A Motor City, Berlin, London hybrid, Ryan Crosson is a complex artistic creature. Equal parts energetic, down to earth Detroit native and ultra-refined, musical aesthete, Ryan has one ear to the club and one ear far, far beyond. Known the world over for shape shifting, shoulder shaking tracks on groundbreaking labels including M_nus, Supplement Facts, Spectral, Wagon Repair, and his own Visionquest, Ryan’s production and sampling practices depart from the worlds of house or techno by referencing musique concrète, Downtown New York funk, and East African jazz. Born and raised on a steady diet of post-apocalyptic landscapes, dark warehouses, and the sounds of Plastikman, Matthew Dear, Magda, and Villalobos, Ryan’s DJ sets aim to expand the horizon of possibility without sacrificing dance music’s core element of sweaty, hedonistic fun. His unique musical vocabulary and tireless dedication insure him a place in the dynasty of forward-thinking techno transplants.

Alongside Lee Curtiss and Shaun Reeves, Ryan is responsible for the day-to-day running of Visionquest, one of dance music’s most cherished and eclectic imprints. Ryan and his partners in Visionquest have honed a whole new landscape of lush, organic techno and esoteric leftfield electronica. In 2014, Ryan oversaw the construction of Visionquest’s newest venture—their digital arm and sub-label Brachtune. Full of off-kilter, loopy and positively circus vibes, the tracks showcased on Brachtune will remind long-time friends and fans of Ryan’s early morning sets in the notorious “Tesh Club” basement.

In addition to his work with Visionquest, 2014 was Ryan’s most prolific production career yet, with a staggering number of releases on labels such as Darkroom Dubs, Mobilee, and . Highlights include Bricolage, Ryan’s hotly anticipated first EP for Visionquest, especially the labyrinthine, twisted “Club Chimes,” a heady collaboration with long-time friend and fellow Visionquest artist Cesar Merveille. The year also saw Don’t Be Left Out, a mix CD with another fellow traveler Matt Tolfrey, which has been described as “deep, diverse, and exciting all the way through.”

Colorful Language is the NJ-based DJ/producer duo of Josh Doubles and Thomas Hildebrand, known for weaving deep house and techno into immersive, emotionally resonant sets. Their sound lives in the tension between exhilarating and heartfelt, blending analog textures, hardware experimentation, and percussive found sounds.

Their closing set at Groove Together fused house and techno with expressive storytelling, creating an experience that enchanted the crowd. The duo’s give-and-take synergy and genre-fluid ethos reflect an evolution from their DIY party roots into an act capable of both opening sun-soaked rooftops and closing peak-hour clubs. They take you on a journey, and before you know it, you’re lost in dancing with no end in sight.

Press inquiries & booking: bpm125girl@gmail.com

Seth Troxler is one of electronic music’s most instantly recognisable artists. He has carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur. Descended from a family of cowboys and Baptist preachers, Seth is part African-American, with a singular approach to viewing the world through the prism of contemporary music culture.

Born in Kalamazoo, Michigan, and raised in suburban Detroit, Seth learnt the art of DJing initially from his stepfather (then a college radio DJ) and later from working, at only 16, behind the counter in legendary Detroit record store ‘Melodies & Memories’. It wasn’t until Seth made the decision to explore new horizons in the mid-2000s, moving to Berlin fresh out of his teens (after debuting at Panorama Bar at just 18 years old), that his DJ career really took off.

Since the move from Detroit to Berlin, then settling in London for a number of years, and now with his time divided between Ibiza and Berlin (Round 2), Seth has established himself as one of the world biggest DJs (voted the world’s number one DJ in scene bible Resident Advisor and gracing the front cover of Mixmag three times). He’s equally at home playing to the smoke-filled dance floors of some of the world’s most discerning nightclubs, such as CircoLoco, fabric (London), Nordstern (Basel), The Lux (Lisbon) or Blitz (Munich), as he is headlining the world’s largest festivals, like Glastonbury, Movement, Roskilde or Sonar.

Right from the word go, Seth has been as passionate about food and contemporary art as he is about music, and these two interests have resonated at all points, and in parallel, to his music career. A multi-faceted modern artist: he has held residencies at talismanic music institutions, run numerous record labels, and pursued his own solo recording career (including the recent ‘Play In The Dark’ collaboration with the Martinez Brothers on Crosstown Rebels, and ‘Lumartes’ that kick started CircoLoco Recordings in Summer 2021). Furthermore Seth has found the time to launch the successful Smokey Tails’ restaurant in London, to create and host his own party during the Rio Carnival, and then to stop everything and to take the time out to climb Kilimanjaro for charity.

More recently Seth has focussed his creative energies on his ‘Lost Souls of Saturn’ www.lostsoulsofsaturn.com project, alongside Phil Moffa and further opaque participants, that sits firmly at the intersection between futuristic electronica, contemporary art and technology. In 2019 Lost Souls Of Saturn presented their audio/visual installation Transmission at the Saatchi Gallery in London, after its premiere during Art Basel in Switzerland, and collaborated with the Met in New York and the Fondation Beyeler in Basel in 2021. Lost Souls Of Saturn are currently recording their second album and conducting further experiments in augmented reality and virtual reality, which will be revealed soon.

