

Rave on

The beautiful pic is from Jens Thorboll from Karrusel

www.instagram.com/karruselfest
www.karrusel.dk

Karrusel Festival - Closing of Tribunen Stage - 27/08/2022 - Copenhagen

Things that have to happen happen

Just returned back from Burning Man, where we happened to meet these two really nice fellas who turned out to be the fathers of this little cloud. Thanks guys!
Even if we only stayed a few days, Nico Stojan and me had an amazing time with all ups and downs and of course plenty of dust everywhere.
Being in Black Rock City was a perfect reset and somehow seems to become more and more of a new general birthday, meaning that after Burning Man you start into a new year.
This is exactly how I feel. One year has come to an end and a new one is taking over. Also it coincides with the end of the summer up here in the northern hemi.
Now I am very looking forward to go back to the studio and meditate with my machines and cables. I urgently need this time to become a bit more quiet, not yet hibernating, but still creative. This is the reason why there won’t be many shows in the next months. But yet there are some more Acid Sundays to come and of course you always are invited to tune in, turn on and drop out, be it here or on mixcloud or simply on acid. 

Now let’s jump a little back to the beginning of this summer. After a Fusion pause last year it was about time to return and I have to say it was more than a pleasure to play at Seebühne that early Sunday morning, right after Be Svendsen’s amazing set. For some moments even the sun joined for a little dance. And there were so many happy faces to see.
The last 20 minutes are a reminiscence to my set at Splore festival, New Zealand, earlier this year.  I had brought some of my favorite Kiwi music, but ended up in a rush towards the end as they were cutting my set-time. I wanted to to this one more time, properly, without rush. Fusion was the perfect place and moment for it.
You probably might find some tracks that you already know from my others sets, but frankly, I think rather a bit of repetition than not sharing this one at all.
There is one track in particular that I have been playing over and over for the past nine months and I still can not get bored of it. It manifested the day Nana went on to her journey. 
With all my heart, I believe that I was only channelling at the studio that day, because if it really was a track that I had made consciously I would surely have gotten bored after playing it that often ;-)
A lot of people have been asking wether it will be released and when. I am happy to announce: Yes it will be released, almost soon. Even more happy that it will be released on one of my favorite labels, I never dared to ask.
But see, things that have to happen happen.

Thank you Capero (for the foto), thank you Scarlet (for the Mantra), thank you Nana, thank the Universe and thank you.

Acid Pauli



Colors Below The Ear

My set recorded at Garbicz Festival 2016.

Special thanks to Beatunique and Mame Sounds for the spontaneous Live-Drums and Live-Vocals. Unfortunately I have not been able to record their audio tracks so I am afraid this is not on the recording as well.

Thanks to the festival people and everybody behind the scences.

It was Big Fun.

<a href="https://theartistunion.com/tracks/8c224d" rel="nofollow">Download for free on The Artist Union</a>

Holger Hecler @Garbicz Festival 2016

Download

Britta Unders - Thuishaven Chill out podcast

Britta Unders -  Thuishaven Chill out podcast

Dear girls & boys and everybody in between,

before the year is over again, I’d like to wish you a healthy and happy new year! May sun shine upon you when you need the light and may it rain on you, when you need the water. 
I am happy to choose the first option for now, leaving foggy Berlin for a little vitamin D refill. But before leaving to South America for our Acid Case tour, I uploaded one of my favourite sets of the past year:  

