One of the tracks from the upcoming Zvuku LP on Heat Death.

This record needs funding! Head to the indiegogo page to find out how you can help make this a reality.

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Zvuku - Coldsong

Taken from the upcoming album '12 tapes | 10 years'...

Music: Craig Tattersall / Joe Borreson
Mastering: Ian Hawgood 
Design: Craig Tattersall / Joe Borreson / Daniel Crossley
Label: Fluid Audio

'12 tapes | 10 years'

Joe Borreson & Craig Tattersall - Lost In The Post

On the occasion of the Spring Story release, Vadim Basov recorded an exclusive guest mix for DP-6 Records. Diving into atmospheric electronic and acoustic music, Vadim presented various tracks, including new unreleased works.
Enjoy!

Vadim Basov: Spring Story [DP-6 Records]
Beatport: https://www.beatport.com/release/spring-story/3377121
Bandcamp: https://dp-6.bandcamp.com/album/spring-story

Tracklist:
00:00 Boards of Canada – Collapse
02:30 Ilya Malyuev – morning mist
05:19 Keith Kenniff – Grace
08:52 Vadim Basov - Spring Story (Outro)
11:57 Mr. Projectile - pocket wetty
15:52 Jon Hopkins - Open Eye Signal (Asleep Version)
19:02 Vadim Basov – Andromeda
26:20 Bruno Sanfilippo - The Place Where Dying Crows
31:19 Biosphere – Sherbrooke
36:10 Vadim Basov – 20170830
41:12 Vadim Basov – 0920
46:29 Move D - Hagel In Berlin Snowflakes In Vermont
49:20 Vadim Basov – E-june
52:22 Pensees - Intro

Follow Vadim Basov:
Soundcloud: https://soundcloud.com/vadimbasov

Follow DP-6 Records:
Soundcloud: https://soundcloud.com/dp-6 
Facebook: https://www.facebook.com/dp6project
Instagram: https://www.instagram.com/dp6_music
Bandcamp: https://dp-6.bandcamp.com/
Beatport: https://www.beatport.com/label/dp-6-records/11845
Spotify: https://open.spotify.com/playlist/3OX8788ToccGY4jvJoN1RG?si=71-Z45t2QkCX-mr6zC_H-A 
VK: https://vk.com/dp6project
Telegram: https://t.me/dp6mixes

Vadim Basov - Exclusive guest mix for DP-6 Records

Only yesterday I have premiered a video from the new XXIM Records signing, Ed Carlsen, and today I am back with another exclusive premiere via XXIM once again, this time from Stimming x Lambert, a duo which should be already familiar to you from their individual solo projects. But let's quickly recap the past of these two. Stimming is an alias of a Hamburg-based producer Martin Stimming, who's known for his uplifting and upbeat tracks via the Diynamic Music imprint, and whom I have placed right alongside my favourite works from the likes of Gidge, Christian Löffler, and Aparde. Lambert, who still hides behind the mysterious mask, has not escaped my ears either, as I have praised his solo-piano whimsical tracks (and live performances) via releases on Dauw and Mercury KX for numerous years (and plenty of Best Of list mentions) as well as this slightly revealing and grand In the studio with Lambert feature [in which we first glimpse that the duo are friends]. So yes, I'm a fan! Thus, you can imagine my enthusiasm for getting these two guys together to work on a record, combining aesthetics of each into one. The result is above expectations, with Lambert's knack for harmonically rich, slightly jazzy, percussive melodies, and Stimming's synthesized explorations with punctuated beat and bass. More on the whole release later, but right now let's tease you with "Glühwürmchen," which, as my trustworthy Google translate informs me, means "firefly" [or literally "glow-worm" in German].

More on the release here: https://hcdi.gs/firefly

Positive

Glühwürmchen

TRACK PREMIERE : Stimming x Lambert - Glühwürmchen

In January 1921, some 100 hundred years ago, the renowned writer D.H. Lawrence set sail for Sardinia, joined by his wife Frieda. He produced a critically acclaimed travel novel called Sea and Sardinia, reflecting his observations as he traveled. His creative use of language and expression adds colour to his reflections. To mark the centenary of the journey, film director Daniele Marzeddu and his crew returned, to retrace these steps.

After a year of working on this project, Return to Sea and Sardinia now sees the light of day and will be presented to the public in a series of screenings or digital viewings. The film has been produced and Organised by The Visual Guys, with the support of the D.H. Lawrence Society of Great Britain and features Daniele’s vivid imagery. The current state of modern Sardinia and its neighbouring island Sicily is laid out as a documentary film and our very own Glåsbird has produced an original soundtrack to accompany the visuals, and local accounts provided by the islands’ inhabitants.

Glåsbird has produced several geographic based sound interpretations since beginning their mysterious project in 2018. They describe this soundtrack as a ‘vacation’ from the on-going ‘A Sonic Expedition’ series, yet it has been approached in a similar way to this musician’s work: the cycle of inspiration, research and more inspiration. Daniele gave the artist free-reign to sketch out stories from afar, into these sound-postcards. We are delighted to be able to present the Original Soundtrack for Return To Sea and Sardinia, in an edition of 300 CDrs, featuring a 32 page book of photographic stills and captions, to give a flavour of the film.

