No Valentine 

Key of A | 4:4 | 112-120 BPM | Train Shuffle 

This one is a fictional story of a boy who lost his Dad, older now but still a kid, reflecting on his loss, just old enough to barely remember him, too young to have made enough memories to hold on to, and whose Momma is so heart-broken, she is unable to move past her own sorrow, to be there for the boy, to start a new life.  Desensitized, lost, and full of grief, his father’s memory is fading, making the pain of loss, and his desire to be loved even greater.  The irony is in Momma’s song, how the boy is drawing parallels to his pain while she sings of hers, and they’re so lost they can’t find each other.   

 

Intro 8 Measures 

Verse 1: 8 Measures 

Daddy found dirt when I was 3, [uh huh] 

He didn’t leave much Momma and me [uh huh] 

The rooster crowed and sang his song 

The sun came up and he was gone [uh huh] 

 

Verse 2: 8 Measures (Vocals change on second and fourth verse) 

I climb the oak tree out behind the chicken pen 

To think about my Daddy and what could’ve been. 

It’s getting hard to find memories, no baseball games, or catch for me [uh huh] 

 

Pre-Chorus:  8 Measures 

I wish this hurt would go away but the pains still fresh and here to stay [uh huh] 

 

Chorus: 8 Measures 

(A) Fill me up with Gasoline, (D) it lights the rag when Momma sings 

(G) No chocolate, wine, just tears for me, (A) No Valentines 

Nothing left but rusty dreams, I burn till sleep while Momma sings 

No kisses, hugs, or man to love, No Valentines 

Bridge/Solo?????   

 

Verse 3: 

I walk the train tracks to the sea [uh huh] 

Swear every whistle’s meant for me [uh huh] 

My Daddy’s ashes in a can and I feel like I burned with him [uh huh] 

 

Verse 4: 

Every step one closer to the morning light. 

Every day one closer to the next goodbye 

Nothing left, no memories, no birthday presents, or Christmas tree.  

 ../ 

Pre-Chorus/  

No, I can’t see nothing now but the blood red sun glow through closed eyes. [uh huh 

 

Chorus 

Fill me up with Gasoline, it lights the rag when Momma sings 

No chocolate, wine, just tears for me, No Valentines 

Nothing left but rusty dreams, I burn till sleep while Momma sings 

No kisses, hugs, or man to love, No Valentines

No Valentines

From Goddess Durga to you to destroy negative energies.

Listen  and meditate and receive.

Om Kleem Dum Durgayei

Bandcamp

Stream or purchase A Tribute to Israel at found.asherlaub.com/atributetoisrael

Asher's "A Tribute to Israel" is a medley that combines three well-known Israeli melodies: Yerushalayim Shel Zahav, Raid on Antebbe, and Hatikvah (the Israeli national anthem). The medley begins with a slow tempo and employs simple harmonies to create a solemn and reverential mood. Throughout the piece, a simple and expressive melody is repeated, and various techniques such as chromaticism, syncopated rhythms, and orchestration are used to add interest and variation.

One interesting aspect of "A Tribute to Israel" is the influence of Naomi Shemer's "Yerushalayim Shel Zahav" on the composition. This song, written in 1967 to celebrate the reunification of Jerusalem during the Six-Day War, has become an iconic Israeli song, with its melody based on an old Hassidic tune and its lyrics expressing a love and longing for Jerusalem.

In "A Tribute to Israel," Asher pays tribute to Shemer's contribution to Israeli music by incorporating a variation of the melody from "Yerushalayim Shel Zahav" in the first part of the medley. This use of the melody highlights the song's significance in Israeli culture and music and demonstrates the impact that Shemer had on Israeli music. The melody is played with reverence and a slower tempo, contributing to the overall solemnity of the piece.

In conclusion, "A Tribute to Israel" is a moving medley that combines iconic Israeli melodies, including a variation of "Yerushalayim Shel Zahav." This tribute to Naomi Shemer and her contribution to Israeli music demonstrates the importance of this song in Israeli culture and music and honors its enduring impact.

A Tribute To Israel

A simple thing I threw together. No bad relationships in the past, maybe just the dreams.

I've Got the Chains?

Let a solo piano lead you in "Grace", asking you to a playful dance full of grace, elegance and beauty. While doing so, I accompany you into a fragile world of delicate sounds of your own - almost as if you were wearing glass shoes.

Grace

Petite Dances - Grace

A song about longing and obsession in the age of social media. About falling in love with someone through a screen. Someone who may or may not be real

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I can hear the sound of dreams
The cigarettes and faded blue jeans
The photographs and played back scenes
Never knowing what they mean

I can see your days collides
The indecision codified
The fantasies and rising tide
History happens in real time

ooh ooh ooh

You could be my daydream
My landslide, my slipstream
My devil chasing moonbeams
Intention lost to the mainstream

I could be your joyride
Your agent on the outside
Your lowest low and highest tide
Watch as I revert to type

ooh ooh ooh

Daydreams And Algorithms

Cerulean Change

An instrumental track full of hope, was written after a nuclear war in my head and COVID. The aftermath of a depressive episode can be haunting but the future is bright....
Watch here on Youtube: https://www.youtube.com/watch?v=3Csgt1WPJKk&list=PL5z6HsIsm9IBDgI3Ol_qjeSZPDc62RVsY&index=11

Sunsets In The Morning

#new #hot #stanfordcruel #hit #screamo #alternative #metal #emo

Prevail

An emotional song about feeling lost like a boat on the ocean

Sturm am Horizont

Sleepy Program

Good Night

Eleanor Collides is the solo project of UK singer-songwriter Nick Ranga.  

Get a FREE SONG when you join my mailing list - follow the link below to sign up!

Named after Nick’s childhood imaginary friend, Eleanor Collides started life as a lockdown project in March of 2021 when a group of London based musicians got together to support each other in writing, recording and releasing music. Named The MusiCollective, this group has produced acts such as Pisgah, Colin Tyler, Corporate Drone and Lucoline

'People Are Taller in Real Life',  the debut album by Eleanor Collides, falls somewhere between Indie, Alternative Rock and Dream Pop. On this album Nick draws on a wide range of influences from the 90s alt-rock of Alice In Chains and Hole, British Indie bands such as Manic Street Preachers and Depeche Mode's moody synth pop