Like Discord? Wanna chat? Get updated when I or certain other cool people put out new stuff? Including separate alerts for WIPs and project files and stuff? Yes you do. I've made this decision for you. There is no stopping this. Take YTJ4khx and stick discord.gg/ in front.

I'm bedridden and playing with sounds in SunVox on a phone.

I'm dropping explicit blanket permission here to distribute my music as necessary with charts for community-powered rhythm games + monetize gameplay recordings. Soundodger+ works well with atmospheric stuff, might need to bug me to make more panel-dance-friendly edits of things (though honestly you'll probably just get impatient and cut the original).

Previously @saltbearer

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EU booking - francisco@lapsusagency.com
@foam0

This is mostly goofy experimental music theory stuff to see how different microtonal scales sound - no real musical compositions here (yet)

Thomas Nicholson (b. 1995) is a Canadian composer whose work investigates extended just intonation. His creative practice centres around a deep exploration of untempered frequency relationships, taking cues from acoustics, theories of perception, and sociology.
During his adolescence, he studied composition and traditional Western music theory privately with Dr. Martín Kutnowski at St. Thomas University in his hometown of Fredericton, Canada. From 2013–2017, he studied composition with Christopher Butterfield at the University of Victoria (BMus). In 2017, he relocated to Berlin, Germany to study at the Universität der Künste (MMus, 2017–2021) with Marc Sabat, whom he assisted teaching in intonation theory seminars.

Nicholson and Sabat have collaborated on several academic and artistic research projects as well as publications revolving around a mutual interest for examining various possible approaches to “Harmonic Space” that may be interesting in music composition. In 2020, they published a revision and extension of Sabat and Wolfgang von Schweinitz’s original “Helmholz-Ellis JI Pitch Notation,” which has already become a standard throughout Europe for notating music in just intonation.

Since 2018, Nicholson has been a member of the Berlin-based Harmonic Space Orchestra, a collective of 15 musicians who meet regularly to research their shared interest in searching for new ways to sound precisely tuned intervals (mainly produced by acoustic instruments) in an inclusive and pluralistic creative environment. He is also a member of Plainsound Music Edition, which is a curated, interdisciplinary virtual edition featuring open source, non-commercial sharing of experimental, perception-driven artistic work and research. There is a major, but not exclusive focus on the practice of microtonally extended just intonation.

In his compositions, Nicholson’s sources of inspiration stem from a broad range of fields and contexts, ranging from mathematics and physics to graphic design, music history, psychoacoustics, philosophy, and interdisciplinary artistic collaborations. Fascinated by the inherently microtonal nature of extended just intonation, his compositions since 2014 have engaged with the often-mysterious interactions between threads of counterpoint and the psychoacoustic phenomenon of harmonic fusion. He is repeatedly drawn to the intricate question of the “enharmonic,” in both historical and modern senses of the word, within the framework of extended just intonation. He often works with various miniscule, yet remarkably expressive connections between tones (points in Harmonic Space), which seem just beyond the reach of perception until contextualised by special harmonic conditions. He especially enjoys composing for smaller settings consisting of two to four musicians and is devoted to researching as well as developing tools and methods for navigating the practical challenges of realising microtonal music in various forms.

Everyone's favorite lolita.

◇Banner and avatar by Se-U-Ra: https://soundcloud.com/se-u-ra
◇Contact: kurokotei[at]protonmail.com

→ aka https://soundcloud.com/lidelle

math code xen

stuff here is pretty outdated and not reflective of my current musical aesthetic, see YouTube for better stuff

Sketches and snapshots of electronic, xenharmonic, and electroacoustic works in progress. Streaming live at twitch.tv/labaslab with livestream archives at youtube.com/@ToroidLabs and some older work at semiautomaticgroundenvironment.bandcamp.com

⚠ I have moved to YouTube. Please follow me there: https://youtube.com/@00sk0

Jazz Fusion / Chiptune / Dubstep / Future Bass etc.
Short songs: https://twitter.com/i/events/1287178147343896576

Please do not repost my tracks without my permission, except through SoundCloud's repost function of course :)

Adam Spiers is a multi-genre cellist whose repertoire encompasses classical, jazz, tango, Latin, bluegrass, folk, and pop.

Originally classically trained, as a teenager he was appointed principal cellist of the National Youth Orchestra of Great Britain, performing solos under Sir Colin Davis at the Barbican and Mark Wigglesworth at the BBC Proms, before completing a postgraduate diploma at the Royal Academy of Music. As principal cellist with Sinfonia Cymru for several years, he performed with renowned soloists such as Bryn Terfel, Andrea Bocelli, Anthony Marwood, Guy Johnston, John Lill, and Li-Wei Qin.

A few years ago during a visit to the USA, he discovered a strong passion for the improvisatory and creative side of string playing which is particularly prevalent in places such as Boston, Nashville, New York, and California. He now regularly travels to the USA for music, studying with / performing alongside leading multi-genre string players such as Christian Howes, Billy Contreras, Mads Tolling, Mike Block, Darol Anger, and Victor Lin, and most recently played at the Stanford Jazz Residency in California.

Back at home in London, he has guested with the Parliamentary Jazz Award-winning John Turville Trio at King's Place, and been filmed as the cellist of the London Tango Orchestra for a BBC documentary on Argentinian music. Current projects include a duo with jazz-folk singer/songwriter Monika Lidke, and a jazz trio with violinist Dan Oates and pianist John Cervantes.

Adam juggles his musical career with a long-running parallel career as a software engineer, a less successful pre-occupation with being a triathlete, and occasionally also juggles balls, clubs, and fire.

euwbah is following