Pressin Hard records. Flex. Reinforced. Mac2. AKO. Repertoire. Skeleton records. 117. DSCi4.

Established in London, 1999.

#HouseMusicAllLifeLong

DARIUS SYROSSIAN  (MOXY MUZIK)
TO BOOK > luke@nge-booking.com 
UK & Spain & Rest of World
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Management + Remix Enquires
Shino > Shino@motionartistmusic.com
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Italy Bookings
Grillo@beatoflife.it
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Uncle Dugs the award winning best Jungle DJ of 2013 who also presents the only legal daytime Oldskool / Jungle radio show in the whole world known as #RCFF (Run Come Follow Friday) every single Friday 11:00-14:00 GMT on London's Rinse 106.8 FM / www.rinse.fm

This is the place where you will find all Uncle Dugs related audio from radio / raves and studio..

Please share these sounds with the world and comment on everything you listen to..

Enjoy the vibes >>>

Peace..

Bookings: info@dnzagency.com
Benelux: karel@burst-artists.com
Asia: jonathan@warungagency.com

Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by
classic Chicago house and nu‐school French flair, underpinned with a hip‐hop attitude. His long running Robsoul Recordings also defines him as one of the
most skilled label heads in underground house music.
In the studio Phil is dedicated to classic hardware like Akai’s MPC 3000 sampler and Roland’s TR909 drum machine. He has released more than 250 tracks and
remixes since his debut in 2000, working with labels including 2020 Vision, Music For Freaks, Brique Rouge, Detour, Adult Only and his own Robsoul, which
is responsible for the majority of his original output. 

Phil’s work can also be found in the collaborations Fries & Bridges (with Hector Moralez) and PS Project/Bubba Beats & Kid Piston (with DJ Sneak). Production highlights include Phil’s three albums ‘Love Affair’ (2011), ‘Yeah I Like That’ (2003) and ‘Raw Instrumental’ (2012), alongside style‐defining singles ‘Hypnose’, ‘It Put Me Well’ and ‘All Day Every Day’. The music has been
heavily supported by international dance press including achieving accolades such as MixMag’s and De‐Bug’s ‘Album Of The Month’, while DJs ranging from
Danny Howells and Yousef to Mark Farina and DJ Sneak consistently play his tracks. Behind the decks, Phil has racked up enough air miles to take him around the
world several times over, with appearances at the world’s leading house clubs ‐ Queen’s Club, Sankeys, Circus, Ministry of Sound, Back to Basics and Stereo are
all regular haunts, alongside his Paris residency ‘Get Underground’ at the infamous Rex Club.

Phil has also fully embraced the relationship with his fans and house music fans in general – whether through his popular ‘Underground Chronicles’ video diaries
on Youtube or his personal relationships on Facebook.
Despite his success Phil isn’t one to brag. To him it’s all about keeping proper house music alive. Which just goes to prove Phil Weeks is a house music purist.

CHECK OUT MY YOUTUBE CHANNEL FOR COOL TUTORIALS. 
( LINKS BELOW )
For those who don't know, Bizzy B's Brain label was one of the most futuristic in the early days when hardcore was becoming jungle. From 92-94 they released some of the best junglistic'ardcore there was. Classics like Darkness, Weekend, Dubplate Wars, 2 Dope ep, and artists like TDK whose TOG sublabel was a peak of amen choppage). Brain also put out the debut releases of Marc Caro (Technical Itch), Peshay and DJ Zinc (in the Swift and Zinc eps) and Slammin' Vinyl's Mike Slammer and Red Alert's first 2 releases. Bizzy also released many a classic on other labels such as Slowjam & DarkIII on Whitehouse, Stamina and Raw Dogs Relik on Suburban Base and many more. He's recently been producing 2-step and Breaks with his Undercover Agents label and still releases drum'n'bass under "Warped Science" (latest being 'After F' on Charge with DJ Fresh on the same ep). Brian's ep for us is a new update of the Old Skool sound "New Old School" if you will. Using todays production values so it'll kick in a drum'n'bass set in 04. As played by Andy C, Bailey et al...

