Playlist by Desert Island Cloud - www.desertislandcloud.com
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We've been supporting new music since 2015 whatever the genre because good music comes in all flavours.
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Keep a relaxing sleep routine

Waltzer

Knifeplay - "Promise"

The Will to Live

An Anomaly

CREDITS 
Composed, recorded, produced, and performed by John Rossiter
Additional Production by Kern Haug
Mixed by Kern Haug
Mastered by Richard Chowenhill

LYRICS
I’ve noticed that I’m trying to be right
To ride the largest wave
Still every wave must break
And I am lost in endless waters
I’m left to float with what I am

I’ve run away from disagreements and
Abandoned older friends
I’ve seen the past as pain
I once would rather be forgotten
Than live complexity and grace

#SCFIRST

Shepherd Head

Rose Eater

I Walked With You A Ways

Abilene

DECIDE

Climax

End of Beginning

Nuela Charles

Heavy

'Slugs of Love', out now on Ninja Tune: https://littledragon.lnk.to/slugs-albSo 

'Opening The Door', out now on Ninja Tune: https://littledragon.lnk.to/otdSo

Follow Little Dragon -
Spotify: https://found.ee/ld-sp
Apple Music: https://found.ee/ld-am
YouTube: https://found.ee/ld-yt
Bandcamp: https://found.ee/ld-bc
Soundcloud: https://found.ee/ld-sc
Instagram: https://found.ee/ld-ig
Facebook: https://found.ee/ld-fb
Twitter: https://found.ee/ld-tw

#LittleDragon #NinjaTune

Opening The Door

Stay (feat. JID)

Asphalt Meadows

I Miss Strangers

Four Songs

Something You Know

Someone Like You

Bump

Topo

Topo (feat. sophie meiers & carpetgarden)

Back To You

The Hardest Part

Loretta's Song

Track 03 from "The Museum Is Closed Now" EP, released September 15th, 2022. Thanks for listening!

Links:
www.linktr.ee/sambcel
www.instagram.com/sambcel

Credits:
Lead Guitar - Ryan Kawanami
Art by Kento Iida (www.instagram.com/whykentowhy)
Mixed by Vic Cuccia
Mastered by Tom Waltz

Lyrics:
Pasadena, in July,
hotter than the sun
I’ve got beautiful memory,
from summer of ’21 

Well sir I heard you the museum is closed now,
I look at my watch it’s four forty-five
We turn to laugh and say “what’s that guy’s problem?”–
they’re kicking us out though it closes at five

It feels like yesterday
I saw you drive away
With flowers at my feet 
I’m crying in the street

Spending New Year’s in Santa Cruz,
leaving behind the blues
Really don’t have plans it seems
Doesn’t matter with you

Walk ten miles where the cliffs meet the sea 
meets the sky, you and me and a friend made of clay
Without a doubt if we picked Brussels sprouts
then the memory would make them much sweeter

It feels like yesterday
I saw you drive away
With flowers at my feet 
I’m crying in the street

The haze has cleared it’s a beautiful day
and I can’t help but feel that all will be fine
I turn to laugh and wipe tears from my eyes,
though it hurts to endure such a wistful goodbye

Brussels Sprouts

Sounding simultaneously from the past, the present, and the future, the debut album 'MLDE' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music. Half poetic, half tongue-in-cheek, this stunning compact eight-track album is influenced by Eastern European and Mediterranean 70s disco records. In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with Western capitalist excess?" MLDE seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'MLDE' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of MLDE's more driving-disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition. 

Tracks such as '1905' and 'Brumaire' have a greater pop aesthetic, with Paolo's vocal style on these more pop-driven songs evoking early 80s bands such as Orange Juice and Chas Jankel. 

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music. 

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Marxist Love Disco Ensemble - Material

our new album, 'godspeed to the freaks' is out now!

Death04

Over the last few years, singer-songwriter Madeline Finn has amassed a stunning catalog that illuminates life's emotional complexities. Her latest song, "Ohio," which was produced by Ben Cramer (Old Sea Brigade) and Owen Lewis (Phillip Phillips, Lady Gaga) no different. Sonically, the single is similar in tone to 2020's "The Whippoorwill," as the song pairs space-filled arrangements with cascading guitar lines, the occasional orchestral effect, and percussion that twinkles like a clear, starry night. However, as "Ohio" progresses, the song builds in volume and intensity—her voice grows stronger and boasts more conviction, in tandem with robust guitar strums—before subsiding gently into a wistful end.

Ohio

We support and review new music whatever the genre because good music comes in all flavours. Our website offers placement for new music, videos, featured artists and interviews. All website articles are shared with our 10K+ followers on Tumblr,  Soundcloud,  Facebook, Medium, Instagram and Threads. We also add tracks to our Spotify and Soundcloud playlists.
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