„KC Grad“, Belgrade, September 23rd 2017

Just a few words about it:
I remember that I listened to music of Nicola (Cruz) on the plane and that I missed to take this amazing picture of Danube river when we flew over it, before landing at Nicola (Tesla) airport, where I had only been once (twice to be correct) before and after I played a short set not before, but after a 
Nicola(s Jaar) concert in 2012.
So this was only my second trip to Belgrade and because neither I want to bore you, nor have I intentions to write a city guide, I will skip the part where we took a very nice walk through the city, and jump right to the last half hour before my gig when I discovered this amazing Serbian synth pop band „Beograd“. No question, I HAD to play one of their songs! Choosing one was not quite easy, but as always when you happen to go with the flow, you don’t need to make decisions, simply because the moment makes them for you...I ended up playing a song called "Opasne Igre“ whatever that means….haha, now that I am writing this, I had to look it up and what can I say? I do see a slight dissent in the context here. I would say, it’s rather a "dangerous game" if you’re not going with the flow, but obviously the song’s topic is somewhat different, so let’s leave it like that for the moment and continue the journey. My personal flow-master led me to Georgia later that night. Stay tuned and you’ll hear - for the first time online - one of my favourite edits of the past 433 days: Ana Malazonia & Fiqria Daiauris’ „Magnolia“ with Andhim’s "Holger Der Polka“. This one is in fact not even an edit, it’s just two songs mixed together, with the slight difference of 28 bars, meaning that one of them starts 28 bars later then the other one. I once heard someone say: "Simple but oh how beautiful“. Yes that's true!
Of course I also had to play a track of my friend Satori, whose father makes the best Sarma (famous Serbian dish) I ever tried. It's prepared with cabbage that has to be pickled for almost half a year, to get the right taste. Yummy…but let's continue with music:
I played Djordje's remix of my track „Jorge“, which - amongst three other gems - will be released very soon on our label Ouïe. 
Although you can hear a couple other new (at least back in September they were new) tracks, the general vibe of the set rather reminds me of this: 
"Some of my favourite tracks and edits from here, there and then, stirred with a little bit of - don’t forget we’re in Belgrade! - Techno, slowly cooked on (DJ) Hell’s car fire, served with deep-fried shaman punk and sprinkled with a streak of humour.“ Drink menu suggests: Gem&Bolt
Bon appetit!


But don’t forget to eat and drink with appreciation, so one, two, three, four more things:

One: Thanks to Oguz and Dejan for their invitation and of course to everybody who has been there floating and dancing through this very special night with Sertac aka "As Smooth As" and my humble self.

Two: In case you like this set you should thank Ilker Çatak by watching his films and future films.
You may think: „ Why should I thank someone I don’t even know?“ 
This is why: If Ilker hadn’t encouraged me to put this set online, you would not be able to listen to it now. Very simple 😏.

Three: To whom it may concern: Happy Birthday!

Four: To whom it may concern and to all others, but especially to you
Take care and be kind