Return to Sea and Sardinia (Original Soundtrack)

wlr101 Glåsbird - Return to Sea and Sardinia (Original Soundtrack)

Sometimes it’s not enough to pick out the right chords, to write out the melody, sprinkle the notes. Sometimes it’s not enough to play the right instruments, hire the orchestra, space out the mics. Take a listen to some “fake Spotify artists” and you’ll know that it’s true. It seems that these copycats have all the ingredients, but the dish still tastes lukewarm. That is because their course is lacking the true soul of a master which they’ve poured into each piece. That’s the ingredient not listed on the recipe. Now take a listen to this gorgeous track by a composer and visual art collective from LA named Sanctuary. It seems, oh, so simple, straightforward, and plain, and yet, when you play it, it beams with emotion, dynamically charged and expanded within. It’s ripe with that ‘something’ that Jóhann possessed – and that is the best compliment I can give to any new recommendation. “Crystalline, emotional orchestral and choral elements blend with intriguing foley. Sometimes intimate, sometimes epic, Sanctuary caresses dark themes with intense visual vignettes and haunting, widescreen music, challenging the audience to join them on an inward journey.” Released on Safari Riot, the collective offers up a debut of two EPs, both volumes out tomorrow, December 3rd. This is incredibly beautiful and cinematic, and I can’t wait for you to enjoy the rest of the pieces. But for now, here’s my favorite, titled “In Absolute.”

"In my mind ‘In Absolute’ is a very visual piece. Much like a close-up shot in a film, slowly zooming out to reveal an intricate scene, ‘In Absolute’ embodies the same feeling. A simple idea ever-expanding. It would not have been possible without the brilliant string and woodwind ensembles we recorded in Iceland last summer."

Sanctuary Vol. 1

In Absolute

TRACK PREMIERE : Sanctuary - In Absolute

Don't let the cover art or the title of this track deceive you! Yes, there is a depiction of a samurai, and yes, Koi are the Japanese amur carp that swim in decorative outdoor ponds and water gardens, and yes, now that I'm thinking about it, there are elements of elegance and movement in the music that may transcend the title and the album art, but I promise you it's not a drill'n'bass track with some glitched out bass drops. The track I am premiering for you today is actually taken from Matt Emery's second instalment in the "Spotlight Series" for which, this time, he focuses on harp. For this series of EPs, Emery showcases the virtuosity, tonal range, and timbre-rich textures of each instrument. His previous entry for Injazero showcased the cello (see this track preview of "Anxiety Mist"), and featured a samurai, once again, preparing for the battle. And although the theme of a battle is still present on this EP, it is now enveloped with water. Hence the koi in the pond. Specifically composed by Emery for this stringed instrument, the piece is performed by the London-based Olivia Jageurs, who has recently won the Royal Philharmonic Trailblazer Award. Oh, and besides being a celebrated composer, Emery also produces an amazing Contemplative Podcast hosted in conjunction with Contemplative Classical and Headphone Commute!

Spotlight Series: Harp

Koi Swirls

TRACK PREMIERE : Matt Emery - Koi Swirls

I started with the feeling I had at 5 pm on a Tuesday in December. At just about 8 minutes, this is probably the longest track I've done. Yes, I like doing things that are lovely (in my opinion) but slightly ... off.

Intriguing

Gravity Without Memory

Louder than Silence #17 [La Bande Adhésive]

1. Triceratops « Sytaricon (Live@GMEM) »
2. Djane Ki « Red Shift »
3. Dj Bouto « Lace Maker »
4. Reservoir dUb « Meg & Marg »
5. Brand New Bastards « Starshit Smokers »
6. Akaï x Eïki « Vitrail n°4 »
7. Dj Guitar « Harmonic Asylum »
8. Sublogic « Entropy »


Laurence Barbier / Nicolas Boutines / Martial Daunis / Vanessa Jeantrelle / Robert

Compiled, mixed and produced by La Bande Adhésive (p) & (c) 2025
labandeadhesive.hautetfort.com 
labandeadhesive@gmail.com

Akaï x Eïki  "Vitrail n°4"

Due out on limited CD on July 24th

DR-69 : PORYA HATAMI - Kani + Remixes (incl. Darren McClure, Purl, Arovane, Tomotsugu Nakamura, Sven Laux) 

Originally released in 2013 on the Inner Ocean label, Porya Hatami’s “Kani” was a four track EP showcasing his intimate take on modern ambient music. The Iranian artist has issued a large number of albums that imbue pastoral ambient with subtle field recordings and melodies. The melodic aspect of Hatami’s work took centre stage in this release, and shone bright across the four pieces.

So now, seven years later, “Kani” is being given the reissue that it deserves, and will delight those listeners new to it, and those who are rediscovering it again. Besides the original four tracks, there are an additional five remixes by artists working in a similar orbit to Hatami, and some who have collaborated directly with him in the past.

These reworks cover plenty of ground, reimagining the source material into new shapes. Some remixes extend the foggy soundscapes and conjure delicate melodic plucks. Others add mellow pulses that infer rhythm under the washes of sound, while others take these rhythmic ideas much further.  

Original tracks mastered by Jason Corder aka offthesky
Remixes mastered by Porya Hatami
Artwork by Hawar Amini

Buy CD / DL

PORYA HATAMI - Kani (night) (Arovane Remix)

DP-6 is a music project founded in 2000 by Vadim Indigo and Alexey Filin. The duo's work is deeply influenced by the electronic scene of the 1990s, which has shaped their unique style and artistic vision. A turning point for DP-6 came in 2003 with the release of their debut vinyl record.

In addition to composing music, Vadim and Alexey are the founders of DP-6 Records, a label that not only releases their own tracks but also supports the talents of other artists. DP-6 is also known for their successful remixes released on various labels.

Over the years, DP-6 has performed at numerous vibrant events across a wide geographical range, including their own parties under the DP-6 Records brand.

Contact & Booking: dp6project@gmail.com
Proton Distribution

DP-6 Patreon Community with exclusive content: 
https://www.patreon.com/dp6