A song about longing and obsession in the age of social media. About falling in love with someone through a screen. Someone who may or may not be real

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I can hear the sound of dreams
The cigarettes and faded blue jeans
The photographs and played back scenes
Never knowing what they mean

I can see your days collides
The indecision codified
The fantasies and rising tide
History happens in real time

ooh ooh ooh

You could be my daydream
My landslide, my slipstream
My devil chasing moonbeams
Intention lost to the mainstream

I could be your joyride
Your agent on the outside
Your lowest low and highest tide
Watch as I revert to type

ooh ooh ooh

Daydreams And Algorithms

Hi all, I'm a multi-genre, diversely-themed very prolific hobbyist lyricist who writes virtually with a variety of composer-singers and sometimes solo. Header pics courtesy of Wavebreakmedia and Pvproductions. Also benart75 and Vecteezy.com

All songs are copyrighted by myself, Jay Rich, and various co-writers, 2007-2025.

Please don't 'follow' me if you can't be bothered listening to any of my songs. It's no kind of compliment and you will be BLOCKED, as will all scammy pitchers.

🎵 Explore the Sounds of Krauw 🎵
Connect with me on social media show below!
🔗 or check these links here: https://linktr.ee/krauw

Welcome to my musical universe! 🌌 Starting from scratch, I've embraced the challenge of self-producing and exploring new auditory landscapes. Breaking away from many conventions, I am gradually returning to my roots in post-rock and progressive rock, infused with a subtle touch of electronic vibes.

The evolution of my sound is a journey—I am keenly curious to see how these nuances influence you! Each track is a step forward in this progressive, yet familiar auditory experiment. Your feedback and support fuel my creative process, and your presence in this musical exploration is invaluable.

🎉 Why follow? 🎉

Your engagement is not just appreciated—it's essential! I look forward to sharing this evolving adventure with you, discovering new melodies, and experiencing new emotions together. Let's embark on this musical journey—your support is my inspiration!

Lit Vybz (born January 29, from Benue State, Nigeria) is a dynamic force in the intersection of music, technology, and entrepreneurship. As a musician, he’s not just making hits — he’s redefining the soundscape with what he calls intelligent music: a genre-bending, mind-stirring style that blends lyrical depth, rhythm, and innovation.

With over 100,000 streams across digital platforms, Lit Vybz is steadily building a loyal audience that connects with his authenticity and vision. Beyond music, he’s paving his way into the Web3 space as a developer, merging creativity with cutting-edge tech to create a powerful brand rooted in culture and the future.

Driven by an unshakable hunger and an eye on global domination, Lit Vybz isn’t following trends — he’s setting them. Whether in the studio, behind a screen, or on the stage, he brings a rare energy and message: that intelligence, passion, and bold ambition can change everything

Songs from the edge of somewhere.
You don’t know if you’re walking into a protest, a party, or a funeral.
Bluesy, soulful rock’n’roll.
Haunted, deep and raw. 
The kind of raw you can’t fake.

“You don’t sound like anyone else,” said Danny Thompson - legendary bassist for Nick Drake and Joe Strummer - about English producer Conil.

Tchad Blake, sonic architect for Tom Waits and Elvis Costello, agreed: “Strange Part of the Country is an amazing album. I still listen to it.”

Fleetwood Mac’s Peter Green was also a fan, making a rare visit to Conil’s studio to record a mellow take on “Woke Up Around Midnight,” his smoky tribute to the jazz greats.

Conil’s distinct sound has drawn praise from Marc Ribot, Davey Graham, Pino Palladino, and John Leckie - artists and producers known for recognising the real thing when they hear it.

Upon release, Strange Part of the Country made quiet but lasting waves. Q Magazine gave it four stars and a Q Recommends stamp. Blues Matters Magazine put Conil on the cover, calling him “one of the most original artists out there.” In the U.S., “Years Between” climbed to number three on the Alternative Radio Chart.

Raised in England on the Rolling Stones, the Velvet Underground, and Tom Waits, Conil later lived in some of the world’s most musically charged cities - New Orleans, New York, Chicago, Austin and Berlin - chasing sound wherever he went.

That began early. He travelled far, met the Dalai Lama, climbed Kilimanjaro, and crossed the Himalayas - experiences that shaped his perspective and his music.

He is now finishing his long-awaited second album - recorded in New Orleans, Chicago, London and Greece - with Danny Thompson, Tchad Blake and more.

forming in late 2015, Wanda Honey formed seeking to re imagine alternative rock by combining seering and captivating melodies with violent subject matter.

having no noise experimentation or lyrical theme out of bounds, the band finds inspiration in events that are not limited by their nature, time period or location

taking influences from artists such as metz and title fight, the bands first release, a double A sideof 'final dive' and 'undercurrent', represents the melancholic yet traumatic nature of the bands songwriting ethos.

the band plan on following up their initial release with a forthcoming album continue with the same chaotic irreverence.

Eleanor Collides is the solo project of UK singer-songwriter Nick Ranga.  

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Named after Nick’s childhood imaginary friend, Eleanor Collides started life as a lockdown project in March of 2021 when a group of London based musicians got together to support each other in writing, recording and releasing music. Named The MusiCollective, this group has produced acts such as Pisgah, Colin Tyler, Corporate Drone and Lucoline

'People Are Taller in Real Life',  the debut album by Eleanor Collides, falls somewhere between Indie, Alternative Rock and Dream Pop. On this album Nick draws on a wide range of influences from the 90s alt-rock of Alice In Chains and Hole, British Indie bands such as Manic Street Preachers and Depeche Mode's moody synth pop

Unapologetic musical calamity from around the world.

Only way to support: https://gomjabbar.bandcamp.com

good thing I'm not playing for money or fame, I'm like vincent van gogh who never sold a painting ,it's all about "the art"