CONTRIBUTIONS:

ZIQ117.//BIZZY B 
SCIENCE EP VOLUME IV / SCIENCE EP VOLUMES III+IV 

ZIQ107.//BIZZY B 
SCIENCE E.P. VOL.III 

ZIQ095.//AMÃ‚ÂµNITION 
DARKSIDE
- BIZZY B 


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FOR BOOKINGS:
http://esp-agency.com/contact
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Setting fire to dancefloors with chopped breaks, deadly deep subs, soundclash mentality and pure euphoria. 

FFF started "djing" on 2 turntables (without pitch control) early 90s. Mixing mainly rave, techno and the sparse UK breakbeat hardcore imports that arrived at his local record shops. 
First steps into making music: combining sounds from vinyl mixed with tapeloops, sounds from his sisters keyboard and a lot of feedback. Things changed big time when his parents bought a PC and his friends turned him onto tracker software. 

Mid 90s he started the cassette label "Orange Socks" on which he released his own material plus music from his friends and artists he met through tapetrading. He released his first track on vinyl in 2001 (on the French Necromaniacs Industry label) and from then on kept releasing on  a wide range of labels (Planet Mu, Kool.Pop, Murder Channel, Prspct RVLT, Hong Kong Violence, Mindbender, Sozialistischer Plattenbau, Sprengstoff, Clash, K-produktions, Sonic Beligeranza, Ketacore, Encounters, Artcore, Dub Attack, Zero71) His first full length album "20.000 Hardcore Members Can't Be Wrong" was released on the Japanese Murder Channel Label in 2011. And the follow up "Keep The Fire" in 2013.

In 2001 Bong-Ra & FFF organized the Breakcore a GoGo parties. These became one of the first regular Breakcore nights in Europe. When BCGG ended in 2004, FFF continued to promote breakcore & Jungle on the monthly Wreck havoc nights which never officially stopped and still pop up once in a while. 

FFF is an obsessive vinyl collector. A trip to the record shop, flea market, thrift stores, record fair and the element of surprise that comes with crate digging are most of the times the basic inspiration for a new track. 

Live you can expect amen warfare, hoovers, rave horns and tropical vibes with elements of jungle, rave, bubbling, dancehall and gabber. 


"Every single track will have audiences calling “Tuune!” and demanding a wheel!!" - Kid Kameleon 

"..generating a kind of classic '92 Hardcore variation, littered with classic rave stabs and healthy Amen breaks, just the way we like it." - boomkat.com


"..blends my favorite styles of dancefloor music with ease and efficiency - ravecore at it's very best!"  - Parasite

Astrophonica

EU / World tom@esp-agency.com 
North America s@icartists.net
MGMT: mark@sequenc.es

As a producer, DJ and label owner Charlie Fieber continues to be an important figure in the development and innovation of UK electronic music genres with a career spanning over two decades. As Fracture, Fieber’s output is prolific and never stands still. From the hyper sped up Techno sound of Turbo to the genre blending Footwork Jungle collaborations with Teklife regulars DJ Earl, DJ Spinn and DJ Taso. He is constantly experimenting and flipping the script and 2022 saw the release of the world building Ambient Electro album Omura with Sam Binga. Releases and affiliations have come from some of the UK’s legendary hardcore continuum labels such as Goldie’s Metalheadz, dBridge’s Exit records, where in 2016 Fieber was part of the mysterious Richie Brains supergroup with fellow experimenters Alix Perez, Chimpo, Fixate, Om Unit, Sam Binga and Stray, and more recently with Alix Perez’s 1985 which saw the curveball collaboration with Kenyan artist Nah Eeto. Fieber’s latest work is his most ambitious to date; '0860’ is an album, radio station and interview series that explores the history and legacy of Pirate Radio and its importance in the development of UK underground music.
As a DJ his sound has travelled with appearances on BBC Radio 1, BBC 6 Music, Boiler Room, Fact Mag, Rinse FM, Keep Hush and multiple US, EU, UK and Asia tours. 
In 2009 the label, Astrophonica, was set up as an output for his own music with Neptune and has since become a home for other like minded and experimental artists such as Sully, Client_03 and Moresounds. Fieber’s impeccable A&R has led to a flawless and in demand back catalogue championed from Annie Mac to Sherelle and with multiple nominations in DJ Mag’s Best Of British awards.

Basking Babies is following