Paris based record label founded and run by Siler & Dima since 2010

Management: sean@mammothmusicgroup.com jason@mammothmusicgroup.com phil@mammothmusicgroup.com 

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Flamingosis (the name comes from a free- style Frisbee move that his father invented) is a New Jersey-based electronic music producer and beatboxer. Drawing on influences from other producers such as Flying Lotus and J Dilla as well as vintage funk and disco music, Flamingosis creates engaging and souful tracks and puts on an infectiously energetic live show.

Youtube Channel Gazzz696 

Record collector music hoarder and  DJ since the mid 80s ... 

Was resident DJ at the weekly Blast Club in Chester since summer 1988, Quadrant Park Liverpool 90/91 , Sweet Chester , Elevate Bangor   etc etc  .. Now Djing at Electrik Disko every fortnight, and throughout the summer we are in the outside courtyard area in The Commercial Bar Wrexham. Nice sound system and great location ..puurfect.
checkout my Youtube channel Gazzz696 <a href="http://www.youtube.com/user/Gazzz696" rel="nofollow" target="_blank">http://www.youtube.com/user/Gazzz696</a> 

Have fun )

Electronic & Cultural Media based in Marseille.

EVENT / PODCAST / LIVE STREAM / MANAGEMENT

Living in the moment.

DJ Koze’s new album Music Can Hear Us, released on April 4, 2025, entered the official German album charts at number 4 and received widespread critical acclaim worldwide. Major publications such as Pitchfork, Rolling Stone, Wall Street Journal, Musikexpress, and many others have celebrated its brilliance. In the music scene, platforms such as Resident Advisor, Musikexpress, Groove, Diffus, MINT, HHV MAG, and BEAT Magazine have all highlighted the album’s magic and Koze’s unique artistic voice. Music Can Hear Us is destined to be one of the year’s most talked-about releases.

Vinyl Record Label
Shop @ Bandcamp:
https://bigbaitrecords.bandcamp.com/
Were not accepting demos anmore. 
Coming 11th of June 2018
bigbait028 - Kolumbianische Allee 28 - Various Artists

Discography
bigbait027 - Broke One - This Thing Called Reality
bigbait026 - Chassé - Word Up Kids
bigbait025 - Monikca - Floating Herbert EP
bigbait024 - Glenn Astro - Colored Sands
bigbait023 - Kian-T - Space Tapes
bigbait022 - Gold - Various Artists
bigbait021 - Sativa - Chocky
bigbait020 - Indica - Georgi Barrel
bigbait019 - Diskko Dawn - Various
bigbait018 - Münchner Jazz Bar - Monikca 
bigbait017 - Catch 'n' Release - Peter Clamat
bigbait016 - Eclipse - Rick Wade and Peter Clamat
bigbait015 - Random Nature - Jenifa Mayanja 
bigbait014 - Stoney Clouds - Chocky
bigbait013 - Tearz - Glenn Astro
bigbait012 - for sophisticated helmsmen  - de:pot
bigbait011 - Me and my Mouse - Scherbe
bigbait010 - Bing, Bang, Bong - Citizen Funk
bigbait009 - Peter Clamat EP
bigbait008 - Colored Sands - Glenn Astro/Lee Webster
bigbait007 - Original Badass - Elektroherde & Portable
bigbait006 - Dj Killed 90 People - Various
bigbait005 - Wurst Vielleicht? - Elektroherde
bigbait004 - Deep Confessions - Various
bigbait003 - Single EP - Peter Clamat     
bigbait002 - Single LP - Peter Clamat
bigbait001 - B-Sides - Le Garcon Flashy

Label showcase inquiries: gregoire@houseum.fr

Our shops: 
- https://houseum-store.com
- https://houseumrecords.bandcamp.com

Our website: https://houseum.fr

For any contact, Premiere or host on the channel: houseum.yt@gmail.com

The label does not accept demo.

It is as bewildering as it is unfair to consider only some of the regions of a country as immense and culturally diverse as Brazil when we think about its immense musical heritage. A common trend that ends up distancing us from a vast universe that lies far beyond the usual southeastern soundscapes and deprives us of delicious surprises like the ones a scene as lively as Belém do Pará's has in store for us. The same that shaped Bernardo Pinheiro's talents and made him one of the most daring and versatile artists of his generation.
Growing up in a home filled with the essential stimuli to the maturing process that turns art lovers into makers, his talents ended up taking shape through practically all the aspects that make up the creation and dissemination of our rich musicality: selector, producer, promoter, protector, or whatever else was needed to fulfill those tasks. And each one of the expressions of his artistic will and vision are manifested in some way all over a career that extends itself for more than two decades, across Brazil and throughout the world.
From Baile Tropical, a project he created alongside Patricktør4 to promote the same Brazilian aural plurality that feeds his repertoire, to his interventions in classics by fellow countrymen such as Fafá de Belém, Leila Pinheiro and other renowned interpreters of Brazilian music such as Djavan, Emílio Santiago, Marcos Valle and Gonzaguinha, the main urge remains is the same: to work this opulent raw material in every possible way. This is what orients him through the rhythmic and geographic immensity of the country to transcend its borders, in an itinerancy that is guided by the mining of musical gems and driven by the desire to share his findings with the public.
This trajectory not only includes visits to the booths of Brasilian venues that are renowned bastions of revelry such as D-Edge, Trackers and Heavy House, as well as Santa Catarina's Don't Tell Mama, it also counts memorable performances at the stages of festivals as diverse as Se Rasgum and Vai Tapajós back in his homeland, Rec Beat in Recife, Mareh Music and Marisco in São Paulo, all the to Virada dos Lençóis in Maranhão and Rio, relentlessly criss-crossing the country. Moreover, this itinerary includes a variety of spaces such as legendary studios and record stores or any other of those special locations where our communion with music takes place, under any pretext or format.
This same drive is transferred unbroken to exquisite musical pieces that comprise a solid collection of authorial releases, gracing the catalog of labels such as Barefoot Beats, Cocada Music, Bongo Synth, Kampana Records, Too Slow to Disco, All About Disco and Midnight Riot. Each of these show his inventiveness shining brightly as he transposes from one universe to another, with both precision and devotion, the full notion of the dance floor and the vivid experience of dance ingrained in a career that has traveled the world while mutating through a range of genres that encompasses Drum & Bass to Disco and House and pretty much everything in between.
A journey that is quite eclectic , never erratic, for its steered by the type of artistic personality and maturity forged along a route that is itself punctuated by expressive moments including all kinds of creative intervention and festive invention: reenergizing classics and reinvigorating traditions, moving bodies and conjuring emotions, all done on and for the dancefloor.

Anthoine White is following