Introspection

In deepest connection:
Child of Nature: @childofnature
The Forest Army: @theforestarmy
Amanitalinda: @amanitalinda
Heidi K: @heidijks
Jeamland & Bolt: @jeamland-bolt
The Earth Love: @theearthlove
Jörg: @joerxworx
Martin: @m_ja

songs & story

underwater
deep space
robotnik

Geoff is about making the abnormal, sound normal. His work uncompromisingly explores the whole range of human emotion. Frequently experimenting with odd grooves, overlapping melodies, and haunting yet optimistic ambience, his work is sure to take you on a unique journey. Influenced by genre pushing artists such as Between the Buried and Me, The Contortionist, and Opeth he has grown his musical toolbox and developed a focussed and genuine artistic expression.

He has been heavily involved in the metal and music scene since his early teens. Hailing from London Ontario he gathered inspiration from the rich underground metal scene. After moving to Toronto, he further developed his musical palette experimenting with other genres and now considers himself simply a lover of good music. 

He has worked as a multi instrumentalist, producer, and composer in multiple progressive metal inspired bands. He believes the ability of metal to cover so much emotional ground is what makes it so special.

Photography on this page by Harrison Raftery and Geoff Bremner

"Originality is the best form of rebellion."
Antoni Gaudi used to say pointing to the sky, with one finger “My boss is not in a hurry”.
Member of the Discord MFC Collective.
#Storytelling

I started fiddling with electronic music back in the mid 80's. One could argue that I should have learnt something about music by now.

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International Vermin Consortium
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The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is eternal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
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Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
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This one here (957729823) is for regular folks.

I love you, both.

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You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
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My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

about / bio:
''...Created by Quebec City producer Maxime Tanguay in 2005, Pertin-nce 
has been one of those nearly hidden netlabel treasures that has consistantly churned out a unique spectrum of offbeat electronica for the sheer pleasure of creation - patiently and steadfastly holding to an ethic of playful experimentation and open collaboration amidst an ever expanding and evolving digital music...''

psychedelic spacegaze // electronic krautnoise // experimental bedroomtronics // lo fi dream synth pop

i love noisy guitars // lately i am in love with noisy synthesizers, spaced out electronica and sonic experiments

all music written, played and produced by the lost space department

thank you for listening :) 





I started playing around with digital music creation in my early twenties, but I have always been haunted by a quote from Theo Parrish who said that he is "not comfortable with convenience replacing artistry", meaning that you need to put effort into learning and mastering the skills in order to bring something good. I studied computer science and have a passion for logics and programming and somehow my lack of any musical background has kept me from publishing any of my works.

Many years later I got inspired by an interview with Thomas Fehlmann where he explained how the focus in his work is not on the result so much but on the process itself. How the process is a "source of expression" and something he just feels he has to do. This resonated with me and I realised that it's ok to be an autodidact in music and it's ok to make music just for the sake of making music. I make music for me and if you, dear listener, like it along the way I'm very happy about that.

I am inspired by nature, natural processes and the interaction we have with them. Organic asymmetric fractal patterns that are rooted in logic but unpredictable as they express. How a particular stormy night can affect the shape and growth of a plant for years to come.

I use Bitwig Studio to create my tracks.

(I don't always respond with "thanks" to each comment but I read and appreciate all. If you have a question or really need a reply send me a message)

(With a few artists we run a little group on discord to discuss ideas and what not. The link is below if you're interested in joining)

In deepest connection:
Child of Nature: https://soundcloud.com/childofnature
The Forest Army: https://soundcloud.com/theforestarmy
Amanitalinda: https://soundcloud.com/amanitalinda
Heidi K: https://soundcloud.com/heidijks
Jeamland & Bolt: https://soundcloud.com/jeamland-bolt
The Earth Love: https://soundcloud.com/theearthlove
Jörg: https://soundcloud.com/joerxworx
Martin: https://soundcloud.com/m_ja

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat

Introspection

Derk Bell