It is impossible to explain who Anna Tur is without talking about her music and her relationship with it. A native of Ibiza, Anna's career as a DJ began in 2011 and she quickly began to stand out in countries such as Germany and Romania. Her position in Spain came a little later, but in recent years she has established herself as one of the regular figures in the best clubs and festivals in the country. 

Perfectionist, passionate, elegant and fun are all adjectives easily applicable to Anna Tur and her style. A balanced combination capable of moving between house and techno that has opened doors to the main international festivals and clubs: Creamfields, Street Parade, Kappa, Medusa Sunbeach Festival, WCD, Tomorrowland, Ultra Australia, Pacha Ibiza, Kit Kat Club Berlin, Amnesia, IMS Ibiza as well as Pyramid Ibiza, where she is a regular guest at their parties and part of the brand's world tour.

The year 2022 was a real turning point for her as a producer. Since then, her work has been released on some of the most influential labels: Armada, Drumcode, Truesoul, IAMT, Set About or Union Three, among many others. She also launched her own label: LOWLITA Records together with Gonçalo Miranda and Hosse. 

In addition to her music, her work on the airwaves has contributed to this recognition, respect and international projection. Anna Tur was the General Manager of Ibiza Global Radio and TV for almost two decades until May 2020. After her departure and showing her unique radio spirit, the Ibizan created her podcast series "On Air with Anna Tur". 

Perhaps the combination of all these elements is the secret. The reason why this DJ and producer from Ibiza manages to connect with the public in such a characteristic and unique way. An ability that has allowed her to develop a very close bond with her fans, who loyally accompany her in each of her projects. A support that is also shared by the electronic industry, from her colleagues to critics and specialised media. This is why Anna is currently experiencing her sweetest professional moment, having found both her sound and the recognition of the industry.

djsasha.com
Merchandise:  www.lnoearth.com

Booking Contacts: 
Ian Hindmarsh // ian@analog-a.com (Europe/South America/Rest Of World)
Emma Hoser // Emmahoser@paradigmagency.com (US/North America)

Find Sasha on: 
instagram.com/djsashaofficial/ 
facebook.com/sasha 
twitter.com/sashaofficial 
youtube.com/djsasha 
https://play.spotify.com/user/djsashaofficial 

Find Last Night On Earth on:
lastnightonearth.co.uk/
facebook.com/LastNightOnEarthMusic
twitter.com/LNOE_label
soundcloud.com/last-night-on-earth

Crosstown Rebels deliver a unique underground music experience. Firmly dedicated to the support and development of the best cutting edge electronic dance music, Crosstown Rebels, run by artist and dj Damian Lazarus, loves quality alternative sounds, adores a great party and thrives on creative, young people armed with something new to say.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


Linktree: https://linktr.ee/Skatebard
Booking: https://www.klsbookings.com/skatebaard

Bård Aasen Lødemel, aka Skatebård, got into techno and rave during the '90s before he became a producer of retro-futuristic disco, house, and techno. 
Hailing from a town called Ørsta on the Norwegian west coast, Lødemel moved to Bergen in the year 2000, where he quickly became part of the town's growing club scene. 
After handing over a homemade demo to Tellé Records label boss Mikal Telle, Lødemel was signed to offshoot label Tellektro in 2001. 
His first release under the name of Skatebård, a concise vinyl-only album called Skateboarding Was a Crime (In 1989), was released in 2002, and slowly but surely Skatebård's reputation started spreading beyond Norway's borders. 
Throughout his impressive career of releasing five albums and more than twenty 12-inches, he has steadily carved out his own corner of dance music with a unique flair. Traversing a range of seemingly disparate genres and emotions comes incredibly naturally to the Norwegian artist, whose music oscillates between Italo disco and raw Detroit infused house and techno. With an enviably eclectic collection of the mastery to navigate it seamlessly, Skatebård’s DJ sets offer exploratory excursions through the unknown and unexpected. From festival mainstages to intimate clubnights, Boiler Rooms and radio shows, Skatebård has captivated audiences across the globe, performing at many of electronic music’s most revered institutions.
The dynamic scope of Skatebård’s artistry extends to his work in the studio. Spanning over two decades, his impressive discography is dispersed across labels including his own Digitalo Enterprises, Sex Tags Mania and Bordello A Parigi. With a knack for balancing kitsch with elegance, Skatebård creates music that exudes an air of nonchalant fun.

Henry Saiz, Kevin Di Serna 'Technicolour Atemporal'
https://orcd.co/lnoe186

Send demos to: demos@lnoearth.com

‘Last Night On Earth’ is Sasha’s home for supporting exciting new electronic music talent and his new solo productions.

London based, Mexican born Betoko is a producer who has quickly risen through the ranks, having drummed in bands and played guitar as a teen, it was here that he discovered a passion for electronic music.
His early releases showed the man to have his own distinctive approach joining the dots between techno, minimal and house music with great style.

With a huge esteemed back catalogue, Betoko regularly picks up support from the worlds finest DJs, whilst his tracks have been licensed for use on TV shows like CSI, a number of advertising campaigns and Madonna’s Sticky N Sweet Tour.
His natural progression and hunger for great new music means Betoko is now the head of his own two labels, OKO Recordings and Chilli
Mint Music both of which release quality dance music on vinyl/digital constantly charted by the top 100 DJs.

Betoko's global hit "Raining Again" released on Diynamic Music has become a classic and was labeled the Track of the Summer in 2012 with more than 20 Million Views on youtube.

Betoko's infectious sounds have been heard at Amnesia, Warung, Green Valley, Space, Fabric, Ushuaia, Kater Holzig, numerous Festivals and pretty much every top club in the world, and has played b2b sets with DJs like Sasha and Nick Warren.

Betoko is based at the world famous Red Bus Recording Studios and is a sponsored artist of Native Instruments, Arturia and Dave Smith Instruments.

Bookings:
Worldwide: mgmt@betoko.com
Mexico: Born in Mexico / Marco Arce / marco@borninmexico.tv

dec ken is following