Extremely well travelled, constantly searching and experiencing, Seth Troxler continues to follow his own unique path.

Bookings
maria.mayasst@caa.com (Europe & ROW)
matthew.kingseyasst@caa.com (North & South America)

Label: leon@rumorsonthedancefloor.com

www.kotorbay.net 

We seem to be sitting still,
but we're actually moving, and the fantasies 
of phenomena are sliding through us 
like ideas through curtains.

They go to the well
of deep love inside each of us.
They fill their jars there, and they leave.
There is a source they came from,
and a fountain inside here.

Be generous.
Be grateful. Confess when you're not.

We can't know 
what the divine intelligence
has in mind!

Who am I,
standing in the midst of this
thought-traffic?

(Rumi)


vi•sion quest (noun): a search for personal communication with the spirit world. 

Every mystical journey eventually comes to a fork in the road. The seeker of life’s destiny has two options: remain satisfied with whatever level of consciousness he has already attained, or push forward into ever-new domains of promise and possibility. 2014 sees dance music’s best-known spiritual pilgrims, the Visionquest trio of Ryan Crosson, Lee Curtiss, and Shaun Reeves, bravely embarking upon that wondrous journey. Each member of this celebrated DJing and production team contributes a distinct yet interlocking vision that together forms a seamless, organic whole. Just think of Crosson’s enthusiastic shuffle, Lee’s soulful stare, Shaun’s soft touch. Everything they craft has the same unmistakable flair: slow-burning, shape-shifting, expansive techno and house marked by compositional elegance and unabashed pop hooks.

Although long-time partner and co-conspirator Seth Troxler has stepped aside to pursue other projects, 2013 was the biggest year ever for the four. Inspired by the passing of the Mayan calendar, the group embarked upon Visionquest 13, 13 dates where the boys not only played together the whole night, but curated a true multimedia experience. From London to Buenos Aires, from the American hinterland to the Chilean wilderness, Visionquest 13 was a Freudian trip into the deepest recesses of the Detroit rave unconscious, what Ibiza Voice described as a “collective expedition into the depths of your soul”—but with a sophisticated, modern twist.

Their accomplishments are well-known and too many to list. For starters: a critically acclaimed 2011 Fabric mix; year-defining hit remixes for artists as diverse as Kiki, Wareika, Tracey Thorn, and David Lynch; showcases and dates in the biggest clubs and festivals around the world; and the creation of a now iconic-label that’s played host to dancefloor weaponry from the likes of Benoit & Sergio, Life & Death, Dinky, and Laura Jones—all this while each member maintained significant individual production and DJ careers. But, by definition, no journey dwells in the past. So in 2014 they launched Visionquest Special Editions, a limited-release, vinyl only label. Evoking the experimental sounds of the European techno avant-garde that first inspired the boys back in Detroit, the debut release, remixes of Montreal songwriter Quilla, features a stunning collaboration between Shaun and long-time hero Ricardo Villalobos. With Visionquest Special Editions we see the group at home at a breezy, gentle afterparty, not just igniting the club. As Visionquest winds around the corner into their bright future, they remain open and excited for what lies ahead.

. . . exploring the Cosmic Realms of the Sound Spectrum

AerotropicBookings@gmail.com

Electronic Rhythm Records reaffirms its dedication to the diverse and vibrant spectrum of underground electronica and dance music. Rooted in a passion for the cosmic, the mysterious, and the emotive, the label continues to cultivate sounds that reflect both the intensity and the introspective beauty found within the universe. Its focus spans the atmospheric pull of Melodic Techno, the high-impact drive of Peak-Time Techno, and other evolving forms of forward-thinking electronic expression.

Looking ahead, Electronic Rhythm Records is preparing a series of future releases that will further explore these deep, immersive, and high-energy sonic territories. Listeners can expect projects that push creative boundaries while remaining true to the label’s core vision: delivering powerful rhythms, intricate melodic layers, and thoughtfully constructed soundscapes crafted for true electronic music enthusiasts.

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

---

Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

BOOKING

Americas:
ryan@liaisonartists.com
Aus/NZ: 
vic@astralpeople.com
Europe /ROW: 
john@higher-ground.de


MANAGEMENT / REMIXES / PRESS 
Luke Williams: 
luke@thisismusicltd.com
Simon Gold: 
simon@thisismusicltd.com

In retrospect, it's clear that Josh couldn't escape his destiny in electronic music. At 8 years old, he purchased his first record, a 45 of Sweet Dreams, and fell in love with the synthesized bass. Fast-forward to now, his DJ style is a polyamorous exploration of a genre-fluid relationship between house, disco, and techno.

Josh's love for music pushed him to learn guitar and trumpet, and he played in a funk band in college. At the same time, he started an electronic music radio show on 91.1 WSPN, and his record collection took off. In 1997, his friend Pete taught him to beat-match and mix records, and the duo founded Triple X Music to produce and promote large warehouse raves in upstate NY until 2001.

Josh then relocated to NYC and reconnected with his college friend Tom. They began a series of weekly outdoor daytime parties under the Williamsburg Bridge at Rock Star Bar. Josh and Tom also began collaborating to produce house and techno music under the name Colorful Language. You can hear more from Josh here: ffm.bio/josh2x

Electronic Rhythm Records is following