Yours Acid Pauli

Spank the shaman

Trans Belgrad Express

Chile 2018

Acid Pauli - La suelta. ACIDCASE Chile 2018 ✚

Heureka - so des Kranich sein Motto im April, welcher, nun fast vorbei, seine musikalischen Schwingen und Schwingungen vom Dach aus zu euch flirren lässt. Es liegt in der Natur der Sache, dass wir Dingen nachgehen, welche unsere Neugier erwecken - daraus ergibt sich mitunter wie rückblickend das Abenteuer unseres Lebens. Das zu beurteilen fällt schwer, doch wenn wir den Punkt nehmen, an welchem wir heute stehen, dann lassen sich AndShe und der Kranich auf jedem Fall in einem Punkt vergleichen - wir haben an einer Idee festgehalten und alles erdenklich mögliche getan, um sie wahr werden zu lassen. Der Kranich baute sein Nest auf dem Dach eines Parkdecks und wusste nicht, wohin das führen wird. Mittlerweile blicken wir hier auf einige Jahre voller Sonnenschein aber auch stürmischer Winde zurück. AndShe hat für die Musik ihre familiären und heimatlichen Gefilde verlassen, alles auf eine Karte gesetzt und ihr Glück in Berlin versucht - das war vor ca. 2 Jahren. Nur wenige Menschen wissen davon und somit waren einige von ihnen auch unbewusst Teil ihres Weges, den sie selber nicht so genau kannte - ihre zurückhaltende aber stets fröhliche Art führte sie in die liebevollen Arme der KYBELE Crew und spülte sie an den Strand der SEASIDE TRIP Crew - gemeinsam haben sich alle zusammen entwickelt und AndShe erklomm mit ihnen zusammen das Dach des Kranich. So wuchs in den zurückliegenden Monaten, ja fast Jahren, zusammen, was auf allen Seiten als ein Abenteuer begann und nie einer festgelegten Route folgte. Das ist vielleicht das Geheimnis, ein jedEr ohne festen Plan, trafen wir ohne es zu forcieren aufeinander - frei von Vorstellungen und vor allem ohne Druck und Forderungen. So konnte sich die Musik und die Kreativität entfalten und brachte zusammen was ihr heute hier hören könnt - AndShe, als Teil von KYBELE / SEASIDE TRIP und KLUNKERKRANICH. Wir sind sehr erfreut darüber, dass sie uns mit ihren Sounds bereichert und damit immer wieder wunderschöne Momente kreiert. Danke! ... und jetzt fliegen wir gemeinsam über die Dächer und lassen uns den Wind durchs Gefider und ins Gesicht wehen.

euer Kranich & seine Crew

~ 𝗟𝗶𝗻𝗸𝘀:
☛ AndShe - SC: https://soundcloud.com/andshe
☛ AndShe - FB: https://www.facebook.com/andshe222/
☛ KYBELE - SC: https://soundcloud.com/kybelean
☛ SEASIDE TRIP - SC: https://soundcloud.com/rolandsons-seasidetrip

☛ Kranich - Webseite: www.klunkerkranich.org
☛ Kranich - FB: www.facebook.com/kulturdachgartenklunkerkranich/
☛ Kranich - Insta: www.instagram.com/klunkerkranich/

AndShe

Heureka - AndShe

Garbicz festival. Amazing to be back.

Nobody can stay the same by not changing. 

Alles ist gut. 

Big thanks to the dancers at Dickicht and huge thanks to Garbicz and the Alter Ego family. You're the best.

@yorkultura
@alter-ego-amsterdam

Yør Kultura at Garbicz Festival 2019 - Dickicht

Deaf Can Dance & Gunther Schwarz - Summer Contrast 2020 | Closing Mix

Second alias/project of @phil-jensky
Booking: booking@deafcandance.com

Despite being born with a significant hearing loss,
he embarked on his DJing adventure nearly 20 years ago, in 2005. He immersed himself in sounds from a young age, perceiving them somewhat differently than others. Turning his limitation into an advantage, he utilized his exceptionally developed imagination and sensitivity to interpret sounds through other senses.

He is a resident DJ at the 'Piekło Nad Niebem' club in Warsaw, where he hosts the event series 'OUTER SPICE', and is the curator of the 'WATA CUKROWA' stage at Splot Słoneczny (the most popular daytime events on Sundays). He has booked artists such as Just Emma, Youandewan, Dave Dinger, Tony Casanova, and JUST2.

He explored his musical vision in every major club and festival (Open’er, Audioriver, Summer Contrast, Garbicz, Las, Up To Date) in Poland and some abroad. He has performed in Germany, Portugal, Georgia, Norway, Croatia, Albania, the United Kingdom, Iceland, Spain, and Thailand.

Operating under the name Deaf Can Dance, he filters electronic music styles through his unique sensitivity and craftsmanship, resulting in a surprising, sensual, and incredibly danceable sound, regardless of the tempo. His eclectic, sensual energy, and ethereal atmospheres create sets that act on the audience like collective hypnosis. No matter where he performs, Deaf Can Dance is a true dance floor enchanter, captivating everyone with charming, spirited sounds.

Deaf Can Dance & Gunther Schwarz - Summer Contrast 2020 | Closing Mix

Deaf Can Dance

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