The significance of the club residency can’t be underestimated; it gives artists the opportunity to build a tight knit community around the party, regulars know what they are in for, and word of mouth spreads the vibe and new guests arrive to check out the experience. The residency becomes by extension a community hub, for shared ideals, values, and experiences. A place to discover new acts, enriching reputations, taking things FURTHER.

Drawing on the vibe from the residencies he had coming up. Bone’s idea is to have top quality music from the first song to the last song. It’s not going to be the artist’s regular set; it's going to be people bringing their A game. Different styles outside their usual vibe. Taking the interment, friendly feeling of bringing people into his living room that was created at the original FURTHER
and turning it into a house party. RADION’s multiple rooms and layout allows for us to create the old warehouse feel of a different mood in different rooms whilst not losing the intimacy which makes FURTHER unique.

The mastermind alongside manager and Wife Ahnne Araza, DJ Bone’s role will be mixed, whether opening or closing the party, or not performing at all if he does not fit the vibe. He will be omnipresent with the careful curation of each monthly show. With RADION offering a blank canvas to create their vision.

FURTHER features an ever-revolving artists/djs both established headline acts, legends and emerging talents.

As Bone Says “I want to transform the environment physically and auditorily. Help break new music and foster new talent; I don't believe in social media as the springboard for DJ’s, it should be what they can do in the booth... That's what a residency was about. It is about listening to the new tracks that’s hot before the hype. It’s about the old school values that used to be prevalent.
It is about great music produced by great artists played by great DJs.”

Detroit Techno Records hailing from the land of TECHNO with the ability to be heard.

License & Booking: detroittechnorecords@gmail

The Lights Movement is a cult-lective of individuals who are in search of ultimate in-lightment through the teachings and guidance of The inLIGHTened One.
"Join the cult. Enjoy the sound. Go beyond The Light."

Since 1997 Rush Hour has cultivated itself into a haven for music lovers worldwide. The reputation Rush Hour has built mainly comes from the fact that first and foremost Rush Hour focuses on music they totally believe in and have a love for. The Rush Hour family has a strong sense of pride in always working with and feeding off that impulse and faith, rather than working for the mighty dollar or bottom line. Rush Hour has always been this way.

Techno is a family affair.

Arriving onto the electronic scene with "I Believe", featured on the monumental (10 Records) compilation "Techno 2: The Next Generation" (alongside Carl Craig, Marc Kinchen, and Jay Denham) in 1990, Octave One is the brainchild of the phenomenal native sons of Detroit, MI (USA), the Burden Brothers. The core unit of the band, made up of Lenny and Lawrence Burden (with revolving members of Lynell, Lorne, and Lance Burden), have had the privilege of bringing their high energy live shows to many parts of the world, including Australia, Belgium, Denmark, France, Germany, Greece, Ireland, Italy, Japan, Netherlands, Portugal, Romania, Russia, Slovenia, Spain, Switzerland, UK, and the USA, among many other places.

The brothers have released groundbreaking dance anthems on their own Detroit based record label, 430 West Records. Including DJ Rolando's "Jaguar", Random Noise Generation's "Falling in Dub" (the other Burden brother moniker), Aux 88's "My A.U.X. Mind" (on the 430 West sister label Direct Beat), as well as their own Octave One recordings: "Empower", "Nicolette", 'The X-files", "Meridian", “Love and Hate”, “The Greater Good”, and 'Siege". They have remixed tracks for such artists as Massive Attack, Akabu (Joey Negro), DJ Rolando (Jaguar), Steve Bug, John Thomas, Aril Brikha, Vince Watson, The Trampps, Rhythm is Rhythm, and Inner City.

Doesn't matter
New followers of The Lights cult

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Defumes is following