woah felix, just incredible my friend! makes me quite envious of that cinela windscreen haha

Great recording ! So hard to capture a good wind recording like this.

Singing sweet song. Beautiful. Thanks for the upload.

capturing wind-generated sounds is one difficult task. Great sample! Thank you!

zero-day

Released November 21, 2021
https://scalq.bandcamp.com/album/apatheia

Gobo

Recording from the world premiere of Anna Berg's piece Accrétion (2021) for choir. 
Written for and performed by Ensemble 96 and conductor Nina T. Karlsen. 
June 7th, 2021, Fagerborg kirke. 

Mastering: Audun Strype

Accrétion (2021)

Diffuse

L'emprunte d'Encyclie

Blagoe Molchanie

Kermes

Fil - Automate IV (2023)

El conjunto del canto de ranas del Zarzal o trepadoras (Hypsiboas pulchellus) genera una obra sonora natural, acompañada de grillos y el sonido del mar.
En su etapa de reproducción su llamado es muy sonoro, metálico y musical, producido por la rápida vibración de las cuerdas vocales que se amplifican por el saco vocal.

//ENG
The singing of the Zarzal frogs or climbers (Hypsiboas pulchellus) generates a natural sound work, accompanied by crickets and the sound of the sea.
In its reproduction stage, its call is very loud, metallic and musical, produced by the rapid vibration of the vocal cords that are amplified by the vocal sac.


—
Grabación de campo realizada en un charcal a orillas de la
Playa Bello Horizonte, Costa Azul, Uruguay
05-04-2023 02:00 AM

Concierto de Ranas del Zarzal

Wind singing in a sign on the border between France & Italia (Colle Di Tenda).
Recording during the workshop "The idea of borders" (July 2016)

Recorded by a MS Setup CCM41+CCM8 Schoeps in Cinela Zephyx windscreen. 
Sound Devices 633 Recorder.
Wave. 96kHz. 24bit
Sound Reference: CUN160704T01
Pictures by Michela Sacchetto (Art.Ur)

www.felixblume.com

Wind singing in a sign on the border between France & Italia (Colle Di Tenda)

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

the Sea They Think They Hear (2021)

Félix Blume is a sound artist and sound engineer. 
His work is focused on listening, it invites us to live sonic experiences that enable a different perception of the surrounding. He uses sound as a basic material in sound pieces, videos, actions and installations. His process is often collaborative, working with communities, using public space as the context within which he explores and presents his works. He is interested in myths and their contemporary interpretation, in human dialogues both with inhabited natural and urban contexts, in what voices can tell beyond words.

Wind singing in a sign on the border between France & Italia (Colle Di Tenda)

felixblume

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